A tattooed person suspends from hooks, laying flat, one leg higher than the other. Their head is back, and they seem to be smiling, dark hair dangling like an anime character.

Category: Features

  • William Rafti: Piercing Visionary or Scumbag Con-Artist? [The Publisher’s Ring]



    William Rafti:
    Piercing Visionary or Scumbag Con-Artist?

    “I’m not afraid of making a fool of myself, I’ve done worse.”

    – William Rafti

    Those of you in the APP know about William Rafti because of his constant baseless attacks on APP members, his cold-calling harassment of those associated with the APP, and his relentless attacks on respected members of the piercing community such as Sky Renfro. Others may have seen his “ebook”, “The Body Piercing Encyclopedia” — which he for a time marketed as the “replacement” for the APP manual — in various online catalogs, through which he portrays himself as one of the leading minds in modern body piercing.

      

    The photo William Rafti submitted (him in Unimax’s showroom) when he tried to use the BME personals to spam for “trainees” for his non-existent piercing school

    The truth is, William Rafti is at best an unstable asshole with a wavering grip on reality, if you’re to believe the vast majority of the piercing industry. While he’s willing to go on at length about how he’s the most important thing to happen to piercing, even using the references he provided me with, I couldn’t find a single person willing to say nice things about him or even qualify him as an expert. But still, I decided to give him a chance and asked for a copy of his ebook for review — after all, very occasionally an insane asshole does produce something of value.

    What I received was emphatically not something of value.

    In the mail I received a palm-sized plastic bag with a small unlabelled CD-R, which was wrapped in a low-quality print out informing me that I’d need Microsoft Word to view it. When I inserted the CD there was no installation process or welcome message — upon opening it I discovered that to access the documents, I’d have to copy the contents into “C:\Volume” and load the bits of the book into Word from there.

    When I finally got the book loaded, I found a chaotic mess of documents with constantly changing font sizes and colors, strange hyperlinks (sometimes to various Internet sites), and broken layout. It was riddled with spelling errors and grammatical confusion, and there was an abundance of unrelated files — everything from outdated shareware applications to “jokes” to chat logs of Rafti slandering various well known body modification figures. I was rather shocked at the un-professionalism of it, but still, I tried to give it the benefit of the doubt.



    A strange part of the ebook called “Shop Wench”, which numerous readers have expressed disgust at (and others have been forced to say “sad but true” to).



    An excerpt from the “Pain Management” section, which includes text apparently stolen from drbiba.com.



    An odd section of text, seemingly unrelated to his book — and stolen from an article published in the far-right online magazine WorldNetDaily in October of 2002.



    The credits and thank you part, where Rafti thanks for their help numerous people who have no idea who he is and that he’s never met.

    The feeling that you get when reading the “book” is that Rafti just downloaded every bit of body piercing related information online, and then tried to patch it together into a single project under his own name. Not only do the fonts change from “pasting to pasting”, but the style of writing changes as well, implying strongly that large portions of this book are plagiarized. In addition, I noticed that in some sections he would flip between referring to tools by their name (ie. 8mm Dermal Punch) and some sort of product code (ie. #DERM-8MM). I can think of no explanation for this other than cutting and pasting from a manufacturer’s catalog and attempting to disguise it as his own work.

    And then I read something familiar.

    William Rafti was stealing material from the old BME glossary, making minor changes to it, erasing my name, and inserting his own as the author instead!

    I don’t generally mind when people use BME as a basis for their own research — that’s what it’s there for. But what I do mind is when people actually claim that they wrote it. If you want to use someone else’s material, cite it properly! It’s one thing when someone plagiarizes on a school project… but for Rafti to steal BME’s material and try and criminally sell it under his own name takes some real gall.

    In the tables below, entries from the outdated BME glossary (Rafti did not have access to the new files in the still fledgling BME encyclopedia project at the time) are shown on the left. Entries taken from Rafti’s ebook are shown on the right — please note that in both cases I’ve not always included the entire entry for the purposes of clarity.

    I have highlighted direct plagiarism in yellow, and I have highlighted indirect plagiarism (where synonyms and alternate phrases have been inserted) with pink. These are only a small number of the examples that I found — my analysis suggests that the bulk of the ebook is plagiarized from various sources (not just BME). I even found some examples where he copied my typos!

    Fistula
     
    A healing tunnel of skin. When a piercing is performed, a crescent hole is carved, leaving a raw length of flesh filled with jewelry. As the piercing heals, new skin is grows. This “tube” is initially fragile and tugging violently on the jewelry will tear it.
    Flesh Tube

    A healed tunnel of flesh.
    When a piercing is performed, a crescent hole is carved, leaving a raw length of flesh filled with jewelry. As the piercing heals, new skin is grown. This ‘tube’ is initially fragile and rotating the jewelry without lubrication can tear it.

     
    Changing the title and a couple words doesn’t make a person an author… It makes them a thief (and what’s with substituting “grows” for “grown”?).

    Blowout

    When a piercing is stretched too quickly (a rate which is different for everyone), the skin tunnel can be forced out the back of the piercing by the pressure. The result is an unsightly “lip” around the edge. If stretching continues, this lip can grow dramatically.

    Downsizing the piercing (ie. putting in smaller jewelry) so that the deformed tissue can reabsorb into the body.

     
    Blowout

    When a piercing is stretched too quickly (a rate which is different for everyone), the jewelry tunnel can be forced out the back of the piercing by pressure resulting in an unsightly “lip” around the edge. The best solution is to put smaller jewelry in the piercing so that the deformed tissue can go back into proper position.

    Again, it’s clearly the same text, with only the most minor of editing to disguise the theft.

    Flexible Bar Piercing

    Another method of doing surface piercings is to use flexible jewelry. The theory is that because the jewelry flexes and moves freely with the body, it will cause minimal irritation. This is true in part, but there will still be more pressure on the exits than with surface bars. Note also that not all flexible jewelry is created equal. The two most common materials are probably nylon (fishing line) and tygon (a kind of plastic tubing). Tygon is drastically more flexible.

     
    Flexible Bar

    A kind of barbell that has a flexible shaft that is made out of plastic. The two most common materials are nylon (fishing line) and Tygon (a kind of plastic tubing). Tygon is much more flexible than Nylon. The flexibility of the plastic reduces pressure that the skin places on a new piercing, but there is still more pressure on the exits than with a properly fitting surface to surface bar.

    One of the things that Rafti doesn’t seem to clue in on is that BME “wrote the book” on many of these subjects and still remains the only source for information on them. Because of that, BME often uses unique terminology, and when I see someone else using it, there is really only one possible source! Here he’s “cleverly” changed the focus of the entry from the procedure to the jewelry (and been more sneaky in re-odering the text), but it’s still the same entry, and no one is fooled when they see both I think.

    Emla Cream

    It should be noted that while EMLA cream is over-the-counter in Canada, it is a prescription-only substance in most countries, including the US. In addition, it’s application may be illegal for piercers or tattooists to do.

     
    Emla Cream

    EMLA cream is over-the-counter in Canada, but it is a prescription-only substance in most other countries, including the US. It’s application may be illegal for piercers or tattooists to do.

    Come on. It’s not like it’s hard to write entries on these subjects. Why steal?

    Epinephrine

    Epinephrine is commonly combined with injectible anesthetics due to its vascular constrictive properties. That is, it causes blood vessels to shrink closed. This means first that the anesthetic will last longer (since it is not carried away in the blood), and second, the procedure will bleed less.

    It should be noted that because of its vasoconstrictive properties should be avoided in extremities and digits since the small blood vessels can be permanently collapsed. It should be probably also be avoided by those with heart conditions — injecting 5cc’s of Xylocaine with Epinephrine into your balls will make you feel like you’ve just run around the block.

     
    Epinephrine

    Epinephrine is commonly combined with injectable anesthetics due to its vascular constrictive properties. That is, it causes blood vessels to shrink closed. This means first that the anesthetic will last longer (since it is not carried away in the blood), and second, the procedure will bleed less.

    It should be noted that because of its vasoconstrictive properties should be avoided in extremities and digits since the small blood vessels can be permanently collapsed. It should probably also be avoided by those with heart conditions.

    Wow. A whole entry copied word for word… Minus the last sentence, which I guess Rafti thought wouldn’t be right for his readers — although Rafti makes the disturbing and unfounded claim in his ebook that 60% of piercers become piercers due to deviant sexuality including sadism, masochism, and voyeurism.

    Xylocaine

    Xylocaine (lidocaine) is one of the common kinds of anesthetic. In it’s most popular form, it is a liquid injectable anesthetic, usually in a 2% or 1% strength solution. It is often combined with epinephrine.

    It should be noted that xylocaine is, in most countries, by prescription only and may only be administered legally by doctors. Clients should be wary of any piercing studio that offers it in these countries.

     
    Xylocaine

    Xylocaine Also known as Lidocaine; is one of the common kinds of anesthetic. In it’s most popular form, it is a liquid injectable anesthetic, usually in a 2% or 1% strength solution. It is often combined with epinephrine. Lidocaine toxicity can occur when a very large amount of Lidocaine is injected. A common procedure requiring vast amounts of Lidocaine is Super-Wet Technique Liposuction. It should be noted that Xylocaine is, in most countries, by prescription only and may only be administered legally by doctors.

    What’s funny about this particular entry is what he didn’t steal from me, he stole from rhinoplasty4you.com. Note the two sentences starting Rafti’s second paragrah. Now note this text from the plastic surgery site:

    “Lidocaine toxicity is something that can occur with way too many injections of Lidocaine. A common procedure requiring vast amounts of Lidocaine is Tumescent and Super-Wet Technique Liposuction.”

    Sound familiar? It really gets me wondering whether Rafti wrote any of the text in this ebook.

    Marcaine

    Marcaine, while usually not as “powerful” as Xylocaine, does last longer. It is often given to patients coming out of surgery to ease recovery.

    Marcaine has a higher LD50 than Xylocaine, and is not usually appropriate for body modification procedures.

     
    Marcaine

    Marcaine also known as Bupivacaine Not as “powerful” as Xylocaine but lasts longer. It is often given to patients coming out of surgery to ease recovery. Marcaine has a higher LD50 than Xylocaine, and is not usually appropriate for body modification procedures.

    Does this guy really have so little knowledge on anesthetics that he has to rip all this off?

    Soap

    cleansing agent
    Many people choose to clean their piercings with an antibacterial soap (such as Dial), but this is widely regarded as unnecessary. Regular soaps work just as well. Saltwater is often preferred, and won’t irritate or dry the piercing as will many soaps.

     
    Hand Soap

    For cleaning piercings
    Many people choose to clean their piercings with an anti bacterial soap (such as Dial), but this is widely regarded as unnecessary. Regular soaps work just as well. Salt Water is often preferred, and won’t irritate or dry the piercing as will many soaps.

    Maybe he thinks changing the heading makes him the author of the definition text? Let’s see now, “he” says that salt water is “preferred”… I wonder what he has to say about that subject?

    Salt Soaks

    Soaking an angry or new piercing in warm saltwater is one of the best things you can do for it. Many use saltwater as their only cleanser. Hot, it’s a natural astringent and can be helpful in drawing out infection and pus.

    Most piercers prefer non-iodized sea salt; although some people have found that normal table salt can be an effective substitute. Conversely, most agree that epsom salts should not be used.

    The most common mix is a quarter teaspoon of salt per 8oz of water. The solution should taste as salty as your tears.

     
    Salt Water

    Soaking a new piercing in warm salt Water is one of the best things you can do for it. Many use salt water as their only cleanser. Warm Water is a natural antiseptic and astringent helpful in loosening dried lymph, blood etc.

    Most use non-iodized salt; but normal iodized table salt is also effective.

    Epsom salts are not nearly as suitable for soaking new piercings and should not be used.

    Saline solution or a salt Water soak can be used; a quarter teaspoon salt to 8 Oz. Water, 8 Oz is equal to one cup, the solution should be no more salty than your tears.

    I found this entry copied at least five times in difference places, including his collection of recommended legal forms (ie. aftercare). I have to admit that on top of everything else, I find the bizarre capitalization (Water is a proper noun in Rafti-land I guess) rather amusing and perplexing.

    Cyanoacrylate

    Superglue (cyanoacrylate) is an incredibly powerful and versitile glue capable of acting as a suture replacement, both for play and for medical care. Medically approved superglue is available as Dermabond, but differences between it and over-the-counter superglue are relatively minor.

    Using glue as a suture alternative, when properly applied, results in dramatically less scarring than sutures (stitches). Superglue was used by soldiers in Vietnam to treat small wounds, and is currently used by many medical and pseudomedical practioners such as midwives who use it as an alternative treatment for vaginal tears.

    In addition, some men enjoy using glues for infibulation bypushing the genitals up and wrapping them in pubic and scrotal skin, and then gluing the whole thing together. This generally lasts a few days at most, and relatively painless separation is possible before that with care… assuming the person shaved fully!

     
    Cyanoacrylate

    Cyanoacrylate (Superglue) is a powerful glue that usually holds skin together for less than a day. Medically approved superglue is available as Dermabond, but the differences between it and superglue are relatively minor. Cyanoacrylate is used by many personal care givers to treat small wounds and tears of the skin surface such as vaginal rips caused from child birth.

    Using glue as a suture alternative; when properly applied Cyanoacrylate results in less scarring than suturing a wound closed. Some men use glue to glue their scrotal sack over the penis making it impossible to get an erection until the glue releases. Relatively painless separation is possible before the glue naturally gives way, if the person was fully shaved before the gluing slowly pulling the skin apart may be possible.

    At least in the epinephrine entry he took out the part about ball torture… Here for some reason he left in my commentary on that subject, which has nothing to do with piercing.

    Gauge

    The Browne&Sharpe gauge system is used in North America to denote the diameter of the wire used to make a specific piece of body jewelry. The larger the gauge, the smaller the diameter.

     
    Gauge

    American gauge (also known as Browne&Sharpe gauge) system is used in North America to denote the diameter of the wire used to make a specific piece of body jewelry. The larger the gauge, the thinner the wire.

    Ooh, what a change. This is such a simple entry, that you’d think he could at least come up with his own text for this one! I’d expect them to be similar, but the same sentences? Unlikely.

    Skin

    An interesting side note here is that if you wash your hands, you actually end up with more bacteria on the surface of your hands than before you washed. This is because by sluffing off the dead cells, you expose the critters growing inside you — however, these bacteria are largely harmless to you (but not neccessarily to others).

     
    Washing Hands

    If you wash your hands, you actually end up with more bacteria on the surface of your hands than before you washed. This is because by removing some of the dead cells you expose more of the bacteria that is growing inside the surface of your skin, luckily these bacteria are largely harmless to you, but are much more likely to be harmful to others, so wearing gloves is vital no matter how clean you think your hands are.

    See, now this is worrying. These are really basic subjects. Why is someone who claims endlessly to be an “expert” unable to write their own entries on these simple issues? Just think — this guy is trying to con people into letting him train them.

    Nitrile

    latex-free material often used in gloves
    Many piercers are switching over to nitril gloves. Due to their latex-free nature, they are less problematic for people with (the relatively common) latex allergies. In addition, tears and other defects are easier to notice in nitrile gloves.

     
    Nitrile, and
    Glove, Acceptable Quality Level

    Also known as “Nitril”. An alternative synthetic rubber like material that is latex-free and does not cause contact sensitivity as latex can. In addition, tears and other defects are easier to notice in Nitrile gloves. This is currently the preferred choice for most piercers.

    Due to their latex-free nature, they are less problematic for people with (the relatively common) latex allergies. In addition, tears and other defects are easier to notice in Nitrile gloves.

