BME: Body Modification Ezine

A tattooed person suspends from hooks, laying flat, one leg higher than the other. Their head is back, and they seem to be smiling, dark hair dangling like an anime character.

Celebrating body modification culture since 1994.

Category: ModBlog

  • Hand-Poked Cremation Ashes Tattoo

    Written by

    Shannon Larratt

    Former BME columnist Marisa Kakoulas at Needles and Sins just posted a fascinating article on a hand-poked cremation ashes tattoo done in a hand-poked dotwork style by Colin Dale of Skin & Bone in Copenhagen. Colin recently tattooed his friend Eric with Eric’s father’s ashes, mixed with soot to darken the ink, milled together in strong Vodka — apparently human ashes are very light and it helps to add an agent to make the tattoo more visible. Click the picture to visit Needles and Sins for the whole story.

    ash-tattoo

  • Encounters in Africa

    Written by

    Shannon Larratt

    This photo is from two years ago when Florian and his girlfriend were in Kenya. On their way back from a safari they passed a Maasai village, where they decided to stop. This was their first reaction when they saw him and his stretched ears — perhaps the first time they’d seen a white guy with stretched ears, a practise that is all but dying out in their own culture. A very fun, friendly encounter that saw them dancing together not long after.

    africa-florian

    His picture reminded me — when Rachel and I were in Africa (an amazing experience) in 2004, in Durban we bumped into an older Zulu that made his living taking photos with tourists. As you can imagine he was a bit beat down by life, unsurprising given that he’d been essentially reduced to a zoo exhibit, turned into a curiosity for visitors due to his cultural background. So there wasn’t any dancing. He did however appear happy, or at least bemused, to meet a white guy with stretched ears as well.

    africa-1t africa-2t

  • Prosthetic Inside

    Written by

    Shannon Larratt

    Yesterday I was mentioning how amputees often use their unique anatomy to get great tattoos that only their body is truly suited for — here’s another superb example, Jason’s tattoo done by Yancy Miller of World of Body Works in Lafayette, Louisiana. Of course this is a design that has been done on plenty of people with complete limbs, but a mechanical anatomy tattoo is somehow much, much more effective when its design echoes the prosthetic limb right next to it!

    prosthetic-inside-tattoo

  • A couple more Kielties

    Written by

    Shannon Larratt

    I’ve shared Patrick Kielty’s work a couple times before (most noteably this great handprint scar) — and the work of his daughter — but my eye was caught by a couple of recent additions to his piercing portfolio. First, a nasallang placed so high that it makes my nose hurt just thinking about it (although not the most extreme I’ve seen), and second, an absolutely charming double-heart-shaped helix piercing using interlinked heart jewelry.

    patrick1t patrick2t

  • Fabric-design-esque Backpiece

    Written by

    Shannon Larratt

    Most of the tattoo artists specializing in geometric designs seem to draw heavily from math and sacred geometry (often centered around swastika mysticism), and as much as I consistently enjoy that, I’m always very excited to see the boundaries of modern blackwork and neotribal being expanded with other influences. I don’t want to put words in his mouth — and I am planning on updating it soon, but much earlier in Vincent’s career we did an interview which you can read here — but in this gorgeous backpiece by Beautiful Freak‘s (beautifulfreaktattoo.com) Vincent Hocquet I’m seeing fabric design playing a role as well, and the textures and level work in the faces makes me think of printmaking as well. There’s more as well, maybe in the general layout, that I can’t quite put my finger on but very much sets it apart from similar “texture collage” tattoos. Great work as always. Zoom in for a closer look.

    backpiece by vincent hocquet

    Update: Vincent just showed me some of the source artwork, a Mayan “Mask of Death and Rebirth” from Tikal, 900 AD. I love the way he’s adapted it for the tattoo.

    This Maya mask shows the different stages of life as part of a never ending cicle of human evolution through life and the afterlife as it was understood by the mayas. The mask has three layered faces, each representing one particular stage of life. The inner face represents the beginning of life at birth. The middle face is the most important one since it represents the adult stage when the person comes into his full potential and most of his life experiences happened. The outer or third face represents the end of earthly life. This sacred time was viewed by the Maya as the end of one cycle and the beginning of another one. Death was followed by lavish preparations for the next life.

    mayan-mask

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