A tattooed person suspends from hooks, laying flat, one leg higher than the other. Their head is back, and they seem to be smiling, dark hair dangling like an anime character.

Category: ModBlog

  • Trifecta complete!

    A polymath is a person whose expertise spans a significant number of different subject areas. In less formal terms, a polymath (or polymathic person) may simply be someone who is very knowledgeable. Most ancient scientists were polymaths by today’s standards.

    The terms Renaissance man and, less commonly, Homo Universalis (Latin for “universal man” or “man of the world”) are related and used to describe a person who is well educated or who excels in a wide variety of subjects or fields. The idea developed in Renaissance Italy from the notion expressed by one of its most accomplished representatives, Leon Battista Alberti (1404–1472): that “a man can do all things if he will.” It embodied the basic tenets of Renaissance humanism, which considered humans empowered, limitless in their capacities for development, and led to the notion that people should embrace all knowledge and develop their capacities as fully as possible. Thus the gifted people of the Renaissance sought to develop skills in all areas of knowledge, in physical development, in social accomplishments, and in the arts.

    Source

    When I started writing today’s posts I had noticed that a few of the images I has selected were all from the same artist.  We’ve already seen Gabor Zagyvai’s scarification work, as well as one of the suspensions he performed recently.  Now for the final part of the trifecta, I present one of his tattoos.

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    This piece, entitled “Abstract Mistycism” (not my spelling), was part of the large image upload that Gabor sent in recently.  This leg piece is just breathtaking in it’s intricacies.  I love how you can get lost in the images, especially considering the monochromatic nature of blackwork.

    I was to talk about the term “Renaissance Man”.  The wiki definition above gives us the classical definition, and for the most part that definition still works today.  I think that Gabor is a good representation of the Renaissance men and women that are so prevalent in the modification community today.  While classical artists tend to favor one medium over other others, what we are seeing now is a large percentage of the modification artists branching out from one particular form of modification.  Scar artists are also tattoo artists, piercers also suspend people, and even more, like Gabor, cover every aspect of the modification spectrum.

    This then brings up the argument, is it now necessary in today’s world to become a master of multiple genres?  Is wearing just one hat enough these days to become successful, or should artists work towards perfecting their art in different mediums?  I guess the more important question is, have we as a community raised our expectations to the point that artists feel they must diversify to meet the needs of their clientele?

    What do you guys and gals think?  Does the future of modification lie in artists becoming polymaths, or are there enough people out there that specialization is still the preferred way to go?

  • Send… more… paramedics

    Often I get to see an image that just delights me.  Most people that know me know that I’m a big horror fan, zombies in particular.  When I’m scanning the tattoo galleries for new images I always notice the horror related ones first, but today, when looking at the suspension galleries I was pleasantly surprised.

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    I had to shrink the image down to fit it on ModBlog, but the full sized version can be seen here.  For those with keen eyes you can make out a couple of notable horror icons.  I believe that’s Michael Myers on the left, Bela Lugosi’s Dracula on the right, and of course the woman in the middle is Lianna Quigley from Return of the Living dead.  I think the reason I like this image so much is that you have all these horror movie related images blended together while blood is dripping down onto it.

    While you may not be familiar with Return of the Living dead, it is the movie that you can thank for creating the famous zombie quote “Brainnnssssss”.

    Now, if you were in this position, what image would you like to see your blood dripping down on to?  Which I realize is a somewhat morbid phrasing to a question, but hey, we are talking about the walking dead are we not?

    Oh, one more thing, while not scarring people up like in the previous post, Gabor also spends some of his time rigging people up.  There are a few other happy Hungarians hanging from hooks over in the suicide suspension galleries.

  • Black hole sun

    Update:  Didn’t realize the meaning behind the original image that I used.  I’ve since replaced it with the current image.

    So I’ve had a few Soundgarden songs stuck in my head ever since I’ve heard the band was getting back together.  It got me wondering how a song can be crafted that gives it a timeless quality, like how their songs from 20 years ago still sound fresh today.  While pondering this, I was browsing the scarification galleries, when I cam across this image by Gabor Zagyvai.

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    Which brings me back to Soundgarden.  While you may or may not be a fan of theirs, any songwriter will tell you how difficult it can be to craft a song, let alone one that an audience will enjoy.  So for the purpose of this discussion, just replace Soundgarden with your favorite musician/composer/band.  Like the process in creating a scar, time is meticulously spent over every aspect of the scar.  Width of the lines, depth, getting the design perfect, choosing the right blade, and then the placement on the body.  All of those factors are considered well before the first cut is made.  The same can be said about a piece of music.  The right notes, lyrics, tempo, instruments can make the difference between a horrible piece of music and a beautiful one.  Like scars, these pieces of music will live on well past the time they were created.

    Of course this can be said about any form of art, which is exactly what Gabor has done here with this piece.  This piece is only one of several that were uploaded in the past day. Gabor’s own gallery has the entire collection, where many of them have healed images alongside the fresh ones.  So while this scar may not be your cup of tea, there are a lot of other beautiful scars you can check out.