    This is actually one BME entry converted into two Rafti entries — getting his money’s worth I guess (oh wait, the BME glossary is free). In the first one, he’s done some rewriting, but I guess he forgot about the second one and just left it as a pure word for word copy.

    Again, this is only a fraction of the plagiarism I discovered from BME and other sources in Rafti’s ebook. The rest are reserved for the lawyers should it come to that.

    OK… So do I sue this thief into the stone age? I’m a pretty laid back guy, so I decided to do an interview with him about his book and see what he had to say — I was placing bets with myself on whether Rafti would come clean, “be a man”, and apologize, or whether he’d try and keep the lie going as long as possible.

    BME: Large parts of the document are directly based on and plagiarized from my own site and from other sites. Why have you stolen other people’s work and presented it uncited and as your own? Did you really believe no one would notice?

    RAFTI:All mankind is of one author, and is one volume” – John Donne

    BME: No, I’m serious. Why did you steal my articles and say you wrote them?

    RAFTI: As far as anything that I am aware of that I used from others I had permission.

    BME: No, you did not have permission. Why did you steal my articles?

    RAFTI: With over six billion people in the world thinking millions of thoughts each there is probably no thought that you can think that hasn’t been thought before by someone else. If you mean to imply my thoughts and words are not my own then we are all guilty by circumstance of the same thing.

    BME: Look, you copied word for word. Don’t try and pretend it was just a coincidence. Did you really think I wouldn’t notice?

    RAFTI: No one else had a problem like this.

    BME: They probably don’t know you stole their material. Maybe I should let them know? Again — why did you think you could steal my material and get away with it?

    RAFTI: Nothing in my book was taken from you. Everything I know to be true tells me the opposite of what you presume.

    BME: You stole entries from the glossary for example.

    RAFTI: I went through every entry in your glossary with the intent of purging anything that I thought might be considered “stolen” from you. My entries were very different than what you had.

    BME: Let me be clear here — I am going to publish information on your theft and it’s very clear and obvious. I’m trying to give you a chance here to come clean.

    RAFTI: Stop lying. I can find no grounds for these accusations. This is war, [and] I’m making a list of names. The people caught on the losing side will face the obligatory mob reaction, same old story.

    So it’s clear that Rafti is either too much of a scumbag to admit his theft, or so insane and unprofessional that he’s totally unaware of it. Either way, it was clear that this line of questions wasn’t going to get anywhere. On his website and in his book, Rafti claims to be the world’s leading expert on body piercing and states that he’s endorsed by many respected industry figures — so let’s ask him about some of those people.

    BME: You’ve said on numerous occasions that industry respected individuals are endorsing your book, yet your book appears to be somewhat misleading as to who is actually supporting you — you’ve even implied that I supported it, before I’d even seen a copy! Who are your allies on this project, and who is endorsing it?

    RAFTI: I have a list of people who said positive things about my book on my web site.

    BME: Those are anonymous names — it’s not as if “branded bitch”, “Brandy H. (IL)”, or “name withheld at request” are people who are recognized, let alone confirmable. Seriously, tell me some people I call and check with.

    RAFTI: The people who I have the most respect for in the industry support what I’m doing, including Kim Morin of Prick Magazine (I told her a thing or two she said was worth exploring), and Creeper of Starborn Tattoo in Las Vegas (I went from studio to studio in Las Vegas and could not find anyone who had his experience and knowledge).

    There is also Wes of Unimax who is my biggest supporter. John Seaton of the Suffolk Country Department of Health personally told me he’d gladly endorse me. He told me that he had been waiting twenty years for something like this to happen.

    David Klaus Pavin Jr (aka Kivaka) — 13 years experience — will bring much useful information to the Rafti Institute school. [And] Jim Ward is a dear friend of mine.

    BME: So Jim got you into piercing?

    RAFTI: He was my first contact in the world of piercing. I met him in David M.’s studio after Jim invited me to attend a piercing clinic he was offering, where they were using Betadine to sterilize and used no gloves. It turned out to be a frightening experience — I was the only heterosexual there and felt obliged to tell them so. Lots of leathermen went “oooooooh” in unison when they saw me lie down.

    Jim invited me to the opening party of Gauntlet, where I also met Elayne [Angel] who personally told me and the whole room that I was “Gauntlet’s second customer, yay!

    OK, time to make some phone calls and emails and see if these stories check out. “Dear friend” of Jim Ward is a pretty big claim, so let’s talk to Jim and Elayne first.

    BME: I’m doing an interview with William Rafti, and he’s using you as a reference. Would you say it’s accurate for him to describe you as a “dear friend”?

    WARD: If he were a “dear friend” I’d think I’d remember him. The only thing I remember about this guy is that he [recently] sent me a couple of emails asking questions about Doug [Malloy].

    BME: He says you guys met at David Menkes and that you’d invited him to the Gauntlet opening and early piercing seminars — and that you all made a big fuss out of him being straight.

    ANGEL: He may have been at the NY opening. Probably close to hundreds of people were there…

    WARD: I don’t recall inviting him to Gauntlet’s seminars, and, frankly I can’t imagine anyone caring whether he was gay or not.

    BME: He also said that you weren’t using gloves or properly sterilizing things.

    WARD: There was a period in Gauntlet’s early years when we didn’t use gloves, but I always took care to make sure the implements were sterilized.

    ANGEL: While things have dramatically improved since those days (1991 or so), we were pretty state-of-the-art at that time. Gauntlet has definitely used gloves since before my time there (in the 80s).

    BME: I assume you know that he also personally thanks Richard Simonton (although he misspells it) in his book…

    WARD: I kind of figured this guy for a phony, and not all that in tune with what’s going on. If memory serves me correctly, he initially contacted me saying he wanted to know more about Doug and his connection to the organ world.

    As you probably already know Doug Malloy was not his real name. It was the name Richard Simonton used for his piercing exploits. Rafti couldn’t understand why I persist in calling him Doug Malloy when that wasn’t his real name. I thought that was pretty clueless and wrote back that I didn’t think he’d call Mark Twain “Samuel Clemens” in the context of his writing, so why would I call Doug “Richard” in the context of piercing? Don’t know if he got it, but I haven’t heard from him since.

    No surprises there. Let’s check with Wes at Unimax.

    BME: Were you aware that Rafti stole large parts of his book?

    UNIMAX: I’m not even sure that he’s aware of that.

    BME: Rafti lists you as his primary reference and biggest supporter, and he quotes you as saying that anyone who doesn’t buy his book has no interest in piercing.

    UNIMAX: Well, I changed that. I took that off of my site when I saw that it was a little overbearing. That was just advertising.

    BME: Am I correct in assuming your relationship with him is basically the same as you’d have with any of the authors who’s books you sell?

    UNIMAX: Yes, but when he showed me the book I was very impressed with the amount of material he compiled.

    BME: Well, I think it’s important to note that he didn’t actually write it. I mean, I can’t just go buy a tattoo magazine, scan the photos, and make my own magazine.

    UNIMAX: No, definitely not!

    BME: Anyway, Rafti says you’re his biggest supporter. Is that accurate?

    UNIMAX: I’ve been a supporter of his efforts. I support anybody’s efforts! But I don’t stand behind his work. I’m not saying that. I can’t vouch for his work. I didn’t even read his whole book, it’s impossible to read.

    BME: What do you think of Rafti? I can’t tell if he’s crazy or lying.

    UNIMAX: He’s a little strange… you know… he’s a strange kind of person. [laughs] Just to refresh. I support anybody’s efforts if they’re doing it legitimately. That was my support of him and it’s as far as it goes. I don’t support anybody who’s doing anything illegal. I never have.

    True to his word, as soon as Unimax found out about Rafti’s fraud, they removed his book from their catalogs (Mario from WoodBodyJewelry did the same after finding out about Rafti’s scam). Maybe we’ll have more luck checking with Prick Magazine. Or is that wishful thinking?

    BME: I’m trying to get in touch with Kim Morin of Prick Magazine.

    PRICK: She hasn’t worked for me for quite a while now.

    BME: William Rafti is using her as a reference. Do you know him?

    PRICK: William Rafti? Naw, I can’t say that I do, unless he goes by “Billy” and he’s a fat bald guy.

    BME: Well, he is kind of fat, but he has hair. How do I get in touch with Kim?

    PRICK: Kim didn’t exactly leave on the best of terms… I can’t speak for either one of them. If you could pass it along that they should stop using [Prick] as a reference, I would really appreciate it. But Kim is a good piercer, and if he worked for her…

    BME: Oh, he’s never been a piercer.

    PRICK: [laughs] Well, what’s he trying to pitch then?

    BME: He’s got this thing called the Rafti Institute which wants to offer piercing training courses, and he’s got a plagiarized book about piercing that he tells people he wrote.

    PRICK: Weird… I think I remember a guy wanting to get involved with us, starting to talk about publishing a book. But he was a little too far out there for me to deal with.

    BME: Yeah, that would be Rafti.

    PRICK: Just tell him to cease-and-desist mentioning Prick Magazine next time you talk to him.

    No surprises there — although I have to admit that I find it surprising that someone would give out references that aren’t going to say nice things! I tried to track down Kim Morin to hear if she had anything to add, but unfortunately had no luck in doing so.

    Next I decided to see if I could find “Kivaka”, who Rafti had said was going to be one of his instructors at the school — touting his 13 years of experience (which I would later find out from Kivaka’s website was an inflated claim). Kivaka works at Tattoo City in Lockport, IL and we had a brief chat about Rafti’s statements — Kivaka had just woken up and seemed a little dazed, but I got the impression he was a nice soft-spoke guy who’d simply been tricked by Rafti’s emails.

    BME: William Rafti is listing you as one of his primary references, so I wanted to ask you a little more about that.

    KIVAKA: Oh, right on.

    BME: How would you characterize his skills as a piercer, and as someone qualified to lead the piercing world forward?

    KIVAKA: Well, I’m pretty sure he’s not a piercer…

    BME: Have you ever even met Rafti?

    KIVAKA: No, I’ve never met him… No… We just corresponded a little across the Internet.

    Big surprise… ha.

    Next I called Starborn Tattoos in Las Vegas, a shop that Rafti said was the only studio in Las Vegas that was good enough to get an inspection certificate from him. After a bit of phone tag I managed to get in touch with Creeper, an experienced — albeit retired — piercing artist from “the old days”.

    BME: William Rafti said you’d act as a reference for him.

    CREEPER: Yeah, I know him…

    BME: Would you say he’s qualified as one of the best piercing instructors?

    CREEPER: Well, no… I was taught by the best years ago. The way all these piercers are nowadays is why I’m not in the business any more.

    BME: You don’t pierce any more?

    CREEPER: No. The way piercers are taught nowadays I just don’t agree with it. My piercers have to apprentice for a year before I even let them pierce.

    BME: You know that Rafti’s school is just a $15 certificate, right?

    CREEPER: I didn’t know that… So he’s a scam…


    Sample “scam” certificates avaiable from Rafti, available without inspection. BME: You’ve met Rafti in person?

    CREEPER: Yeah, he came in here and looked around. But there wasn’t a piercer here at the time when he came in.

    BME: There was no piercer working?

    CREEPER: Nope.

    BME: And I guess you can’t really vouch for Rafti’s skills or knowledge?

    CREEPER: No.

    BME: Has he asked you to instruct at his school?

    CREEPER: He asked me something about it, but I said “no way”. I’m just not interested in the piercing thing any more. It’s gone way too wild for me! I pierced for ten years and apprenticed a lot of piercers. I don’t even do it any more. I just tattoo now.

    Well, that’s the end of Rafti’s industry references.

    Getting in touch with John Seaton of the Suffolk County Health Department was extremely difficult — I called for days, every few hours, and no one was able to ever find him (even Rafti had warned me that he was extremely busy). On my last day of research, when I was ready to write off Seaton as unreachable, he answered and I was able to ask him about Rafti’s credentials.

    BME: Do you know William Rafti?

    SEATON: I have a disc [from him]; he gave me a disc but I haven’t looked at it yet.

    BME: He told me you would vouch for him as a piercing instructor…

    SEATON: [laughing]

    BME: …and that you’d been waiting 20 years for something like this to happen?

    SEATON: [laughing hysterically] …You know, I hate to tell you: the guy came in, he showed a bill of goods, and I looked at him and it just sounded too fishy. You know when something appears to be too good to be true?

    BME: He says you trained him and endorse him as qualified?

    SEATON: [laughs] He may have been through my certification course and earned a certificate.

    BME: What does that course involve?

    SEATON: Knowledge of bloodborne pathogens. I teach a little course — a couple hours.

    BME: So it’s not something that qualifies someone as a piercer; it just covers the basics of contamination control and so on?

    SEATON: Yes — that’s all we can certify. As to skill as a piercer, the law doesn’t address that.

    I’m sure no one is shocked at this point, but Rafti’s claims to be endorsed by the Suffolk County Board of Health as a piercer let alone an instructor are stretching the truth pretty thin. He simply took the afternoon bloodborne pathogens course offered by the county to anyone who wants to take it.

    So what of Rafti’s lofty credentials? Perhaps he’d at least tell me where his degree was issued — after all, he was claiming not only to be a dude writing a book, but also a scientific researcher (he made the preposterous claim that soaking a piece of body jewelry in brine solution could detect how well it would fare in the body — anyone with even basic knowledge of implant standards as they apply to metallurgy and biology knows the notion is foolish).

    BME: You claim to be an expert in this field — what is your actual experience that backs that up?

    RAFTI: Thanks for implying that I’m an expert, you can also call me handsome if you want. I claim to be what I already said.

    BME: I didn’t imply that you’re an expert, and you didn’t answer my question. Anyway, have you done other research-oriented writing that prepared you for this book?

    RAFTI: I’ve written for other publications that would not like being associated with piercing or tattooing in any way, shape, or form so I will not mention them. I have a wall full of credentials — I have credentials for all kinds of things. My mentor, who’s name I am not going to mention, was an international attorney.

    I studied anatomy — but don’t quiz me on it. I took a first aid course but my certification expired, and I was certified to run an air compressor.

    BME: Ah, so you’re “qualified”, but it’s a secret. I see. In your book you say that you are a piercer and a tattoo artist. Who trained you and where have you worked?

    RAFTI: I worked “underground”. The people who I’ve pierced came to me because they thought I would do a good job, distrusted the local studio, and gave me lots of understanding when things occasionally didn’t go as hoped.

    I was strongly encouraged to go into piercing professionally — one of the studios that was going to hire me (no apprenticeship) instructed me to answer the phone by saying “Hello asshole, this is asshole speaking, what do you want?

    I will be doing a few tattoos within the next year on people who don’t care if it comes out right. [Editor’s note: That is not a typo — he actually said this!]

    BME: Um… Ok. Sounds like you have high standards. So how many piercings have you actually done?

    RAFTI: I’ve done about seventy to seventy-five actual piercings on living people and currently have no plans to do any more.

    BME: So what makes you qualified to design and run a piercing school, let alone have the egomania to call it “the most advanced piercing course” available?

    RAFTI: I’ve done at least seventy piercings, and I wrote my ebook.

    BME: Whether you wrote that ebook or not is for the courts to decide. Anyway, have you ever even seen or attended any of the other courses available?

    RAFTI: I have not received piercing certificates from any place other than myself, and that was a conscious decision based on my personal beliefs. I do have a proficiency test of my own creation but it is proprietary.

    BME: How many students have taken your course?

    RAFTI: None.

    BME: Sounds successful… so basically, you can’t tell me anything about your imaginary school (or your credentials to run it), other than it’s the best, but the proof is top secret?

    RAFTI: I will divulge the collagen aspect of my “most advanced piercing course”. What I am working with is so new that it doesn’t really have a name — I call it a “Matrix Resistance Simulator”. The trick to simulating mucosa surface lies in growing a kombuka hongo into a proprietary substrate matrix under a steady temperature. By using different frequencies of temperature change various densities can be achieved.

