The client in this picture walked into Saint Sabrina’s in Minneapolis (saintsabrinas.com) to have Courtney Jane Maxwell do an industrial for her. Courtney, seeing one of those rare ears that’s got enough of a developed helix fold to actually tuck a piercing into, convinced her to skip the industrial and get a set of piercings that very few people could, using two rose gold pave disks and a gold teardrop. This is one of the big arguments for going to a higher end shop with experienced creative piercers — the standard shop would have just given her the industrial, but since she went to Saint Sabrina’s, she’s now got one of those rare and special piercings that looks deceptively normal, but to those familiar with piercings jumps out as something really unique and unusual.
Category: ModBlog
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Getting Heavily Tattooed at Age 15
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There’s debate-inviting interview up on the 2KBT clothing blog that I have quite mixed feelings about — an interview with a 15-year old covered in tattoos. Tattoos that unlike those you’ll find on most 15 year olds, are at least slightly above scratcher level, although still far from the quality level I’d wish on anyone — I was going to ask how he affords this level of tattooing, but I doubt they were costly. I admit I started getting tattooed about that same age, but it’s hard to compare the experience directly since in the 80s it was a different world, one that began with me and a hand-poked needle and was followed by being tattooed out of his apartment by an artistically-minded friend who’d just gotten out of jail and ordered himself a Huck Spaulding kit. As you can imagine, those tattoos have almost all been covered up. Even if I had access to better quality tattooists, I’m not sure that at fifteen I had enough perspective on my life to choose tattoos that I’d be happy with today. Very few of us have the same tastes at fifteen as at thirty or forty. Of course, I wasn’t a whole lot more mature at 18 or 21 either… I don’t think it was until I was maybe 23 that I personally had the maturity to choose appropriate tattoos for myself and my life — which is part of the reason I waited until I was thirty to do my face tattoo. For some people that age is higher and for others it’s lower… But I doubt for many people it’s as low as 15.
Still, I dislike ageism as much as I dislike all forms of prejudice — I don’t like the idea of strangers in some government office telling me or anyone how old they have to be to be able to manage their life. That kind of misguided protectionism has often resulted in kids who are handed responsibility at 18 and rush into it, just as incapable of handling it as they would have been at 15, but with a whole lot more self-righteousness. Well, as I’ve said elsewhere, people get the tattoos they deserve. All we can do is continue publishing information on what good tattoos should look like and how to find a good artist — that information is widely available and any kid with basic internet access and a modicum of self-respect is perfectly capable of doing the research these days… All that said, if I was a tattoo artist, I don’t think I would be ethically comfortable tattooing someone at fifteen that I didn’t know extremely, extremely well. A sleeve to the wrist is starting to cut off some options in life — I wonder what would happen if the kid decided he wanted his face or his neck tattooed? It’s not a big step in today’s world for a kid to think that might be a cool thing to do. Even without worrying about tattoo-bigotry, it’s a very big load to put on someone — if their tastes change, a sleeve and a chest is a lot to steal from them.
I don’t think there’s any easy or definitive answer here — I don’t think there’s a universal age where someone is mature enough for tattoos, and personally, the less the government sticks its nose into body modification the better. Responsible artists, a community that strives to educate newcomers, and a general culture of self-respect seems like the right way to tackle this issue.
The tattoos by the way were done by Mike Casale, I believe of Unity Tattoo in Wilkes-Barre, Pennsylvania. I have no idea what their local laws are or if this interview will come back to bite them in the ass — they seem to be part of that grimey lower-echelon of tattoo shops that prey on less discerning customers, at best a stepping stone for learning artists, but unlikely a home to artists whose work is likely to get much press beyond this sort of shocked “can you believe this crap” coverage…
Click the photos to jump to the interview.
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Strikingly Beautiful Backpiece Scar
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For a wide variety of cultural reasons, even though dark skin is the ancestral home of the scarification artform, it’s rare for modern artists to have the opportunity to work on such skin. Iestyn Flye at London’s Divine Canvas (divine-canvas.com) recently had the chance to do a scarification backpiece on his friend Moniasse Sessou, and the result is incredible, easily placing it among the great masterpieces of modern scar art. Some of the design work came from friend and magician Touka Voodoo (whose work you’ve also seen here), the middle portion representing Moniasse’s spiritual path. The design was drawn on freehand, and the main part was done all at once, with the flower being done in a second session. It’s six or seven months old in these amazing photos.
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Patience is a Jedi virtue
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…but is it a Stormtrooper virtue?
Ever since it was mentioned in September, people ask me regularly what’s going on with the stormtrooper-shaped implant. Unfortunately not much to show yet — the pictures in this entry of Damaris’s hand implant are only three months old, and it’s hard to make out in photos even if you know exactly what you’re looking at. It doesn’t help that right after getting the implant done, Damaris had the bad luck of standing next a women with certain shortcomings of balance, who grabbed her hand to save herself from a fall — “I’ve never felt pain like that before!” — and caused it to shift from it’s originally straight placement. That said, some implants can take a year or more to really show their maximum detail, so it’s not necessarily worrying. I’ll continue to update on the healing of this over time.
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Graduated Blackwork Lines
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For me, often the simplest tattoos are the most powerful… It’s been my observation that when people imagine themselves, their internal self-image often doesn’t include complex or pictorial tattoos, but heavy, simple blackwork like this almost always integrates on a low level with how the person perceives themselves (and how others perceive them as well). This great example of a simple but unique tattoo was done by Stefan Halbwachs of Austria’s Happy Needles (happyneedles.at).