A tattooed person suspends from hooks, laying flat, one leg higher than the other. Their head is back, and they seem to be smiling, dark hair dangling like an anime character.

Category: ModBlog

  • Trident Trondustrial

    I’ve posted about Joeltron’s (of Australia’s FirstBlood at joeltron.com and firstblood.com.au) “trondustrials”, ear projects that tend to be on the… how do I put it… chaotic end of the spectrum (for example). This one though, built up using components from industrial strength, is a little more structured, with the three spikes of the trident coming out the back of the inner conch, and the handle curving around to grab hold of the inner curve of the helix, making for a very unique and well-done placement.

    tridentrondustrial

  • Update on Grace Neutral’s Facial Scars

    Speaking of Grace Neutral (I just posted a great set of breast/nipple tattoos she did), I also wanted to update everyone on the amazing skin peel that Howie (lunacobra.net) did on her a while back. It’s healed now, and remains one of my all-time favorite facial scars, not just because of how technically well executed it is, but the unique design. It came about naturally over a few days of Grace and Howie talking about it, followed by drawing it up one night at the shop, tweaking it into perfection. With the ideal design on her face in marker, this is what they created. Her ear points are also Howie’s work by the way.

    graceneutral

  • Handpoked Breast and Nipple Tattoos

    Grace Neutral, a tattoo artist who specializes in handpoked work and is based in South London (although she travels regularly so don’t let that limit you — find her on Facebook or Tumblr) just did this incredible set of breast/nipple tattoos on Rebecka. Painwise, she tells me that the nipples hurt like crazy, but that it’s likely that doing them handpoked rather than grinding the ink in with a machine probably reduced the pain significantly. Click either picture for a bigger version.

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    handpokedbreasts-2

  • Cutting through the air

    As you know, I like seeing pieces that combine multiple body art disciplines, and I thought this was an elegant example of scarification used alongside tattooing, each artform contributing to the part of the design they’re best able to execute. Unlike many tattoo/scar combos, where the tattoos (or sometimes the scars) are added as an afterthought or “upgrade” long after the initial mod is well healed, this example was designed as such from the beginning. The scarification portion was performed by Binho Barduzzi of Familia Amorim Tattoo Shop in Lisbon, and the tattoo by was done by his friend Rafa. The piece is well healed now as it was cut back in 2009, so I wish I could show you a healed picture of it but unfortunately their client lives in Brazil, practically on the other side of the planet from them in Portugal.

    cuttingmeditation

  • Early Ear Tunnel Design Precursors

    I’ve sort of gotten hooked on reading these old patent records related to body modification, and just came across one that surprised me because of how ahead-of-its-time it was. In early 1875, Albert S. Baker of Somerville, MA filed a patent for what he called an “Imrpovement in Ear-rings” (US Patent #161,853). The patent is for a small gauge flanged tunnel to be worn in the earlobe — he explains,

    “It is well known that in the use of ear-rings, as ordinarily constructed, the wires frequently tear out or cut the ear, and when not made of proper materials poison the parts with which they come in contact, thus sometimes causing great injury to the wearer. My invention is designed to obviate these difficulties and objections.”

    early-tunnel-patent-1-US161853

    He goes on to describe the device (which he calls a “spool” at times), which he instructs should be made of high quality gold, thus eliminating materials reactions such as nickel allergies. In addition, because the device is larger gauge than the fine wire that often makes up the hook of an earring, it reduces the chance of the jewelry pulling through. What, you thought Todd Bertrang was the first person to tell the world these things? Still, I was pleasantly surprised to see these concepts tossed around in detail nearly 140 years ago.

    Many later jewelry designs also presented similar ideas (his appears to be the first hollow tunnel that was patented), but I will just very briefly mention another one of them, a patent filed in 1976 by Mary C. Ivey of Atlanta, GA (US Patent #4,067,341). Her concept is almost identical, and she explains it very similarly in her application, but adds that her design both allows the secondary jewelry more freedom to move due to the tunnel being larger, and also suggests taking advantage of advances that have been made in materials sciences (specifically plastics) to improve the design. Unfortunately she’s vague on many aspects (as is frustratingly common in patents) and does not however come out and say the actual diameter of the tunnel — as pictured I’m guessing in the realm of 8ga.

    early-tunnel-patent-2-US4067341

    As you can see in those illustrations, the visual effect of someone wearing these tunnels — or “pierced earlobe protector” as Ms. Ivey titles it — is very, very close to someone wearing a small gauge tunnel of the sort we see all the time walking out the doors of your friendly neighborhood piercing studio. The one thing that neither Ivey nor Baker mention in their patents how the piercing is to be done, which I’m curious about, especially with Ivey’s, which seems to be getting too big to just shove into your average hole*. The only such insertion-method explanation I stumbled across regarding this style of jewelry was one filed in 1949 by Robert W. Spicher of Havre, MT (US Patent #2,568,207) for a “Surgical Piercing Device”.

    early-tunnel-patent-3-US2568207

    The jewelry itself is superficially similar in design and intent to the others in this entry, but it also includes a sharpened taper that can be tightly fitted over the tunnel, either creating the new piercing hole or squeezing into an existing one, and then expanding that hole. The particularly creative part is that he then uses a syringe to blow air into the tunnel to make the taper pop off like a champagne cork — hopefully not shooting like a tiny bullet into the wearer’s neck! — to be replaced with a cap that keeps the tunnel from falling out.

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    * “that’s what she said”

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