    The advantage of my Matrix Resistance Simulator is that although it is very much like skin it is instantly self healing — unfortunately it can dry out to a scab-like crust long before it gets pierced to pieces, [so] it is best to keep it covered with saran wrap between uses. My program involves practicing the techniques in sets like a weightlifter does — can you do it ten times in a row without making a mistake? Can you perform a random series of piercings? I don’t want to see anyone piercing a person until they find their inner grace. It’s best that if a student can’t develop the eye-hand coordination that they fail.

    BME: Well that’s about the goofiest training idea I’ve ever heard. It doesn’t make any sense at all — and there’s no such thing as “kombuka hongo”, so you may want to check with your alien advisors on that.

    Do you even have any piercings?

    RAFTI: That’s a rude question. I have one piercing, an 8ga frenum. I did pierce my ear once with a sewing needle, and with a thumb tack, and also with a staple. I also used an ear piercing gun.

    Would you want a brain surgeon who’s never undergone surgery on his own brain to operate on you?

    BME: You’re comparing apples and oranges — that analogy doesn’t make sense. A better question would be “would you get a massage from a masseuse that’s never had a massage” or “would you go to a restaurant where the chef has never tasted food?

    RAFTI: Thanks for contributing your own false analogy.

    BME: Thanks for avoiding the question. Let’s move on. Ignoring the issues of your total incompetence in running it, if you have plans to run a legitimate piercing school, why do you sell “professional piercer, certified by the William Rafti Institute” certificates to anyone with $15?

    RAFTI: I am also willing to make custom certificates for shops that offer their own training — the shop gets their name on their own certificate!

    BME: But doesn’t that kind of invalidate the whole legitimacy of your potential school?

    RAFTI: I believe that most of the piercers out there are qualified whether they have official certification or not. I believe piercing certificates are modern day talismans — they tend to bring on a desired calming effect that leads to better results. I believe that it is part of our tribal instinct to require talismans, as they enrich and empower us.

    BME: Um… OK… You have to understand that it’s getting harder and harder not to laugh at your every response… So why have a school at all then if piercers are already mostly qualified, and all it takes to make them better is hanging up the magic “talisman” certificate you offer? Do the students even need you then?

    RAFTI: When the students are ready the teacher will appear, or when the teacher is ready the students will appear — either way works for me.

    BME: Now I understand, sensei. “If you build it, they will come.

      
    Important Update
    DECEMBER 9, 2003 One of the odd thing about Rafti’s piercing responses was that he seemed to alternate between “insane buffoon” and “experienced piercer” mode. Some of the responses were dead on what I’d expect from a piercer, but others were nonsensical.

    After this article was published, I started getting contacted by piercers who informed me that in the roughtly 48-hour period between me giving Rafti the questions and him replying, that they had been contacted by him about the questions — and that their answers appeared in this interview as his!

    Now, I want to be very clear on one thing: I don’t think Rafti is an idiot. In fact, I think if you can ignore his overwhelming and eclipsing mental — and ethical — problems, he’s a lot sharper than many would give him credit for. He just happens to be crazy, and not in a good way. When I asked Rafti a question set that I ask of people who ask to become part of BME’s QOD staff he did far better than I expected he would — no better than the average piercer, and with some deranged rants thrown in, but better than I expected:

    BME:I have a 6 ga Prince Albert. I was interested in getting it changed to an apadravya, but both the piercers at the studio I go to say that isn’t possible — can you think of any reason why that would be?

    RAFTI: It’s possible that the studio is not comfortable using a 6 ga needle. Some studios prefer to go no thicker than 8 ga. You should give them a call or stop by the studio and ask them your question. Try to establish better communications with these piercers, you might learn a lot.

    Another possibility is that your PA was pierced too close (shallow) to the tip of the penis, making proper placement of a apadravya impossible. A PA is normally placed about 5/8” to 3/4” back from head. Sometimes a studio may hesitate to tell you that you had your PA pierced too shallow out of fear that they might be insulting another piercer’s work. You might want to consider asking your piercer if it would be a better idea to do the apadravya behind the PA.

    BME: Good answer, although I don’t think I’ve ever heard of a piercer trying to avoid saying something bad about another’s work.

    Next question: “I have my nipples pierced right now (healed) and I wanted to get a second set. I wanted to get the second barbell nice and deep, so the old one pierces the full width of the nipple tip, and the new one pierces the full width of the areola. Would that work?

    RAFTI: I find the “pierces the full width of the nipple tip” part of the statement confuses me, but I think I understand the question. It could work, but only if your nipples are large enough. You don’t state whether both piercings are going to be aligned the same (horizontal or vertical). You are more likely to have enough room if the second piercing is done at opposing angles to your existing piercing, this is especially true if you prefer to wear barbells.

    BME: Actually, this is a horrible idea — when you pierce a nipple this deep, you risk damaging and blocking milk ducts. In this commonly occuring problem, an infection can be trapped inside the breast (mastitis) and even lead to mastectomy. You really shouldn’t be recommending this depth of piercing to people.

    Next question: “My piercer told me there’s aluminum in the jewelry he’s selling (along with titanium). I heard that aluminum exposure can lead to Alzheimer’s Disease… Should I use different jewelry then? Isn’t that a needless risk?

    RAFTI: I have personally tested a number of batches of titanium barbells, including anodized titanium and from my findings believe that titanium is at least equal to 316LVM for inertness.

    BME: Well, the medical industry (and the piercing industry) has known for a long time that titanium is far superior to stainless steel for implantation use.

    RAFTI: Here is an eye opener, there is a range of acceptable proportions for each alloy, and each batch of metal does not necessarily have the exact same properties as every other made by the “same” recipe. I could teach a seminar on this, it’s got interesting implications for all of us.

    BME: Actually, metals made and certified for implant use are manufactured with very rigorous adherence to quality and there are not notable variations between batches.

    Next question: “I heard recently that tools can’t be guaranteed sterilized if they’re in a pouch, but everyone says that I should be sure to watch them open the pouch in front of me so I know the tool is just for me… Who’s right?

    RAFTI: Neither, the best way to tell is to look at the sterilization indicator mark on the pouch. Tell the piercer you are a naturally “paranoid” person who doesn’t want to have nightmares weeks from now, and refer to your “phobia” of dirty needles. This will gain the sympathy of any piercer that I’d trust.

    Then tell them to show you the mark on an unused pouch (the pouch will be labeled as to what kind of change to expect), and then [do] a visual examination of the sterilization mark on the sterile pouch that will be used in your procedure. If you do not see a distinct difference in color then you should be very concerned that sterilization is not what it should be.

    BME: Well, that’s not true at all — those “sterilization marks” (they’re actually heat and pressure indicators) on the pouches are not reliable indicators of sterility.

    Next question: “How often does the water in an autoclave need to be changed?

    RAFTI: It depends on the autoclave. If you are using a Prestige autoclave try not to leave water in it overnight. With many other kinds of self heating autoclaves it’s more important to keep the autoclave properly filled with water than to change it, as this prevents corrosion on the coils.

    BME: Not changing the water in an autoclave is extremely dangerous! The endotoxins that build up in the water resevoir survive the sterilization cycle and can contaminate the tools and jewelry.

    Next question: “I tend to get really woozy even watching a piercing. I want to get my rook pierced, but I don’t really want to pass out… What can I do to keep this from happening?

    RAFTI: Make sure to eat a meal an hour or so before getting pierced, eat a candy bar, or some sweet cookies (Oreos seem to be a blood bank favorite). Glucose tablets are also helpful for a lot of people, and are easily portable.

    There is also a high glucose energy soda available that I saw in the supermarket — it cost $7.50 (US) for a one liter bottle. You might also want to look for this kind of thing in health and nutrition stores. A warning for vegetarians and vegans: glucose is blood sugar.

    BME: Are you insane? While the common expression “blood sugar” does refer to glucose levels, glucose is not distilled from blood!

    Glucose being made of blood because of the expression “blood sugar”… Classic!

    Anyway, not that I think being able to answer these questions decently justifies his glaring theft and deception.

    Talking to William Rafti turned out to be one of the biggest wastes of time for me in 2003. That said, while his ravings may seem like a combination of funny, pathetic, and ignorant, there’s actually a danger in lunatics like Rafti being around, especially when they persist in trying to create schools with false and stolen credentials. I realize that the average BME reader can see through him in a second, but not all clients — let alone potential piercers — are that well informed.

    It’s often difficult for people to find an apprenticeship, and many people will jump at the opportunity to take part in a sham school like Rafti’s — after all, if you don’t know that it’s stolen, and you’re not familiar with computers, his book could give one the false impression that he is a leading author on the subject (rather than simply identifying him as a nut and a petty thief).

    Rafti is a very sad case, because it’s pretty clear after speaking with him that he’s not particularly lucid, and really doesn’t have much of a grasp on reality — there really is a possibility that he genuinely believes that he wrote this book, and that his references check out, and that he has a lofty (albeit top-secret) set of credentials. I’ve been a little split on whether I should even publish this article, because it’s really making me feel like I’m beating up on a mentally handicapped kid (I feel even worse launching legal action against an invalid, but what choice might I have?). When it comes down to it, he is potentially endangering the public — at a minimum he is misleading them and stealing their money (and mine as well I suppose).

    In any case, I hope this illustrates how important it is for consumers to be informed — scam artists and liars are rife in this industry (and in many others as well), and they’re not always easy to detect from afar.

    Sincerely,

    Shannon Larratt
    BMEzine.com


    Update

    After I made it clear to Rafti that I wasn’t going to roll over on the copyright issues, and I informed his distributors and eliminated the majority of his ability to sell the book, he posted the following note on his website’s order page:

    On of December 5, 2003 I became aware that some of the material I used in this book was improperly cited, this is very bad for me to have done. Over the last several years I have greatly improved my ability to organize things on the computer; this does not excuse any of the mistakes that I made along the way at all, even if I was unaware that I made them until now.

    I sincerely believe that I’m doing very good work here, but I have a greater obligation to properly credit my sources than to add on top of something that obviously “stinks”, for this reason I am no longer making the Body Piercing Encyclopedia available for distribution in any format.

    This project can not continue until I properly locate and credit sources that I have plagiarized. The problem in doing this obligatory task is that I have to compare all the information in my book, to all the information that is outside my book- logistically this is impossible for me to do.

    If you support what Im trying to do, then I need each and everyone of you to send me any information that you can find of any material that I used without properly citing my source. I simply can not do this all by myself alone any longer, without your help the Body Piercing Encyclopedia Volume 1 is dead.

    Please send constructive criticism only (please) to me at [email protected]

    I wish to thank Mr. Shannon Larratt of BME for being the first to bring this to my attention, he does a lot of good work, Im sorry that I got some of his work confused with my own.

    While I do appreciate that the stolen material is no longer being sold, it’s really “too little, too late”. The fact is that the result of my investigations into the text of the book strongly imply that it is nearly all stolen and from a myriad of sources — most of whom have no idea who Rafti even is (it’s not as if the webmasters of rhinoplasty4you are going to be buying his book). And I’m really not sure I buy his newfound “me so sorry” routine. I just can’t quite convince myself that one can “accidentally” commit fraud on this level and be totally unaware of doing it.

    In cases of mass plagiarism it’s not enough to just say “let me know if you see anything stolen” — a request which makes it very clear that Rafti really has no idea where his text starts and the stolen text ends. I came into this review hoping that there would be something salvageable from this book, that my comments would result in improvements. However, I have come to the unavoidable conclusion that this book is rotten to its core and can not be saved.

    Then of course there’s the matter of the money — Rafti has potentially made thousands of dollars by selling BME’s and other people’s work as his own. Personally I’m not in it for the money — I’ve always felt that this information should be as free as possible which is why BME/News, BME’s FAQs, glossary, risks, and encyclopedia projects have always been publicly accessible without charge and advertising-free. So while I may be entitled to it, I am not demanding at this moment that Rafti send me his profits. That said, if he wants to ethically purge himself I would encourage him to donate the proceeds to a suitable charity such as The Planetary Society, Antiwar.com, Adopt-a-minefield, or AIDS.org (and provide proof).

    My only hope in all of this is that this “tough-love kick-in-the-ass” will help Rafti address these serious issues, both in his research methods and his deception about his potential skills. It’s clear from talking to him that Rafti is a driven individual who desperately wants to produce this project — and that’s a good thing. I do believe that Rafti has a better comprehension of the subject than most, and if he started over from scratch, being careful to properly document his sources, he might actually be able to produce something of real value.

    That said, I don’t believe that Rafti is now or ever will be qualified to teach a piercing school and I think it’s a mistake for him to continue pursuing that path. I also think his needless confrontations with influential and integral individuals and organizations in the piercing world are constantly burning bridges and creating enemies where he should instead be fostering alliances and finding people to help him.

    I think Wes Wood had the right idea when he said that he supported everyone who was working legitimately. I’m dismayed that Rafti is not. I’ll be surprised if he turns himself and this project around, but still, I hope he does.

  • Matt Gone Interview – Through the Modified Looking Glass

    Matt Gone Interview

    I was born with birth defects and the tattoos both hide them and keep me from hating my body because of them. This project took fourteen years of my life and cost about $42,000 — $20,000 of which I earned as a dishwasher. If anyone says they cannot afford tattoos, they just are not serious.

    Matt Gone

  • CLASH: This is Omo Valley [The Publisher’s Ring]


    CLASH: This is Omo Valley


    The urge to create, the urge to photograph, comes in part from the deep desire to live with more integrity, to live more in peace with the world, and possibly to help others to do the same.

    – Wynn Bullock

    Recently BME had the opportunity to attend the opening of Liam Sharp‘s gallery show CLASH, being hosted at the Alliance-Francaise at 24 Spadina Road in Toronto (a two minute walk north from Spadina Station for TTC riders) — the show will continue there every day until January 10th.

    The show featured photographs from his very recent trip to inner Ethiopia where he had the opportunity to photograph members of the Hamer tribe and others around the Omo valley that still practice ancient forms of body modification. We managed to pull Liam aside for a few minutes at the show and talk to him about his experiences.


    BME: The thing that really surprised me is that you could still photograph activities like the big lip stretching — when I see it in books, it seems like it was disappearing forty years ago, but these are young people with these modifications. Was it hard to find them?

    Liam: The reality is that there are very few areas still doing these things. It’s more and more difficult. I was just talking to someone that lived in Africa and he said that twenty, forty years ago you could just go outside the city and there’d be tribal peoples…

    But even now, one thing you have to remember is that these cultures, these countries, are still extremely tribal. In fact, their governments are biassed in terms of tribes…

    BME: As in for them, or against them?

    Liam: Well both… The politicians represent certain tribes, so they’re slanted one way or another. That’s why there are coups and all these political problems — because the politicians really only protect the tribes they’re from. The tribes are identities or countries in and of themselves.

    BME: With their own languages…?

    Liam: They have their own languages a lot of the time, and also there are traditions you can see. There are three predominant tribes in this particular show — I visited about seven in all, and there are maybe fifteen in that one area. The Omo Valley region might be two hundred and fifty square kilometers. It’s not a huge area.

    BME: How large are the individual tribes?

    Liam: The Hamer tribe is about ten thousand people.

    BME: So large enough that you never have to leave… you can stay inside the tribe, marry inside the tribe, and so on.

    Liam: I think that’s how it’s done. I was photographing a guy from the Hamer tribe, the guy with the grip on the gun —

    BME: I assume those are their guns? You didn’t ask them to pose with them?

    Liam: No, no, of course not.