  • You need to get to L.A. soon

    Tomorrow night is the gala opening for The Known Gallery‘s showing of Irezumi Bijin: Works by Kaname Ozuma and Horiyoshi III

    Tattoo Hollywood and Known Gallery are also hosting a once in a lifetime opportunity to view works by Kaname Ozuma and Horiyoshi III, appropriately titled:  Irezumi Bijin.  If you were at the Tattoo Hollywood convention last week you had the opportunity to get a sneak peek at the works by these brilliant artists.  Tomorrow night the show begins and will be running until Sept. 18th.  I urge you to do whatever is in your power to get to Los Angeles and see this show before it is gone for good.

    ozumaknowngallery1

    When:
    Opening Reception: Thursday August 26th, 2010 | 8pm-11pm
    Show Runs: August 26th – September 18th

    Where:
    Known Gallery
    441 North Fairfax Avenue
    Los Angeles, CA 90036

    About the artists:

    Kaname Ozuma

    Born in Niigata, Japan in 1939, Ozuma Kaname began studying traditional Japanese painting under his uncle, artist Sakai Soushi, from a young age. Moving to Tokyo at the age of 18, he trained as an art dealer while working at a printing company. Afterwards, he moved on to the publishing industry where he illustrated tattoos. The majority of his work continues to be tattoo-related along with other traditional Japanese themes; and often serves as a source of inspiration for master tattooist Horiyoshi III, whose clients in turn, are often depicted in Ozuma’s paintings.

    Horiyoshi III

    Born Yoshihito Nakano in 1946, Horiyoshi III is the second tattooist to be bestowed the honorific title—the tattooist affixation “Hori” means engrave—in a line started by his master, the legendary tattoo artist Yoshitsugu Muramatsu, or Shodai Horiyoshi of Yokohama (Muramatsu went on to dub his son Horiyoshi II, and later Nakano was named Horiyoshi III).  His images are classical Japanese woodblock print motifs such as the phoenix, dragon, snakes, tigers, samurai warriors, Buddhist gods to name a few as well as background images of waves, clouds and various flowers. Among Horiyoshi III’s published works are 36 Ghosts, 108 Heroes of the Suikoden, 100 Demons, and The Namakubi (severed heads), 100 Dragons and 58 Warriors. Horiyoshi’s artistic genius and generosity of spirit have had a defining impact on the world of tattooing, taking it to new levels in this new century.

    I’m definitely trying to put plans together to put myself on the road again sometime before the show ends just so I can check it out.  Who knows, maybe I’ll see you there.

  • A modified rebellion

    There are some stories that as controversial as they may be, do need to be told.  Before I begin, it’s important that you know a few things about the subject matter of the post.  First off, the current Republic of Turkey wasn’t always a democratic nation.  The area known today as Turkey was home to one of the earliest human settlements.  Over the centuries many empires have risen and fallen, with the most notable being the Ottoman Empire, which ruled over 6 centuries until WWI.  Following the first world war, and the defeat of the Ottoman Empire a military commander named Mustafa Kemal Atatürk led the country to become a democratic and secular nation.  The Ottoman Empire had previously ruled under Islamic law, and when Atatürk became the first president of Turkey he moved towards the western style of democracy with the separation of Church and State.  In the years following the foundation of the new Turkey, Atatürk pushed through a great many reforms to every aspect of life in Turkey.  Civic courts replaced Islamic courts, women were grated equal status, and the official language was changed from Arabic to Turkish.

    In the decades following Atatürk’s death, he has been acclaimed time and time again for his contributions towards cultural reforms.  As for the Turkish government, it continued on following in the footsteps of it’s first leader.  Over time the parties in power have changed, and currently the party in power wishes to revert the changes that Atatürk made, and return Turkey to an Islamic republic.  The conservative Justice and Development (AKP) party has presently put forth a motion for a constitutional referendum that would allow them to alter the structure of the government.

    As for which side in the debate is right, it is not my position to judge.

    What I am here for is to share with you the reactions that of some of the Turkish people are having to these proposed changes.

    rebellion

    More and more Turkish people, from all walks of life and socio-economic standings, are emblazoning their appendages with the signature of the controversial Turkish trailblazer Mustafa Kemal Ataturk who made Turkey the secular nation it is today. The tattoo reads simply enough “K.Ataturk” in a scripted text.  The history behind the specific Ataturk signature that is used for the tattoos is as politically charged as the man himself. According to popular belief, it was the same signage that Ataturk used when he signed legislation to annihilate the Ottoman alphabet, which was in classical Arabic, in favor of a Latin alphabet that was in line with secular European nations.

    The resistance to the AKP is so fierce in Turkey, that many tattoo parlors offer discounted prices for the Ataturk tattoo and some offer it entirely for free. Apparently the price for government-supported religious freedom is a price that some people are willing to pay for in blood.

    I think this is the first nation-wide protest that I’ve heard of that is being spread through tattoos.  Whether you agree with the position that the protesters have or not, the key thing to remember is that these people are showing to the world what their beliefs are, in the form of a permanent modification.  As someone who has attended protests in the past, I’ve seen varying levels of commitment to the causes.  From extremists who smash window and light cars on fire, to grandmothers holding up a sign on a lawn.  I honestly can say I don’t think many of the people I have met are so passionate about their causes to have them tattooed on their bodies.

    The thing to remember is that these tattoos are not just being done in protest.  Many of the people getting them feel that Atatürk was the man that brought their country to the place it is now, and for them, their national identity is as much a part of them as their own skin.

    Like I mentioned before, this subject isn’t one I can comment on, but what I can comment on is the level of commitment these people are displaying.  Would you be willing to get a tattoo for similar reasons as these people?

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