Celebrating body modification culture since 1994.
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At the other end of the spectrum of heavily modified people, you’ve got people like Roland Zwicknapp of Visavajara (visavajara.com). He’s let me share this gorgeous portrait shot of him a few years ago by Ethan Oelman. Click the image below to see it uncropped, or save it from this link for a desktop wallpaper sized image.
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Gerhard Wiesbeck (timetravellingtattoo.com) has really blown me away with this tattoo megaproject on Punctum Kay so epic and huge that I swear the Discovery Channel is going to do a show on its construction. You don’t get to see tattoos like this often as there aren’t many people willing to commit to something so immense yet also so simple — simple with the exception of the psychedelic geometric dotwork chest detail. Absolutely incredible. Zoom in for a better look — if you even need it, since this is the sort of tattoo that looks great from two feet or two miles away.
Edit/Update: I wanted to clarify that Kay (prozedurkultur.at) designed the main heavy blackwork (the chest portion was designed by Gerhard).
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I have been a fan of master tattoo artist Nazareno Tubaro since long before I first met him at the Buenos Aires convention way back in 2004, but I realized today that he’s gotten very little coverage here on ModBlog, even though he hugely deserves it. He was an early innovator in the world of neotribal and modern blackwork, and hundreds if not thousands of tattoo artists around the world have drawn inspiration from (and sometimes outright copied) his style. So today I want to share with you just a couple recent pieces that struck me as particularly beautiful, but I encourage you to explore nazareno-tubaro.com — hell, I encourage you to get on an airplane, show up on his doorstep, and beg him to decorate your empty skin!
The first image can be zoomed in.
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A friend runs a “heavy blackwork” group on FB where I was introduced to the work of German tattooist Gerhard Wiesbeck (facebook.com/gerhard.wiesbeck) of Time Traveling Tattoo (timetravellingtattoo.com). Much of his ultra-dense blackwork borrows on traditional South Pacific “tribal” motifs, and I encourage you to explore his galleries to enjoy that aspect of his work, but I’m particularly taken by his blackwork that draws its inspiration by modern geometry, math, and graphic design. Unlike much of the geometric tattooing out there which is intricate and detailed, Gerhard’s work is often ultra-bold and very, very heavy in nature, giving it a unique appearance. Here are three pieces that particularly struck me.
The first one is my favorite by the way — isn’t that amazing?
Finally, I want to show a piece of his that’s in a completely different genre from most of the rest of Gerhard Wiesbeck’s pieces, and is one of those “obvious” ideas that somehow I’ve never seen before. This tattoo of little hands superimposed on the wearer’s hands is quite brilliant!
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