    So I told him we’re going to this village in Oromati, and he said, “there’s no way I’m going there, if I step foot in that village, I’m dead!” since the Oromo are fighting the Hamer. The territories are extremely well defined, and they’re all kind of land-locked within those territories.

    BME: They’re agricultural peoples?

    Liam: Yes, very agricultural. But the terrain is extremely arid… I will never eat fried goat meat again — that’s all I was fed out there! Cows and goats, that’s it.

    BME: How did you get there?

    Liam: I was really kind of shit scared going on this trip… I sort of chickened out, but it’s important to do it this way and I always do it this way, which is to hire a local guide. I hired a truck with a guy — you can’t get there otherwise. The great thing about the guide is that he’s been in that area, and he knows the people, so he can smooth things over…

    BME: Is that what he does? Just brings Westerners in?

    Liam: That’s what he does… but in the whole time I was there I saw maybe five Westerners. So I’m not the only one, but there are very few… The others were there just to go I think, not to take photos other than just a few clips. That was one of the problems I think — their expectation that I would just take a few snapshots.

    BME: How did they feel about professional photos being taken? Why did they think you were there?

    Liam: That was always a big problem because my guide was always very suspicious of me. “Why are you taking these pictures? You’re going to make money from these pictures?”

    And the fact is, as you can see, it’s not about the money. For me it was about going there and documenting these people, these tribal people, the way they live, and the way they are right now. But they didn’t like it. They wanted money — that’s what it was. I had to pay them three Birr, which is about forty-five cents Canadian per image [ed note: Liam took about 5,000 photos while on this trip]. Every time I clicked the camera, I had to pay. We had a suitcase full of money and my guide would just be paying it out.

    BME: Isn’t that a bit dangerous?

    Liam: It is… but it’s perfectly fine. You know why? Because paying money takes everything off the table. I’m going there and I’m giving them money and it’s an exchange. I’m taking their picture and they’re getting money. So it’s OK. That’s not a problem.

    There was a situation when I was in the Omorati area, and photographed an older person, and the person collapsed

    Are we going to get out of this situation, I was wondering? My guide said that if the old man had died, they’d have assumed the flash of the camera killed him — that this process, which they don’t understand, has killed this person. As soon as it moves to “you killed one of us” then very soon after it becomes “why don’t we kill you?” It’s very simple.

    Luckily we ran over, and I supported him, and he was OK — but we got the hell out of there real quick!

    They don’t particularly like the photographers. I really rode on the coattails of the relationship of my guide with the chiefs. As soon as that started to wear thin (which happened very quickly) I had to get out of there.

    BME: Did you stay with the tribes, or just sort of roll into town, do your thing, and roll out?

    Liam: We had a process — eventually it became repetitive and I was worried about that. What would happen is we would come into town, talk to the chief, and pay him off. As my guide was paying off the chief, I’d set up the backgrounds, set up the lights, and then he would tell everyone we were shooting and this is what the price was, and all that. Then I would just point to people in the crowd, and they’d come and I’d shoot them. One, two, three frames, and then the next person.

    BME: They were OK with that?

    Liam: They were OK, but it didn’t take long before they realized this was more than someone just taking pictures. They wanted to know what we were doing, what they were for — there was a big suspicion. I’m getting it here at the gallery too — questioning why I would want to portray Africa like this.

    BME: One of the overwhelming comments I’ve heard walking around the show tonight is stuff like “oh, how disgusting they look” and “that one is even more mutilated than that one!” Does it seem strange to you that someone would come to your show and then say things like that?

    Liam: No, not at all… That’s the biggest problem I’m had with going to places like this in the world. Westerners always look from this perspective, and that doesn’t respect these tribal peoples’ perspective. The fact is these people aren’t Canadian, they’re not living in this environment, and they don’t have the same culture. You can’t expect them to have our values and conduct themselves — or want to conduct themselves — like we do.

    People are always asking me, “how could you take a picture of someone with a gun, how could you do this?”

    The fact is that is how they are. That’s their culture, and that’s how they want to be! It’s just as ludicrous for them to wear clothes!

    BME: You didn’t ask them to take their clothes off and paint their faces like that?

    Liam: NO!!!! None of that is acting… That’s exactly —

       THAT’S — HOW — THEY — WERE!
    That’s it. That’s how they were.

    \

    Earlier we’d been joined by Roseanne Bailey, an African-Canadian woman, also a photographer who had lived and worked in Africa for some time. She expressed deep and very valid concerns that perhaps Liam was producing some kind of “savage erotica” akin to early exploitation films — and that by decontextualizing his subjects he might actually be doing them a disservice (basically a nice way of accusing him of being a racist and perpetuating the sins of colonialism because of his show).
       
  • 2003 APP EuroCon Report [The Publisher’s Ring]



    2003 APP EuroCon Report

    “Politics is supposed to be the second-oldest profession. I have come to realize that it bears a very close resemblance to the first.”

    – Ronald Reagan

    Going to my first APP convention, their recent EuroCon in Amsterdam, I didn’t really know what to expect. It’s been many years since I had any real dealings with the APP — fights over my support for scalpel piercing, dermal punches, and so on led me to believe that they were an overly conservative bunch of elitist piercers that weren’t particularly concerned with my “progressive” vision of the future of piercing. A few friends that “defected”, coupled with the APP’s continuing difficulty in drumming up much support from this community had me writing them off as not just useless but dead.


    And then I went to EuroCon.

    After attending almost every single seminar, and getting to talk to the board members and piercers, my mind was most definitely changed. I now see the APP as an essential and positive group that I hope all piercers will support and take part in — we need the APP! Having seen what they’re trying to do, I believe that the APP has the potential to be the backbone of the industry, serving to educate piercers, unite piercers, and present a strong front in dealing with the government and the mainstream public. The convention also illustrated the need for groups like the APP in keeping piercers informed and up to date on the overwhelming range of professional issues that can be very hard to keep up on in the absence of reputable trade journals and other organizations.


    DAY ONE

    Rachel and I took an overnight flight, arriving the morning the convention started. We stopped at our hotel for a nap and got to the convention space at about noon where we were greeted by Bethra Szumski, the current APP president, as well as other familiar faces such as Alicia Cardenas of Twisted Sol in Denver, and Megg Mass of Infinite in Philadelphia. We’d missed the first class or two (bedside manner I think), but after lunch an anatomy course was scheduled.

     

    Unfortunately the anatomy course was almost single-handedly destroyed by constant disruptions by Aimee, “The Bearded Lady”, who seemed utterly unable to restrain herself from constantly shouting out commentary and loudly asking ignorant questions. I don’t know if she’s a total moron when it comes to anatomy, or just so much of an ass that she felt that she had the right to destroy the seminar, but I can’t write this report in good conscience without saying I hope she never comes to another event I’m at, and I’d definitely never recommend her studio…

    A number of the people got angrier and angrier as the seminar tried to progress — I really thought a couple folks were going to jump up out of their chairs and punch her! After all, people had spent a lot of money — maybe even money that they shouldn’t have spent — to come to the event and many had difficulty with English (bilingual piercers were vounteering as translators). The fact that someone would knowingly and willfully try and damage the effectiveness of the conference is incredibly crass.



    The anatomy class was being taught by Betsy Reynolds, an oral biologist who acts as somewhat of an advocate for the piercing community, counter-balancing some of the ludicrous statements made by anti-piercing dentists and so on. While the information she was presenting on healing was concise and relevant, I was a little surprised that it was being taught here at all — from my point of view it was disturbing that anyone wouldn’t know this anatomy in their sleep. The presentation was running slowly, in part because of constant interjections about piercing procedure. Eventually Paul King had to step in and ask that people save their procedure questions — this was an anatomy lecture and not intended as a technique debate.

    At the end of the first day I was still pretty convinced that it was going to be a waste of time. The anatomy course had been boring, basic, conservative, and Aimee (see sidebar) was doing her damndest to make the attendees look bad — or at least have a bad time. At the end of the day Rachel and I walked around town a little, stopped for a rather bland meal somewhere, went back to the hotel and went to bed.

     
    BETSY REYNOLDS

    OUTSIDE THE BEURS

    AT THE APP PARTY

    SPAIN REPRESENTZ




     

    DAY TWO

    Seminars in theory started at 9:30, so a little after 9 AM I arrived and was told the seminar — basic piercing technique — was pushed back until ten. Technical problems seemed to plague the event, and it wasn’t until 11:30 that things actually got started, with the technique seminar being bumped to the afternoon. I think the only good news, echoed by the people sitting around me, was that Aimee had decided to “skip class” that day, so at least we didn’t have to put up with her disruptions.

    Alicia then took over what was left of the morning with her stretching seminar. Given how basic the anatomy course had been, and because I’ve got more than a decade of stretching experience, I expected to be bored stiff — but I was very much mistaken! She started with diagrams showing exactly how stretching occurs on an anatomical level, detailing micro-tears and collagen replacement.

     


    Dermal Punches and Scalpels
    aka
    Why is the APP so square?


    Everyone knows that the APP presents itself as a conservative organization. In the early days, The Point ran articles damning people who used dermal punches and scalpels, or anything else that blurred the line between surgical technique and piercing — piercers such as Michaela Grey were adament in their anti-extreme statements and many believe she and others even got to the point where they were lying in order to present an overly conservative view. Now, with new staff, many of who grew up around the notion of pushing the boundaries of piercing, they’ve retreated to a “no comment” stance on these subjects, but it’s still something that puts off a lot of progressive piercers.

    That said, have you looked at the APP’s board and members?

    I don’t know if they want me to say this, but you’ll see piercers there who have and perform dermal punches regularly. You’ll see piercers that use scalpels, and even piercers that do implants and pseudo-surgical procedures like tongue splitting — I’ve even heard a few acknowledge privately that they believe that in many circumstances a dermal punch is a superior tool to a needle and that they wish they could endorse it. They just won’t say that in public or attach it to the APP name in any way because of the legal issues.

    What took me so long to figure out is the APP’s real role. The APP’s role isn’t cultural revolution. The APP’s role is not to fight battles with the government. The APP’s role, as I observed it, is to work with our “enemies” and to make slow and consistent changes inside both the piercing and the mainstream worlds in order to better this community. To do so, they can’t have their piercers going on public record as criminals! To illustrate with an example, conservative environmentalist groups like the World Wildlife Fund can effectively work with governments to protect the environment, but eco-terrorist groups like Earth First! have to resort to direct action since the government can’t negotiate with criminals — even if those criminals are in the moral right.

    I think a lot of us in the piercing community, especially those that lean toward the kind of “no holds barred if it makes you happy pierce it” stance that BME espouses, don’t really understand this way of doing it — if we want to do a tongue splitting on our buddy, we’re gonna do it, state law be damned! But the fact remains that unless you want to be underground forever, making positive changes in the piercing community does include playing the politician — which means very slow change and a lot of compromise to get our way.

    The APP probably isn’t going to do anything for someone who’s happy practicing out-of-sight, out-of-mind work in a small shop that doesn’t really have a future. The APP, at least as I see it, is there for people who see body piercing as a career. Their ranks are peppered with piercers in or approaching their 40s, who have families and homes, and shops with ten to fifteen years of respectable history. As much as a large part of me really likes being the “rebel industry”, logically I understand that if we are to survive above-board in the long term, the APP has chosen the right strategy.


    Want to join the APP?
    CLICK HERE

    Also covered were stretching techniques, jewelry, and even lots of little tidbits for business owners like “stretching cards” (cards for your customers that encourage them to come back for slow and healthy stretching with incentives like 10% off on the next stretch if they wait). I do think Alicia has a little bit of an unfair bias against plastics, but she’s an engaging speaker that does a great job of covering basic material while throwing in enough trivia and advanced information to keep any level of audience enthralled.

    After lunch, Bethra gave an in-depth and highly technical jewelry and metallurgy seminar. I was pretty tired at that point (still on Canadian time), and diagram after diagram of atomic structures was putting me to sleep. Since Bethra had prepared a hand-out with all the information, I took off for a nap. On my return she was just finishing up and Megg was about to start the basic techniques seminar, the technical problems having finally been solved.


    HANDOUT EXCERPT

    Megg’s also a great speaker and an experienced and progressive piercer who’s very good at presenting material that’s old hat to most people but with enough tips in it that I think even a piercing veteran would get a lot of out it, fine-tuning their techniques. Her seminar, prepared with Elayne Angel, contained numerous ideas that would improve any piercer’s work. Much of her seminar also focused on the subtle aspects of organizing a studio and its support staff to best facilitate and safe and pleasant piercing process.

     
    AT THE APP PARTY

    AT THE APP PARTY

    AT THE APP PARTY

    COLD STEEL REPRESENTZ

    BRUNO AND BRENNO

    FRANCE REPRESENTZ

    SO MANY RAFFLE TICKETS

    AT THE APP PARTY


    DAY THREE

    I showed up at 10 AM to again find that things had been pushed back even further — not so much for technical difficulties, but because people were simply late arriving. Maybe I’m a nerd, but if I had spent a few thousand dollars flying to a convention I’d go to the effort of showing up on time for the classes. I was surprised to hear that it’s not unusual at the Las Vegas convention for as many as half the people to not even bother showing up at all!

    Meh.

    The first seminar was one I’d wanted to take for a long time, the Bloodborne Pathogens course prepared by David Vidra and Health Educators, being taught by Alicia. This is one of those basic seminars that every piercer should know backwards and forwards, and like CPR certification, it’s the kind of thing they should be doing regularly to stay sharp. When it involves people’s lives — being able to provide a safe and aseptic foundation for your studio is the basis of this seminar — you don’t want to get sloppy!


    HANDOUT EXCERPTS

    The presentation that followed was the one that really freaked me out and was probably the most eye-opening one of the event. Julien Ball of Prestige Medical, one of the leading autoclave manufacturers, gave an overview of modern sterilization technologies. It was fascinating to learn about the different procedures in Europe (for example, they use aggressive monitoring and charting of their clave’s performance, while spore tests are almost unheard of), but what really got to me was an overview of the difference between vacuum autoclaves and “normal” autoclaves.


    HANDOUT EXCERPTS

    For those that don’t know, an autoclave sterilizes when the pressurized steam hits the surface of the items in the clave. If the steam doesn’t reach the items due to some blockage, sterilization doesn’t happen. Where it gets scary is that a simple pocket of air can, in some cases, provide this blockage. What that means is that a normal autoclave as is used by virtually 100% of North American studios can not guarantee sterilization of anything hollow (receiving tubes, tattoo tubes) or anything that has been placed in bags (basically all tools and jewelry) — there were definitely quite a few faces in that crowd turning white as Julien talked (see the handouts I’ve provided here for more information on this).

    It was hard to get an answer out of Julien as to exactly what the risk level was — did these air pockets form every cycle, or one in ten thousand times? After all, Prestige Medical has a vested interest in the subject since there’s a higher profit margin in a $7000 vacuum clave than a $900 field-medic special! I was surprised to find out that about 70% of the piercers at the convention (the majority of the Europeans there) were using triple-pulse vacuum claves as well as single use water systems — some of the gear in the European studios was amazing. One German piercer even had an $8000 automated “tool dishwasher” in his shop!


    HANDOUT EXCERPTS

    Al Prescott, organizer of the Derby conventions and developer of the Safe Working in the Tattoo and Piercing Industry vocational course, followed with an exhaustive seminar on risk management procedures which also touched on the extremely high standards that European (and specifically UK) studios are held to. I don’t think American or Canadian studios could match these without at least doubling prices — which might be a good thing since it could eliminate the low-end studios (although it could do the opposite since low-end studios tend to be more profitable and therefore more able to invest in new hardware).

