With sincere apologies to the wearer, I really hate saying anything negative about someone’s body modification, but you know, when it comes to tattoo quality, I would never tackle a portrait until I was very confident as a tattoo artist, because the implications of getting it even a little off are so unpleasant. It’s really important to understand I think that doing a portrait is a very different set of skills, and someone can be a quite solid artist on other levels but have difficulty with them… It’s very, very important when you’re looking at someone’s portfolio that you see pieces in the style of what you want.
Category: ModBlog
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John Joyce (Scarab) Interview Posted
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I’m very happy to present this many years overdue interview with John Joyce of Scarab Body Arts. It’s a long read, but worth it — I hope you’ll enjoy it as much as I did. Click through to read it now, and come on back here to comment.
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Marketing With Tattoos
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Continuing this discussion of mainstreaming, I’m in 7/11 this morning and they have a new energy drink called “Inked”. It’s got a faux-tribal border, a “rock” font, and a neo-Japanese wave in the middle, and the flavor is called “Razzle Dazzle” — could there be a more embarrassing name? It’s as if they’re making fun of you for buying it. I’m reminded of the scene in Family Guy where Lois is running for mayor, and realizes that just by saying “9-11″ and “Jesus” and “terrorists” Giuliani-style, all of a suddenly the crowd starts cheering and buys whatever she’s saying… What, are tattoo fans so gullible that they’ll buy an energy drink just because it says “cool razzle dazzle tatties” on it?*
* Yes, I bought it. It tastes like a sort of watered down “Tahiti Treat”.
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Jacki Randall Interview Posted
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I thought that given some of the recent debate about mainstreaming and so on that this might be a good opportunity to post an interview with queer/leather/biker outlaw tattoo artist Jacki Randall. Click through for the interview, come on back to comment.
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White Etching
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You may have seen this shot on the cover, but I liked this work (from Dayaks in Mexico City) so much that I wanted to feature it here as well — the blackwork with what I assume is whitework on top just looks amazing (although I may be mistaken and it could be cutting over blackwork).