    The third day’s seminars ended with CPR certification which I skipped, but the day itself was to be capped with a party of everyone at the convention to give away some very generous prizes from the exhibitors — probably six thousand dollars worth of stuff was given away in the draws. Rachel won a belt buckle and some ring openers! I on the other hand won nothing…

    DAY FOUR

    The final day started with an aftercare presentation by Alicia, covering the pros and cons of a wide range of products in use by this industry. Unfortunately Aimee showed up about half way through it, shouting out a bunch of irrelevant questions which had already been discussed before she got there. I just don’t understand why someone would come all that way and act like such an ass… It was funny though — I think she must have clued in that she was pissing people off because when anyone would ask where she worked she was extremely evasive, just saying things like “a place on the east coast”.

    Paul King’s informative and entertaining “amateur piercing anthropology and history” seminar followed. Paul is definitely a guy who I’d call a “piercing nerd” — someone who can go on and on about it and is interested in every little silly piece of trivia on the subject. Given that’s how I’d also describe myself, and given that it’s so hard for any one person to get a real picture of this community (so much of it is still oral history), it was wonderful to be able to assimilate his stories — many of which have been making their way into the new BME encyclopedia project (which will be officially unveiled on January 1st, 2004).

    His stories about the rituals he watched during his travels in Penang were especially touching. We’ve all seen the gory photos of hundreds of thousands of people marching through the streets with giant cheek skewers — they seem so different from us — so enlightened. We are given the impression that they do these things naturally, and that everyone is in touch with God. That’s not entirely true though. Just like here in the West the occasional person will have to abort their suspension because they’re not ready to accept it, or it’s just not the right day, the same happens in Penang. I think the most moving photo I saw the whole time I was in Amsterdam was a young man sitting, emotionally exhausted, not able to take part in the ritual — and in his face I saw the same face I’ve seen in my backyard whenever someone asks to be pulled down from a suspension early because they can’t handle it.

    It was at that moment, Paul said, that he realized that all of us in this world are the same.

    Megg gave the final seminar, on legislation. I wasn’t sure how this was going to go over because some of the European piercers were already annoyed at the American bias on some of the subjects. However, the seminar didn’t talk specifics — its goal was to help teach people in down to earth terms how to deal with politicians. Given that Megg has helped Philadelphia come up with some of the best piercing legislation in the world, she’s more than qualified to teach this. Her anecdotes of her own successes in this area should be effective strategy for anyone around the world facing the same issues.


    HANDOUT EXCERPT

    The day finished on a bit of a sad note though, as Bethra thanked everyone for coming, and let them know that, for financial reasons, this would probably be the last time the APP would host a European convention. However, the day before the convention started they’d hosted a mini-event introducing all of the heads of the fledgling European professional piercing organizations — some had only two or three members, but I think they walked away empowered, and thanks to seminars like Megg’s legislation one, with new plans of attack as well.

    I think everyone there was looking forward to the day when we’re able to have a world piercing convention, hosted by dozens of professional groups from all over the world.


    MEXICO REPRESENTZ

    BRUNO, CHRISTIANE, AND
    TEN YEARS OF PAIN

    ALEX AND FOXX

    MEGG MASS AND PAUL KING
     


    LIVE PORNO: CASA ROSSO

    I don’t know how many of the other attendees checked out the live sex shows. I was sort of hoping to see someone we recognized when Rachel and I went, but it was pretty much only Asian businessmen. We had no idea what to expect — after all, it really is people screwing on stage. I think we were hoping for something absolutely sordid, but it was really quite civil and mundane. Being hosted in a real theater with fully clothed male waiters made it very non-threatening — in some ways the salacious window prostitutes are a lot more pervy.

    When we got there a Vietnamese girl was doing some mellow stripping followed by a ben-wa ball act — because she wasn’t working for tips she didn’t really “sell herself” to the crowd like one expects in North America, giving it a very strange and aloof vibe. She was followed by a rather plastic pornstar-looking woman having sex with an absolutely disinterested looking fellow that I’m pretty sure was gay — but he did have a really nicely done full tribal sleeve. They went through a few positions and after maybe four or five minutes the curtain closed on them — no money shot since they have to do this act for hours and hours. Casa Rosso is built around a series of sex vignettes over a repeating hour-long show.

    A dildo act followed, and then another couple — tattooed again, with him wearing a large dragon shoulder-cap. They probably weren’t as attractive as the first couple, but the chemistry between them was good. After them came a comedic banana act that included good-heartedly playing with a few audience members on stage, culminating with them eating a banana out of the performer — it wasn’t as dirty as it sounds — funny would be a better word for it. She was obviously having a good time, so it was more like a strange kind of perverse stand-up comedy.

    After another couples act, the banana girl was back. The curtain opened to reveal her in a grim reaper costume, complete with an enormous scythe. After a moment of silence, old school Metallica began blasting — I’m really not a fan of stripping on the whole, but the humor in a heavy metal demonic strip show won me over. Once nude, she unrolled a giant flag with a pentagram in the center and spread it out on the stage, which raised up into a central pedestal. In the middle of this pentagram altar she performed a dildo act with a flaming candle… Again, not something I’d necessarily call erotic, but definitely a hilarious show that I don’t think you could see anywhere else.

    We didn’t stay for the entire show, but as we were leaving one last couples act performed, starting with a slow but intense blowjob and then really passionate — and elaborate — standing sex. Because of the erotic energy between them this act definitely made me very nervous about having to walk past the obviously excited businessmen sitting next to us. The aisles were packed tight and I wasn’t really looking to become part of the act!

    All in all, I’d recommend checking it out as a “just so you can tell people you did” sort of thing, but if you’re looking for raunch you’ll find more of it at an American strip club… or even the average BME BBQ!


    SOFT DRUGS: BABA

    We didn’t have a chance to check out the coffeeshops until the last day. That’s actually not entirely true — we’d walked past quite a few, and almost went in a number of times, but instinct just tells you it’s wrong. It was more a matter of finding the courage than finding the time. Even though you know it’s legal, you still feel like stormtroopers are going to throw you into a cell for even stepping foot inside these “soft drug” emporiums.

    We ended up at a place called Baba’s, just down the street from Mr. B’s, the well known SM shop — so as leather-daddies walked past us in full gear, we went to the desk. Right there on the menu were joints, and a big stack of them sat behind the counter… or we could see the “house dealer” if we just wanted raw materials.

    “Could I have a pear juice and a coke please”, I asked, meekly followed by “…and a joint,” not really knowing what to do or expect.

    “Would you like a hash joint, or marijuana?”

    “Marijuana please.”

    And it was really as simple as that. Looking around, the coffee shop wasn’t full of stoner-types (except me of course) — middle aged folks, thirty-something well-dressed women, and the occasional tourist. It felt really normal and healthy, but still, I felt so nefarious lighting up that joint! I smoked about half of it, and Rachel had a bit as well, and with big grins on our faces we wandered through the streets of downtown Amsterdam.

    THE CONVENTION FLOOR

    A small but nice cross-section of jewelry suppliers from around the world had booths at the event. Most of it was the same stuff that you’d see at every single tattoo convention — in all honesty I think they could have done without the floor. That said, I’d like to mention Quetzalli, an organic manufacturer from Mexico that had truly gorgeous examples of ammonite-inlaid ear jewelry as well as plugs filled with intricate and beautiful beadwork.

    CONCLUSION

    I met a lot of really wonderful people — a lot of old friends, online friends, and many new ones as well. Bruno and Brenno from Italy were wonderful — talented piercers and body artists full of enthusiasm in their fledging association. Christiane from Norway showed me Håvve’s new book, Ten Years of Pain, about the history of the Pain Solution performance art group (the book is wonderful and I hope to have it in BMEshop soon). Russ Foxx from Canada was great fun to see, as was Carlos Escobar of Spain. It was also nice meeting piercers like Alex from the UK who I knew from the good things their many clients I deal with all the time said about them.

    I know I’m forgetting people! I apologize!

    I also met with Andrea (Lacrima Rubra) from Germany who showed me video of years of her performances and introduced me to some new friends and other friends who — like so many of my acquaintances — I know only by their genital mods! I also got to see my old friend Patrick Bartholomew again which is always nice, and Kor (Ego Kornus) really impressed me as well. It was very interesting to talk to a performer who comes from an art (modern ballet) and ritual background more so than a body modification background. And the forty or so beers we drank that afternoon between us polished off that day very nicely!

    I could name people endlessly and still forget some who made the event worthwhile for me, so I’ll get back to EuroCon itself. I had three main problems with the APP convention that I think to be fair I should mention. First, I thought parts of it were disorganized and unprofessional, resulting in things like handouts not being ready on time and projection systems not working — given the expense that had been gone to in hosting, and the fact that the attendees had spent a lot of money to come I thought this was unfortunate. That said, as someone who’s hosted events, I know this is pretty normal.

    Second, I thought better fact checking could have been done. While the presentations given by specialists were very strong, some of the more general reports were riddled with historical errors, typos, and substitutions (naming the wrong soap as vegan and so on). They were just little things, but I felt that it’s that final touch that really makes a presentation perfect.

    Finally, an exceptionally poor job was done in marketing and promoting the convention. Most of the European piercers I talked to had absolutely no idea there was an APP event in Amsterdam, and those that did assumed it was for Americans only and not oriented to Europeans. A lot of the value of the convention came from dialog with the attendees, not just the lecture sessions, so this mistake was their most serious.

    Let me be very clear though — those complaints are listed in order to be thorough and honest. I do not believe that they tainted the conference to the point where it wasn’t worthwhile. While the majority of the information being presented was old hat to me, there were still volumes of knowledge being shoveled that was new and that I needed to hear — and that every piercer needs to hear.

    The next APP convention — a much larger one that draws over a thousand piercers (some of the best in the world) — is at the start of May, 2004 in Las Vegas. Now, it happens to coincide with Shawn Porter’s wedding, so I’m going to have to miss a day, but assuming that America doesn’t stop me at the border, I’ll be there, eager to keep learning. I hope you’ll be there too.

    See you in Vegas,

    Shannon Larratt
    BMEzine.com

    PS. Thank you to the APP for inviting me to come and being generous enough to extend my press passes into the seminars. Thank you as well to Bethra, Megg, Paul, and the other APP members for making me feel welcome. Finally, thank you to them as well as Julien, Al, Betsy, and the other speakers for sharing their knowledge.


  • Suspensions & Tensions: Yesterday – Fakir Rants & Raves

    Suspensions & Tensions:
    Yesterday

    "Your body belongs to you, and in the appropriate ritual, it has been given to you to explore the full dimensions of your being."

    In 1943, a young teenage boy in South Dakota was bored to tears in the stifling, restricted and limited environment around him. He haunted libraries hoping to find a glimmer of something different, exciting, vital and alive in the world beyond. In the school library, in a musty alcove he hit pay dirt — a complete collection of old National Geographic magazines dating from 1905! Here were pictures of people who looked different, lived differently and had done radically different things with their bodies. This was exciting, WOW!

    Early photos of Savite Hindu devotees during Chidi Mari Festival in South India (Madras, 1920’s). After hooks are pierced in the back, the devotee climbs a high tower where he (or she) is lifted into free air by a horizontal pole and slowly rotated.

    One photo in particular attracted his attention. In a 1920’s issue he saw photos of young men and women in India with hooks pierced through their flesh hanging fully suspended by their flesh from a rotating cross arm high in the air. Why did they do this, he wondered? How could they do this? What did this feel like? What did it do to you? Several years later, the boy found some descriptions and drawings of Native Americans who also pierced their flesh and either pulled for hours against deep piercings or hung suspended by them.

    Discovery of these Native American rituals rang many bells for the boy since many of these rituals had taken place in the same physical space in South Dakota he now occupied, and only about fifty years prior. Following a psychic trail on his bicycle, he found several places where Lakota, Arikira and Sissiton peoples had pierced their flesh and pulled against it. The vibes were still there beneath the rustle of cottonwood leaves on the trees from which they pulled and hung.

    The feeling left in these places was infectious. The boy was intoxicated by it. He had to try this himself. In fact, he felt like he had done this before. That boy was me. He has since tried these body rituals many times. Now some fifty years later, in 2003, he finds himself in a strange new world — one where many others have also felt the urge to pierce their flesh and either pull against it or be suspended by it. However, some of these explorers seem to think they’ve just invented the wheel and want some kind of patent on it to claim ownership. So now we’ve got “Superman” and “Coma” suspensions and other new names that just didn’t exist in the world of the people who originated these rituals. But that is ok as long as some credit and honor is paid to the people who came before and showed the way — as long as the inner “magic” and “sacred space” belonging to these rituals is not forgotten or ignored.

    ORIGINS & BELIEFS

    The practice of piercing the flesh then pulling or hanging by pierced body parts is not a new custom. It has been a part of Hindu Culture in Southern India (Tamil Nadu) for thousands of years, nearly as long among the Sufi of the Middle East, and for hundreds of years as a part of religious ceremonies of Native Americans. It is, until recently, an alien and forbidden custom in mainstream Western Cultures. What useful purpose could this custom have? Why would anybody deliberately choose to “mutilate” their flesh and “suffer” thus? A huge conflict exists between Western Culture and those where such piercing rites are honored and encouraged.

    The core of this conflict centers around different cultural beliefs about the body. Who does your body belong to? A distant God who has strict rules about what you can do with it? Or to a Priest or other intermediary of this real or imaginary divinity? Does your body belong to a father or mother? Or to a husband or spouse? Or to the state or a social order or tribe? Does anyone besides you have the right to decide what you can or cannot do with your body? Or does it simply belong to you the one who lives inside?

    In those cultures where piercing ceremonies have developed, the attitude is pretty much universal: your body belongs to you, and in the appropriate ritual, it has been given to you to explore the full dimensions of your being. In Western Cultures of the late 20th Century, some of these alien beliefs have replaced old Judeo-Christian ones. Since the 1970’s the widespread practice, acceptance and popularity of body modification definitely says, “My body belongs to me!” However, like many customs and practices that originated in other cultures and were transplanted here, only part of the messsage seems to have been transmitted. For example, the art of tattooing was brought to Europe from the South Pacific by sailors and early explorers. In Somoa and the Marquesas, the custom of tattooing was a very sacred and special rite: “the making of a magic mark”. It was an initiation, a rite of passage, and meant to transform forever the one who bore it. The early sailors brought back the technique to make the mark — but failed to bring back the magic. So soon European tattooing became a mere novelty: marks that don’t wash off, a status symbol of sailors and outcasts. The meaningful and magical geometric designs of the originators were replaced with the only kind of graphic Europeans understood: crude representational pictures or words. The magic and purpose of the originators had been lost in translation.

    In most cases, I feel the same thing has happened to the suspensions and related piercing experiences a lot of people are doing today. They are often being done for sheer novelty, attention, and ego satisfaction. I feel very strongly that if one borrows a custom from another culture, it is your obligation to respect and understand, as best possible, the significance and mystery of the practice. Otherwise, it can easily fall into darkness or misuse and undesirable consequences or spiritual degradation can result.

    However, at the same time, I feel everybody has a right to do what they will with their body even if it is for sheer exhibitionism. But they should be aware they are missing the full potential and magical significance of the act.

    SAVITE HINDU & SUFI PRACTICES

    The oldest recorded history of piercing the body and pulling on or hanging by the piercings goes back perhaps five thousand years to the earliest cultures of India. In this great period of human development in the East, the concepts of Hinduism including the various yogic disciplines, understanding of energy centers (chakras), tantra and the Kama Sutra were born. The body/spirit connection was especially explored, and the ability to attain different states of consciousness was both sought after and revered. The idea of “using the body to transcend body” played an important role in religious and everyday life.

    Two major Hindu Festivals are especially focused on body piercing rituals: Thaipusam in January/February and Chidi Mari in May/June. Both festivals are celebrated primarily by Savite Hindus (devotees of Lord Siva, Muruga, Murugan, Subramanya, the Great Mother Mari and Kali). Other Hindus, like the followers of Vishnu or Krishna, do not usually practice body rituals or employ body piercing in their religious practice. In fact, they often hold these rites in contempt. The Savites are mostly the dark-skinned Tamil people of Southern India (Tamil Nadu) and direct descendents of the original indigenous peoples of India. Their Tamil language used in the chants of their “Pujas” (worship) is the spoken equivalent of the ancient written language of Sanskrit. Historically, the Tamil peoples have been persecuted for hundreds of years. First by the light-skinned Northern Indians, descendents of Aryan invaders, then by the British colonialists who hauled them off as virtual slaves to work on tea plantations in Ceylon (now Sri Lanka) and other parts of the British Empire. Wherever they’ve been taken by force, the Tamil people have been remarkably successful in preserving their culture and spiritual practices. Something similar is now happening with the culture of Tibet.

    Above, L-R: Thaipusam hook-swinger in Ceyon in the 1930’s (Is this Superman?), recent Hindu rituals in Melacca (West Malaysia), and Kavarti at the Sivananda Ashram in Val Morin (a man suspends from a rig on a pickup truck). Below: Group rituals at the Sivananda Ashram.

    As public festivals, both the Thaipusam and Chidi Mari have been effectively outlawed in India and Sri Lanka. Too barbaric. But in other parts of Southeast Asia, especially Malaysia and Thailand, these “torture festivals” still flourish. The Chidi Mari Festival is devoted to worship of the “Great Mother” (Mari) and other female deities like Kali. Devotees are often pierced by two hooks in the back, suspended on the end of a long pole and rotated high in the air. Others are pierced with multiple hooks and suspended horizontally for long periods of time (two to six hours). All this done to attain a “State of Grace” (ecstatic trance) in which the Great Mother possesses their bodies and bestows enlightenment and blessings on them and their families.

    Thaipusam is a piercing festival to Lord Siva and especially the Hindu dieties who are “Stars in His Crown”: Muruga, Murugan, Subramanya, Skanda, Ganapati. Devotees vow to bear a gift to the deity (archtype) under physical hardship. This is considered the purest of gifts — the offering of one’s own body pierced with spears, skewers or hooks as it delivers the gift. This is “Worship Through the Body” and such a gift is especially accepted and blessed by such deities (archetypes) as Murugan, Lord of Piercing and patron Saint of the Tamils. When I witnessed the Thaipusam in Penang Malaysia in 1995, I felt the reality of the sacrificial energy released. It was overpowering, intoxicating, sweet, and very similar to the energy that I have experienced at many of the body suspension and hook pulling rituals I have facilitated or witnessed in recent years.

    This same energy has historically been a part of Sufi body piercing rituals dating back hundreds of years. In case you don’t know, Sufi is a fusion of ancient Hebrew, Hindu, and Islamic beliefs and practices with emphasis on individual “gnosis”, that is “direct knowing” by means of altered states. Sufi sects that still practice piercing rituals, dervish dancing, and other trance rites are not accepted by mainstream Islam and have been forced underground except in the United States and a few other Western cultures. I even know of one of them in Marin County, California! One of my ardent pro body piercers learned Arabic and was attached to that group. My namesake, the original Fakir Musafar, was a 12th Century Sufi mystic from Meshed, Persia (Iran) who for sixteen years had six daggers embedded in his chest and back plus six horseshoes suspended from twelve permanent piercings in his shoulders and arms. Musafar’s message was much the same as mine: one can access the unseen worlds and find the source of being through the body. Legend has it Musafar was ridiculed for his bizarre practices and that he died of a broken heart because his message went unheard. In many ways, I feel the hand of Musafar and the energy of Murugan in what I have been doing for some fifty years. I also feel the Spirit of the Modern Primitive is an extension of that same ancient and timeless energy.

    NATIVE AMERICAN PRACTICES

     

    Catlin’s 1800’s painting of O-Kee-Pa: A Religious Cermony of the Mandan. This art is scanned directly from the original litho page in his 1867 book published by Trubner & Co., London. A precious find, this original leather bound copy belongs to Fakir!

    Strange as it may seem, the practice of piercing the body and ritually pulling or suspending it to achieve some kind of union with divine powers developed quite independently on the North American continent. The exact time frame is unknown since there are no written records left by these tribal peoples — only verbal records and stories told to Europeans in the late 1700’s and early 1800’s. The most significant chronicler of these customs was George Catlin, an Englishman who lived among the Mandan people in the 1830’s and both wrote and painted descriptions of their body rituals. The Mandan, who were not hunters and gatherers, lived in villages and cities along the Missouri River in what is now South and North Dakota. The primary Mandan suspension ritual was called the O-Kee-Pa. It was both a rite of passage for all young men and also a repeated practice for a vision-seeking shaman. Mandan legend says the practice was given to them by a white man who came down from a mountain in ancient times.

    After many days of fasting and extreme ordeals, Mandan young men who were about to become adults and enter adult life were pierced twice in the chest and twice in the back. Under the guidance of an older man who had taken this journey before, often many times (called a Ka-See-Ka meaning guide), they were suspended by either set of piercings from the roof of a lodge. In extreme pain, followed by trance, the young men were hung up for about twenty minutes to seek communion with “The Great White Spirit”. Legend has it that initiates traveled out of their bodies in this state and were guided through unseen worlds by their Ka-See-Ka who knew the way. The O-Kee-Pa journey was like a canoe trip on a tricky river: the initiate submitted and just rode in the canoe while the Ka-See-Ka steered it to appropriate vistas and to avoid rocks. Through the years, neighboring tribes, especially the Arikara and Minnetaree, were exposed to the Mandan ritual and developed their own piercing rites, often more severe.

    Various Sioux (generic French word used for all tribal peoples living in this area) tribes like the Lakota, Ogalala, Teton and Yellow Hand also adopted or developed shamanic piercing rites — chief of which is called the Sun Dance in which pledgers are pierced once or twice in the chest, fastened to a tree or pole and vow to pull against the piercings until the flesh breaks. Again, the object is to enter an extraordinary state and meet an animal ally or the “Great White Spirit” — either as communion, healing or to obtain special knowledge. The most serious initiates and experienced dancers gained great respect and awe for how long they could pull against the piercings without breaking free. Sometimes this would be several days.

    Wonderfully accurate movie reenactments of the O-Kee-Pa and Sun Dance can be seen in the Richard Harris films “Man Called Horse” and “Return of the Man Called Horse”. A documentary film of a real modern day Sun Dance and O-Kee-Pa style suspension can be seen in the film “Dances Sacred & Profane” shot in Wyoming with Jim Ward and Fakir as initiates. When this film was released on videotape it was called “Bizarre Rituals”. Watch my web site for a new tape to be released soon with the last thirty minutes of the “Dances” film plus a short profile of Fakir produced by French filmmakers and Canal+ for European distribution.

    Yours for safe and enlightened body rites,


    Fakir Musafar
    fakir at bodyplay dot com

    In my next column, SUPENSIONS & TENSIONS: TODAY, I will bring these practices to contemporary times with accounts of my own experiences and the experiences of others. I also wish to alert those who currently do piercing rituals with large hooks of a new and recent danger: MRSA (Methicillin Resistant Staphylcoccus Aureus), a staph infection that is resistant to all current forms of antibiotics. It is real. It is here and I recently had to deal with a case that required two open-heart surgeries! It is easily transmitted by mere physical contact. It is then called CA (community acquire) MRSA. More on this new danger in my next column.



    Fakir Musafar is the undisputed father of the Modern Primitives movement and through his work over the past 50 years with PFIQ, Gauntlet, Body Play, and more, he has been one of the key figures in bringing body modification out of the closet in an enlightened and aware fashion.

    For much more information on Fakir and the subjects discussed in this column, be sure to check out his website at www.bodyplay.com. While you’re there you should consider whipping out your PayPal account and getting yourself a signed copy of his amazing book, SPIRIT AND FLESH (now).

    Copyright © 2003 BMEzine.com LLC Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published November 15th, 2003 by BMEzine.com LLC in Tweed, Ontario, Canada.

  • Self Definition and Body Modification & Ritual – Through the Modified Looking Glass

    Self Definition and
    Body Modification & Ritual

    The surest way to corrupt a youth is to instruct him to hold in higher esteem those who think alike than those who think differently.

    Nietzsche

  • The Beginnings of the Modern Body Piercing Movement [Running The Gauntlet – By Jim Ward]


    3: The Beginnings of the
    Modern Body Piercing Movement

    Just for the record, I do not claim, nor have I ever claimed that I single-handedly started the modern body piercing movement. I was fortunate to be in the right place at the right time to focus and channel forces that were already at work in the world. Would the movement have happened without me? Possibly, but if it had, it probably wouldn’t look quite like it does today.

    Body piercing has been around for countless millennia. However, in the early 1970’s it was practiced, in the Western world at least, largely by a handful of widely dispersed and closeted hardcore fetishists. At that point in my life I never really thought that there might be a lot of other people in the world who found piercing as erotic as I did.

    In 1973, my first year in Los Angeles, I was pretty much immersed in Primal Therapy. I rented a small apartment in West Hollywood a short walk from the Primal Institute and kept pretty much to the neighborhood.

    Towards the end of the year, a fellow patient named Diane told me about a small two-bedroom house that was for rent about a block away. I had seen it often enough on walks around the neighborhood. It dated from the teens when West Hollywood — then called Sherman — had been a whistle stop on the railroad between Los Angeles and Santa Monica. Aside from its ramshackle condition and the Christmas tree dying in a pot by the front steps, its most memorable feature was a concrete shrine in the front yard where a votive candle burned day and night to the Virgin Mary.

    For decades an elderly Italian woman had occupied the house. I don’t recall if she died or had been put into a home, but the property had been sold. An eccentric old couple, Velma and Carl Henning were managing it. Mrs. Henning looked like Ma Kettle and was so stingy she would scrounge through the supermarket dumpster for food. Her husband was an old Nazi with a handlebar moustache who had migrated to the States after the war. While he may have left the vaterland behind, his racist viewpoints were still as fresh as ever, and he was only too happy to share them whether one was interested or not.

    Once they took over, the Hennings made some changes to the property. They cleaned up the house and demolished the shrine in the front yard, leaving a pile of concrete rubble. A sheet of plywood was laid over the rotting boards on the front porch to keep people from falling through. Always looking for ways to make a little extra money, Mrs. Henning rented yard space next to the house to a hippie couple to park their old school bus home. Arrangements had been made for them to use the toilet, which was just inside the back door.



    The old West Hollywood house shortly before it’s demolition.

    Rent on the house was little more than I was paying for my tiny apartment, so I signed a lease on it and moved in. There was a certain squalid charm about the place, but there was much about it that made living there a challenge. Chief among its shortcomings was a total lack of insulation or heat. One always thinks of Southern California as a land of eternal warmth and sunshine, but my first winter in the old house shattered that illusion.

    West Hollywood at the time was still unincorporated, but the community was already beginning to exhibit the signs of change that, in a few short years, would turn it into the cold, impersonal city it has become today. Many small charming homes that dotted the township were being torn down and replaced by ugly apartment buildings.

    Diane and I took great pleasure in rummaging through the abandoned old homes before they were torn down. Frequently we’d return home with odds and ends and, occasionally, useful junk. Rifling through the trash piles at construction sites I scrounged enough insulation to keep some of the cold out of my house.

    I had a large back yard with a rundown shed — once possibly a garage for a Model A — and a huge avocado tree that bore wonderful fruit in summer assuming the squirrels didn’t ruin it first. There was lots of space for a garden, and Diane and I attempted, with limited success, to grow a variety of vegetables and flowers. Not only was the soil poor and the snails and slugs abundant, but the yard was something of a cross between a dump and an archeological dig. One could scarcely turn a shovel of earth that didn’t contain some bit of junk, mostly old bottles and broken crockery.

    Amongst the debris was an old enameled cast iron toilet tank. Possessed by some perverse ingenuity I turned it into a small wood burning stove, attaching a stove pipe which I ran outside through one of the living room windows. Fueled with wood scraps from construction sites, it provided a source of free heat. By some miracle I didn’t asphyxiate myself. The first time I built a fire in the stove I had to run for cover. As the cast iron heated up and expanded, bits of enamel began to fly like shrapnel.

    The necessity to earn an income encouraged me to seek employment. My experience in picture framing lead to a job with a snooty frame shop in West Hollywood. Among their clientele were a number of well-known museums and celebrity artists. While the occasional treasure passed through our hands, most of what we handled was high priced crap masquerading as art. I realized that this was not a profession I wished to pursue as a lifetime career. But what did I want to do? I remember thinking at the time I’d like to have a profession where I could use my hands and what I worked with would be small and fit into them. I also thought it would be wonderful if it had a sexual dimension as well. Little did I realize what was soon to materialize in my life.

    Diane came up with the idea that we should enroll in court reporting school. After all, it was a well paying profession with great job security. There likely would be a demand for court reporters well into the future.

    So we signed up and started learning the fundamentals of stenotype. It didn’t take Diane long to lose interest and drop out. I stuck with it for almost a year, reaching a level where I could take about 120 words a minute and type up a transcript at about 100 words a minute. The beginning months had been filled transcribing innocuous clerical material along the lines of, “Dear Mr. Smith: Please send me ten cases of tea.” What kept me intrigued as long as it did was the very weirdness of stenotype itself — I remember seeing a license plate bearing the letters TPUBGU; in stenotype that spells, “fuck you.” But that could hold my interest just so long. When the teacher began dictating actual court material I realized just how deadly boring the life of a court reporter could be. I doubt many of them get to take down juicy Perry Mason cases.

    But my stint at court reporting school was not a total loss. We were required to take and pass a comprehensive class in English grammar and punctuation. The class was well taught and unlike the boring classes I’d suffered through in high school, actually made sense. Little did I realize that it wouldn’t be long before what I’d learned would come in handy when I started a magazine about piercing.

    For the first year of so, most of the friends I made were people from the Institute. The main exception was my friend Rod from Denver. He had been married for some years and had several grown children. Approaching middle age, he was no longer willing to deny the gay side of his nature. The year before I moved to LA, he packed a few essentials, said goodbye to wife and family, climbed on his Harley, and headed for California settling down in Los Angeles with a succession of male lovers. Soon after arriving he took a job as a bus driver.

    I’ve often marveled at that thing we call fate. Is there really such a thing, and if not, how do we explain those amazing coincidences that happen in our lives?

    Rod’s regular bus route was between Hollywood and downtown Los Angeles. One day an amiable long-haired gentleman boarded his bus, and taking a seat near the driver, struck up a conversation. The man’s name was Tom and he worked as a librarian at the downtown public library. Tom became a regular commuter on Rod’s bus, and one morning as they were chatting en route to downtown, a man with a pierced ear boarded the bus. The conversation turned to the subject of piercing and Rod said, “I have a friend with pierced nipples,” to which Tom replied, “I’d like to meet him.”

    I must confess that I secretly hoped that Tom would be a sexy hunk, but instead I met a rather plain, round-faced, slightly heavy set man in need of dental work. Whatever he lacked in looks was offset, to some extent, by a sunny disposition and a passion for piercing. He shared with me a collection of letters and photographs from a number of fellow enthusiasts who, at the time, were unknown to me. Among these was one “Rollie Loomis” who would soon become known as Fakir Musafar. The photographs of him that Tom showed me were truly awesome. I’d never seen anything like them. They made me aware that there were many more piercing possibilities than I had ever dreamed of.

    Another of Tom’s correspondents was a man named Doug Malloy. He was supposedly some well-traveled expert on the subject of piercing. Since he lived locally Tom arranged for us to get together one evening so I could meet him. We were to rendezvous at the public library where Tom worked and then go out for dinner.



    Doug Malloy (left) and Alan Oversby aka Mr. Sebastian (right).

    Doug arrived with a guest, a man named Alan Oversby. Over dinner I learned that Doug had recently written a short autobiographical account of his piercing exploits called The Adventures of a Piercing Freak. A somewhat sleazy fetish publisher had purchased it and to add visual interest had included a number of photographs bearing no relation to the text.



    Alan showing his art work.

    Alan, it turned out, was from England where he worked as a tattoo artist who also did some body piercing. His professional name was “Mr. Sebastian.” Doug had corresponded with him, and Alan had shown a great deal of interest in learning more about the art and technical aspects of piercing. Using the money from the sale of his book, Doug had paid for Alan to come to the States.

    It was a pleasant evening. We parted company, and I heard nothing further from either Doug or Alan.

    During my Primal Therapy experience I became a very good friend with another patient named Jim. After a couple of years at the Institute, he decided it was time to get on with his life and moved to San Francisco. Periodically I would fly up to spend a weekend with him. He would show me the sights. Sometimes we’d smoke a little grass and hit the gay nightspots.


    Eric. In a way he started it all.

    On one of these outings a guy named Eric came on to me. We spent some time together, and though the chemistry wasn’t exactly ideal, we started to see each other on a regular basis, sometimes in San Francisco, sometimes in LA. Eric was very turned on by my nipple piercings and called me to see if I would pierce his nipples the next time he came to LA. While I was certainly willing, I realized that my pushpin-and-wine-bottle-cork method left a lot of room for improvement. I also knew from my brief meeting with Doug that earrings were not the right jewelry for the job. Since a more knowledgeable source was close by, it made sense to see if I could get a little guidance.

    I called Tom and, after explaining the situation, asked if he would give me Doug’s phone number. This he did, and I gave Doug a call, asking if he would be willing to share some of his piercing techniques with me and tell me where I might be able to purchase appropriate jewelry. He couldn’t have been more accommodating. The techniques he’d developed over the years were at my disposal. All I needed to do was let him know when Eric would be in town and we’d set something up.

    As for jewelry there weren’t many choices. Doug knew of a jeweler in San Diego who would make gold rings, but the guy was asking $200 apiece for them. This was much more than I was willing to pay. Having taken several jewelry making classes in New York, including one for professionals, I had a pretty good idea what it would take to make a pair of nipple rings, and $400 was way out of line. As I got to thinking about it, I realized that for a fraction of that amount of money I could buy the raw materials and the necessary tools as well.



    The nipple retainer, my very first body piercing jewelry design.

    Doug and I had several discussions about the best kind of jewelry to use for new nipple piercings. There was some question whether they would heal better with a curved ring or something that was straight. In the end we decided that maybe something straight would be the better choice. With that in mind I set out to design something appropriate. Thus came into being my first pieces of body piercing jewelry. I called them “nipple retainers.”

    Consulting the Yellow Pages I discovered a lapidary shop in nearby Hollywood. They were able to supply enough gold wire for the project and the various tools I needed, all for under $50.

    Early tools of the trade. The ear piercer was eventually consigned to history, but Pennington forceps are now a piercing staple.

    Once the jewelry was made, Eric arranged to come down to LA for the piercing. We set up a time for Doug to come over and supervise. He brought his “kit” of implements. These included a pair of Pennington forceps, now an industry standard but at that time something pretty exotic. There was also an assortment of heavy gauge hypodermic needles, the kind used on livestock, and what in the 1950’s had no doubt been a state-of-the-art ear-piercing gun. This latter contraption consisted of plunger on the end of which was a removable needle about 3/4” long. Over the needle fit a short metal sleeve called a canula. By pressing firmly on the plunger, the needle and canula were forced through the tissue and a fork-like stop on the opposite side. Once the pressure was released, a spring would retract the plunger pulling back the needle and, hopefully, leaving the canula in the tissue. The jewelry could then be inserted by butting it against the end of the canula and following it through the piercing.

    My mother worked for twenty five years for an eye doctor, so I had gained some rudimentary awareness that sterilization of the instruments was in order. Fortunately I had a pressure cooker which I usually used for cooking, but it worked just fine as a stand-in for an autoclave. These were the days before AIDS, so we gave no thought to latex gloves. After all, even dentists and tattooists worked without them. Only doctors doing surgery wore them. We assumed that as long as our hands got a thorough washing, that was enough.

    The piercing process may have been crude, but at least we got the jewelry insertion principle right.

    Except for using the ear-piercing gun as part of the procedure, the piercing technique itself was much like it is today. The nipple was first cleaned. Since surgeons were using it in surgery, we had elected to use Betadine instead of alcohol. Next a dot was made on either side of the nipple where we wanted the opening of the piercing to be. A rubber band was wrapped several times around the handle of the Pennington forceps and adjusted for the right grip. The nipple was clamped into the forceps and the marks aligned in the same place on either side. Once the ear-piercing gun was placed in position, the needle and canula were forced through the nipple. As the needle retracted, the canula was left in place. After laying aside the gun, the forceps were removed and the jewelry inserted.

    Though still crude by today’s standards, Doug’s technique worked amazingly well, and the piercing went smoothly. Eric returned to San Francisco happy.

    Soon afterward Doug called me up and asked me to have lunch with him. He picked me up in his sports car, and we went to the Red Room, a little Swedish café in West Hollywood not far from the frame shop where I worked. Over lunch the conversation naturally turned to the subject of piercing. To my surprise Doug said he thought I should start a piercing business. I already knew how to make the jewelry. All that remained was for him to teach me what he knew about the various piercings and his techniques for doing them. I could start out working part time from home, and he would share his private mailing list of enthusiasts around the world as the basis for mail order. When I pointed out that I lacked the capital to launch such an endeavor, he told me he was prepared to lend me whatever it would take. He firmly believed that a need existed for such a business and told me that from the moment he first laid eyes on me at the library, he’d known that we were destined to do something together. This was it.

    Presented with such a generous offer and the possibility of creating a career for myself doing something I loved was not something I could pass up. I said yes.

    Next: In The Beginning There Was Gauntlet


    Jim Ward is is one of the cofounders of body piercing as a public phenomena in his role both as owner of the original piercing studio Gauntlet and the original body modification magazine PFIQ, both long before BME staff had even entered highschool. He currently works as a designer in Calfornia where he lives with his partner.

    Copyright © 2003 BMEzine.com LLC. Requests to publish full, edited, or shortened versions must be confirmed in writing. For bibliographical purposes this article was first published November 11th, 2003 by BMEzine.com LLC in Tweed, Ontario, Canada


  • Does God Hate Your Tattoos? [The Publisher’s Ring]

    Does God Hate Your Tattoos?

    “For no man ever yet hated his own flesh; but nourisheth and cherisheth it, even as the Lord the church.”

    – Ephesians 5:29

      

    BME recently had the opportunity to have a virtual talk with Jay (iam:TautooJay), who is heavily tattooed and is in training to become a youth pastor. We were also joined by Faith (iam:serpensfeminin), a former Mormon raised in the Church of Latter-day Saints, Tiffany (iam:MissTiffany1), a Christian piercer from California, Karen (iam:Mighty_Mouse), a young Christian from Virginia currently sailing in Bermuda, and “Puck”, who asked us to keep him anonymous. Monty Vogel of the QOD staff (iam:MONTE) and owner of Body Mods in Nebraska also joined us, along with Mark, an old friend from San Francisco.




    BME: How do you feel God sees your body modifications?

    Jay: Honestly, I think God has more pressing matters than me getting tattooed. The Catholic Church took a stance on tattoos hundreds of years ago at the Council of Northcumberland that they were fine as long as they were not defamatory of the faith in any way. I’m not a Catholic, but Christian tattooing has been going on since right after Christ died — there are Roman reports of people with crosses or “Yeshua” (Jesus’s name in Hebrew) dating as far back as the first century, and seventeenth century wooden tablets of tattoo designs have been found in Israel.

    Faith: The church’s teachings are clear that bodies are our “temples”. They are the portals through which our spirits pass, and they must be cared for. The way I’ve interpreted this is that we are here to learn, to grow, and to gain experience, and to do that we have to love ourselves. Before modification I didn’t even recognize the face and body I saw in the mirror — so how could I love it? Modification has helped me grow and understand myself, and I believe it’s helped my spirit grow. It’s been an essential part of being alive.

    Tiffany: I don’t think God minds unless it’s a Satanic tattoo. People get tattoos of the things that are important to them — Christians have been getting tattoos since Christ ascended to heaven.

    BME: How do you express your spirituality through your body?

    Faith: I don’t feel the need to be spiritually demonstrative — I have a huge respect for people that use their body to worship, but it’s not what I do.

    Jay: I have Jesus on my back with “Saved by Grace” written underneath. I have Psalm 23 on an anchor, praying hands, an eagle, Yeshua, a cross of three nails and a crown of thorns, an angel and a devil, a sacred heart, and “Jesus Saves” across my collarbone. I’m a walking billboard!

    Tiffany: In Exodus 21:5-6 it says, “If the servant plainly says, ‘I love my master, my wife, and my children: I will not go out free,’ then his master shall bring him to the judges. He shall also bring him to the door, or the door post, and his master shall pierce his ear with an awl, and he shall serve him forever.” — I am a servant of the Lord and I will serve him forever! So in a way, my piercings are done for him, to show that I am his servant.

    Karen: I have a dove with an olive branch in its mouth on my left calf. God regularly uses doves has His messenger or helper — when the dove returned to the ark after the flood, he carried an olive branch in his beak to tell Noah there was dry land where he could build a new world for the glory of the Lord. I want to get a cross tattoo soon.

    BME: What makes you think it’s “OK” as a Christian to get these mods?

    Jay: Who says “it’s OK”? Society? Society is messed up. As Christians, we are called to separate ourselves from society. Although body modification is on the rise, it’s not the cultural norm — it’s not looked on as being completely acceptable. Christians don’t have to be acceptable to society — they are called on to be acceptable to Christ alone. I answer only to Christ.

    Tiffany: Follow that voice in your heart.

    Jay: I prayed for months before getting my first tattoo and signs just pointed me closer to getting one. If someone wants to know if it’s right for them, the answer is in prayer. What God may want for me may not be what He wants for someone else who He’s planned to go into business and win souls for Him — whereas I’m hoping to work with inner city youth and the less fortunate as well as kids… and they like the tattoos!

    Karen: As long as I pray and I know my heart is right with God, and I feel his spirit with me, then I know I’m on the right track. Before I started into mods I didn’t really know who I was, what my body was. The Bible says my body is a temple, but without knowing it, how could I honor it? Now I do that by making it more beautiful.

    Monty: I had a minister come in today and get his ear pierced. He had been asking the head pastor of his church if he could get it done for over four years — it was just recently that the pastor was gone on a trip and called to say that God had told him three times that day to allow the minister to get his ear pierced. The reason the minister wanted the piercing was that six years ago, while in Florida, he opened his Bible and his attention was called to Proverbs 25:12 — “As an earring of gold, and an ornament of fine gold, so is a wise reprover upon an obedient ear” — He knew then that he wanted to get his ear pierced, and today he finally got it done.

    BME: What do you think of people who tell you God disapproves of your mods, or that the Bible forbids them?

    Jay: We all make mistakes and we all fall short of the glory of God. They may judge me, but I know I have also judged others falsely. We’re in the same boat. Those who accuse me of going against the Bible, I talk to them as I would a friend. I point out the fallacy in the kindest way I can. You have to realize most of these people were born into this faith and their culture was intertwined with it and they don’t know any better. They never really looked up the context of the verses they are using against modified people.

    Faith: Scripture isn’t law — they’re guidelines that make our lives more meaningful. God doesn’t want us to be an animal — he wants us to live with free will. I think it’s tragic that so many Mormons hang onto the Prophet’s every word, letting him make all their choices for them. He gives good advice for most things, but I just don’t see how an earring or two is going to make you betray your faith.

    Tiffany: I work at a piercing and tattoo studio so I don’t usually meet people who say things like that, but it does give me a chance to talk about Jesus with those that may never get to hear about Him. Since I look the way I do and work where I do, I fit into “their type” — and they’re more willing to talk to me about it. If I didn’t have these piercings and tattoos, I might not be able to reach these people.

    BME: Do you have any verses that you use to change their minds?

    Jay: Usually I don’t resort to using Scripture on people who think tattoos are a sin. After I point out the error in the use of the Scriptures they quote, there’s really no need. Bible trivia wars are kind of stupid… and I’d win in the end!

    Tiffany: The obvious one of course is Matthew 7:1-6 — “Judge not, that you not be judged. For with what judgment you judge, you will be judged; and with the measure you use it will be measured back to you.”

    Karen: I like Galatians 6:17, “Finally, let no one cause me trouble, for I bear on my body the marks of Jesus”, and Isaiah 49:16, “See, I have engraved you on the palms of my hands.”

    BME: What sorts of responses do you generally get from other Christians?

    Jay: Some get wide-eyes and quote Leviticus 19:28 because that’s what they’re told growing up. I tell them it was written to Levitican priests and dealt with the issue of pagans mutilating their bodies to act as spirit mediums. Others like the artwork and are fine with it, but would never do it themselves. Still others — many others — love my work. Some want to get tattoos, others would never get touched by a needle, but they love my tattoos.

    To all these people, I show the utmost respect and expect the same in return. It all boils down to the fact that we share the same faith and we’ve all experienced grace. The hard part is showing that grace to others, which is where a lot of modified and average Christians fail.

    Tiffany: My Pastor likes my nostril piercing… My studio has tattooed and pierced members of the congregation. I’ve had negative run-ins, but it’s the positive ones that I focus on.

    Mark: The Lutheran Church I attend is two thirds queer, but everyone seems to find my piercings entertaining. An older gay man asked me if I had any hidden piercings. When I told him that I also had my tongue and nipple pierced, he replied, “Oh, I’ve had the nipple for years. Got it done in 1968 — by a friend, with much ceremony, believe me!”

    As far as the theological implications, I really don’t feel there are any. Surely God is more concerned with one’s relationship to Her and to one’s neighbor than with how one decorates oneself. I also dye my hair various colors, sometimes corresponding to the liturgical season — last winter it was blue for Advent, then I re-dyed it red just before the Christmas Eve service!

    Karen: I don’t hide my tattoos and piercings either when I go to church. People into mods aren’t going to want to go to church if all they see is dressed up, uninked people. God loves people with mods, and so does the Church.

    Puck: That’s not always true, Karen. I was asked to leave my youth group when I was thirteen years old for having a pierced navel and purple hair. They thought it wasn’t appropriate for me to be around the younger children while having such “outrageous style”. Many parents wouldn’t allow their children to come to youth group meetings because I would be there. I had to stop going to that church.

    I also went to a Methodist church summer camp and wasn’t allowed in the church with the rest of the kids because of my hair and piercing. Eventually I turned away from God. I just felt like if the people praying with me in church wouldn’t accept me, then God wouldn’t either.

    Faith: My stereotypically Mormon grandmother has a hard time accepting the fact that I have my tongue pierced because she can only imagine sins behind it. I guess she doesn’t understand that I’ve never given or received oral sex and I’m still a virgin — and no piece of metal in my tongue is going to make me change my values. All of my friends, most of whom are Mormons, see my ink and “plugs” as just a part of me — things that make me the quirky and amusing person that I am. I was even told by one of my closest friends that they never would have gotten to know me if they hadn’t wondered what was wrong with my ears!

    I respect other people’s choices, and I’d hope they’d offer the same in return. We’re all put here for the same reason, but we’re not supposed to lead the same lives.

    Way back in 1995, about a year after starting BME, I received the following semi-literate email:

    “I think you are doing is self mutilation and I for one am very disgusted. But there is hope for you! Read the BIBLE!”

    It may come as a surprise that I actually have read the Bible, and it no more says “don’t get tattoos” than it says any number of other cultural concepts — not theological concepts — such as “spare the rod, spoil the child.” In fact, the Judeo-Christian family of faiths is full of tattooed and pierced characters, and parts of the Bible are very clear that extreme modifications — self-amputations even — are what God wants for some people. Under Christian theology, body modifications are like words — they’re tools. They can be used to bring glory to God and help live a good life, or they can do the opposite.


    There are many parts of the Bible that mention piercing in passing since it was relatively normal in Biblical times, but the only passage that seems to even vaguely ban body modification — tattoos* in this case — is of course Leviticus 19:28, which reads,

    “Ye shall not make any cuttings in your flesh for the dead, nor print any marks upon you: I am the LORD.”

     

    * I should note that the original Hebrew text reads “k’thoveth qa’aqa”, or “writing that is stuck in”, usually used to refer to a form of modification closest to ink rubbing — a pagan funerary rite at the time, very different from modern tattooing.
     

    Leviticus is a book of laws telling the Jews of the time how to lead their lives. As such, the laws break down into three general types — first, laws regarding morality (bans on prostitution, bestiality, and so on); second, laws regarding health (advice on subjects such as food preparation — kosher laws); and third, laws to differentiate the Jews from the pagans (bans on certain rituals, haircuts, and so on). In the New Testament Jesus does away with these laws. That doesn’t mean that bestiality is suddenly OK, but it does give a modern Christian much more personal freedom in terms of things like the way they trim their beard and the way they choose to decorate their bodies, because they are now judged by their faith, rather than adherence to a set of hard and specific rules.

    “Therefore we conclude that a man is justified by faith without the deeds of the law.”

    – Romans 3:28

    “Let no man therefore judge you in meat, or in drink, or in respect of an holyday, or of the new moon, or of the sabbath days.”

    – Colossians 2:16

    This is explained perhaps more clearly in Galatians 3:23-24, which tells how Jesus replaced the old covenant with a new one:

    “But before faith came, we were kept under the law, shut up unto the faith which should afterwards be revealed. Wherefore the law was our schoolmaster to bring us unto Christ, that we might be justified by faith. But after that faith is come, we are no longer under a schoolmaster.”

    As well as the mention of tattooing or cutting in Leviticus, body piercing is also mentioned throughout the Bible. When the Israelites fought the Ishmaelites, Gideon told his warriors that they could take the golden earrings of the enemies they slew (Judges 8:24), and numerous passages mention the piercings of the Israelites as well (Exodus 32:3, Ezekiel 16:12, Isaiah 3:21, and so on). Other sections, in Deuteronomy 15 and Exodus 21 describe body piercing on servants (as a normal part of society), and nose piercing is described as beautifying and normal when Behuel and Nahor’s daughter is married in Genesis 24.

    Sometimes Christians object to body modification on the basis of it defiling God’s creation — after all, 1 Corinthians 6:19-20 is fairly clear that the body is the temple,

    “What? Know ye not that your body is the temple of the Holy Ghost which is in you, which ye have of God, and ye are not your own? For ye are bought with a price: therefore glorify God in your body, and in your spirit, which are God’s.”

    Earlier, in 1 Corinthians 3:17, a dire warning is issued:

    “If any man defile the temple of God, him shall God destroy; for the temple of God is holy, which temple ye are.”

    The question is, what does “defile” mean?

    I’ll spare telling you that the Catholic Church has already publicly proclaimed tattoos as acceptable, and that Crusaders were commonly covered in Christian tattoos in order to proclaim their faith and ensure a proper burial — A good way to understand what’s appropriate for a temple is to look at the range of Christian churches that history has produced. Until about the 10th century A.D., Christian architecture was largely reminiscent of earlier Roman buildings. In the Middle Ages huge Cathedrals dominated, covered in spires, sculptures, buttresses — anyone who’s been in these structures knows how overwhelmingly powerful they are psychologically.

    The Gothic period produced churches with complex and intricate decoration and gorgeous glasswork. Centuries later in the Baroque era churches were less physically imposing, but were encrusted with wealth — golden opulence was used to manifest God. Other periods and areas have seen simple churches, small humble buildings relatively unadorned with the people themselves bringing the glory, and in modern times we’ve seen churches constructed in every conceivable style. We’ve even seen very successful temples built using nothing but television transmissions and a studio.

    Marshall Mcluhan may be oft-quoted saying that the medium is the message, but in this sense, I think God might correct him and say, “No, Marshall, it doesn’t matter what the medium is — it’s the message that counts.”


    I hope it’s clear that if we’re to speak in objective terms, that there’s no specific ban on body modification in the Bible, and that its value as something good in one’s a life versus its involvement in sin is very much determined by the way it’s being used — to put it another way, telling someone that their Christian tattoo is wrong would be no better than telling someone that praising God is wrong because someone else shouted blasphemies. Speech — and tattoos — are just a part of life. They can be right, or they can be wrong.

    So a Christian certainly can’t go out and get a tattoo or other body modification if it leads to sin, or stands for sin, but modification — mutilation even — is acceptable if it helps the person lead a righteous life. Sex might be another good example. The Bible is full of things that could make a person believe that sex is a bad thing — prostitution, lusting after others’ wives, and forms of masturbation are all mortal sins. However, reading other parts of the Bible it’s clear that God intended sex to be something wonderful — but He wanted it to be used in the right context (a loving marriage under God).

       “Thy two breasts are like two young roes that are twins, which feed among the lilies.
       Until the day break, and the shadows flee away, I will get me to the mountain of myrrh, and to the hill of frankincense.
       How fair is thy love, my sister, my spouse! how much better is thy love than wine! and the smell of thine ointments than all spices!
       Thy lips, O my spouse, drop as the honeycomb: honey and milk are under thy tongue; and the smell of thy garments is like the smell of Lebanon.
       A garden inclosed is my sister, my spouse; a spring shut up, a fountain sealed.
       A fountain of gardens, a well of living waters, and streams from Lebanon.
       Awake, O north wind; and come, thou south; blow upon my garden, that the spices thereof may flow out. Let my beloved come into his garden, and eat his pleasant fruits.
       Open to me, my sister, my love, my dove, my undefiled: for my head is filled with dew, and my locks with the drops of the night.”

    – The Song of Solomon

    It’s all about context. That which might be a sin when used against God is a beautiful thing when used for Him — it’s why a Christian couple can have a fulfilling and guilt-free sex life that involves bondage, anal sex, oral sex, Cleveland steamers, or whatever else makes them happy — as long as it’s loving and sanctifies the marriage bed (so no Cleveland steamers with the neighbors when the wife’s out of town!).

    To give a more extreme example, eunuchs (castrated or even penectomized men) were common throughout various cultures in Biblical times, and hence came to be included in the Bible and were even embraced by several sects. The Byzantine Church had numerous eunuchs in ruling positions, and the Christian Coptic Church embraced castration as a holy path. While relatively common between 300 A.D. and 1,100 A.D., it continued in eastern Europe until surprisingly recently. Matthew 18:8-9 warns,

    “Wherefore if thy hand or thy foot offend thee, cut them off, and cast them from thee: it is better for thee to enter into life halt or maimed, rather than having two hands or two feet to be cast into everlasting fire. And if thine eye offend thee, pluck it out, and cast it from thee: it is better for thee to enter into life with one eye, rather than having two eyes to be cast into hell fire.”

    Matthew 19 continues, warning against adultry and other sins of the flesh, and in verse 12 says,

    “There be eunuchs, which have made themselves eunuchs for the kingdom of heaven’s sake. He that is able to receive it, let him receive it.”

    Even extreme body modification is permissable — if it’s done to serve God or to protect the individual from falling prey to sin or to God’s enemies. Of course, modern Christians on the whole believe this passage is “metaphorical”… but there’s certainly nothing that says that clearly, and if it’s metaphorical, how can one decide what else is as well? Many early Christian scholars such as Origen, considered one of the fathers of the faith, castrated themselves. A small number of patristic writers such as Tertullian actually referred to Jesus as a eunuch.

    So what we see in the Bible is that Christianity has at best one highly vague ban on a specialized form of cutting, and then goes on to describe body piercing at length as normal, and even goes so far as to encourage extreme body modification when done for the sake of God. The New Testament contains one clear and overwhelming message: Love. Under Christian theology the whole point of God’s appearance on Earth as Jesus was to get rid of blind arbitrary rules, and replace them with a more fluid code of goodness.

    “This is my commandment, that you love one another, just as I have loved you. Greater love has no one than this, that one lay down his life for his friends. You are my friends, if you do what I command you.”

    – John 15: 12-14

    I won’t get into it in this article in any depth, but the Bible also draws similar conclusions about ritual. In 1 Kings 18 and Mark 5 we hear descriptions of pagan sorcerers and priests performing rituals involving cuttings and bloodletting, but at the same time, Christian penitents and monks have been performing self-flagellation and even crucifixion in the name of their faith (Matthew 16:24) since the beginning — not a single early Christian church didn’t embrace these rituals and they are still popular in many areas such as Brasil and the Philippines. Again, it’s all a matter of what you’re using the tool to achieve.


    Some Christians will warn others against involving themselves in tattooing or piercing because they perceive it as being sordid, using scripture such as Romans 12:17 to justify it,

    “Recompense to no man evil for evil. Provide things honest in the sight of all men.”

    However, it should be clear from the “double standards” in the Bible that God doesn’t believe that one should censor oneself because someone else has used a tool for evil. You can wield a sword in God’s army, or you can wield in as knight in Satan’s service — your final resting place is not determined by the sword, but by the army you choose to serve in. When Paul says in Philippians 4:8,

    “Finally, brethren, whatsoever things are true, whatsoever things are honest, whatsoever things are just, whatsoever things are pure, whatsoever things are lovely, whatsoever things are of good report; if there be any virtue, and if there be any praise, think on these things.”

    he isn’t saying to think of things that appear to be true, or appear to be honest, or appear to be just, pure, or lovely — he’s giving clear message in clear terms: be a good person and put Jesus above all else.

    If you want to be a good person with tattoos, God will still love you. The Christian who tells you otherwise isn’t hearing the message for some reason and may need your help far more than you need theirs.


    Shannon Larratt
    BMEzine.com

    PS. I am not a Christian, but if you’d like to meet other Christians interested in body modification, you can click here to meet them in the new BME Personals (or place your own ad), and there are of course many more on IAM — a few are linked in the interview above.


  • People in glass houses… [Guest Column]


    People in glass houses…
    by Shannon Larratt


    Nature shows that with the growth of intelligence comes increased capacity for pain, and it is only with the highest degree of intelligence that suffering reaches its supreme point.

    – Arthur Schopenhauer

    I’d like to introduce two guest columns on the same subject — self-injurers, people who cut themselves to get through life — and then follow with a few thoughts of my own. You may want to read the guest columns first:


    The Art of Self Mutilation

    by Cora Birk

    I’m a cutter. I’ve been doing it on and off since I was seven years old. When I first started, I did it with razor blades in the bathroom while no one was around and in places where no one would see… I enjoyed the pain and the blood, and the feel of metal opening up my skin. No one ever caught me, even with the worst of my scars from that time, which is now a hairline fade that goes from my right kneecap to my right ankle. After all these years it’s still my favorite mark.

          (read more)

     

    Self Injury

    by Monty Vogel

    I don’t think most SI’s believe that they’ve found the best method for coping with their problems; just something that works for now. Most of the people I spoke with would like to find a better way, but have problems reaching out for help and understanding. I believe the more we understand about self injury, the easier it will be for self injurers to find that needed help.

          (read more)

    It’s not unusual for me to get photos and stories submitted to BME of subjects that most people will assume are “self-injury” or “cutting” in the clinical sense of the word. It will come as no surprise that these stories are almost universally rejected by the review team, and when I post the pictures they’re met with complaints ranging from “these people are sick” to “these people will make us look bad”… But I think if we’re to play that game fairly, we have to call a spade a spade — all of us body modifiers are demented sick-in-the-head self-mutilators that ought to get psychiatric help before we hurt ourselves.

    But that can’t be true, can it?


    Self-injurers tend to describe their acts as a stabilizing force in their lives. It grounds them, and keeps them sane. While it is true that for many there are less physically damaging drugs available which can help them cope, these often come with mental “zombie” side-effects that many find unacceptable. To put it simply, many self-injurers cut not simply to hurt themselves, but to heal themselves — on some levels, the cutting improves or even saves their lives.

    Now let’s take a cold look at body piercing and tattooing. It is a painful act done without anesthesia or pain control, often in unregulated and unsanitary situations that put the wearer at needless risk, to say nothing of the long term potentially stigmatizing and life-destroying effects. If we are to judge ourselves by the same standards, that is… And what of suspension, pulling, and play piercing? Or even SM sex play where people “get off” on pain? Clearly on an objective level these are sick people hurting themselves for no good reason.

    But we know that’s not true because we’ve been there. After all, we hold up as a hero the woman who reclaims her body with a genital piercing after being raped. We don’t even think to point out that maybe she’s now a headcase that’s carrying on the abuse by mutilating her genitals — because we know that’s not true. We’re thrilled to read the story of the young down-on-his-luck man who’s feeling “reborn” after his first suspension — we would never say “well, if you thought he was messed up before, look at the sick stuff he’s doing now, hanging from hooks!”

    Maybe you’re telling yourself that you and the folks I’ve just mentioned in the previous paragraph are “better” than self-injurers because you’re wearing marks of “something good” (which you probably can’t put into words, let alone prove to a psychiatrist). Ignoring the fact that to some self-injurers the cuts represent survival (“something good”), and ignoring the fact that many “normal” people see all modifications as marks of “something bad”, plenty of modifications are very specific markers of problems — after all, “Born to Lose” and “Life is Pain” are two of the most persistent and popular classic tattoo designs.

    …and you’re telling me that saying “I’m a survivor” is somehow worse than “I’m a loser”?


    (Let me just be clear so there’s no hurt feelings: I don’t think there’s anything wrong with these tattoos either and I think they’re perfectly legitimate statements on the part of the wearers!)

    It should come as no surprise that many people see pain as good and life-affirming. “No pain, no gain” is the motto of a vast number of self-improvement schemes — we understand that facing and surviving pain is a part of bettering oneself and of facing life’s challenges. Even “love hurts”. Extreme athletes and thrill seekers describe feeling more and more alive the closer they get to death. We make heros of people who’ve lived through painful accidents, and reward those who endure painful trials of fire. Pain may hurt, but all of our legends and myths tell us that it’s the path to divinity.

    Now, don’t get me wrong. I’m not saying that we should encourage people to see injuring themselves as a solution. If someone is hacking up their arm to get through life, then there are very likely problems in their life that need fixing — but don’t ever assume that the injury is the problem. At best it’s a symptom, and no one was ever helped by trying to suppress their symptoms. And guess what — sometimes tattoos and piercings are also symptoms of a problem. So are lots of things.

    If self-injury helps a person improve their lives, then it’s a good thing in my books, and every bit as valid as an injury that you happened to pay someone else to do to you. Personally, I even think it can look good. So try and treat them with the same respect and caring as you’d expect from some mundane about to approach you about your facial piercings.

    Be healthy,

    Shannon Larratt
    BMEzine.com

  • Lizardman Q & A, Round IV – Through the Modified Looking Glas

    Lizardman Q & A – Round IV

    A sudden bold and unexpected question doth many times surprise a man and lay him open.

    Francis Bacon

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