A black-and-white photo of a person mid-air in a Superman-style body suspension pose, supported by multiple hooks in their back and legs, smiling joyfully toward the camera. They are suspended horizontally in a large indoor space with high ceilings and visible rigging. A group of onlookers—some seated, some standing—watch with expressions of admiration, amusement, and support. The atmosphere is lively and communal, capturing a moment of shared experience and transformation.
  • Proud to be tattooed? What’s there to be proud of? [The Publisher’s Ring]

     


    Proud to be tattooed?

    What’s there to be proud of?

     


    Well, you walk into a restaurant
    Strung out from the road
    And you feel the eyes upon you
    As you’re shaking off the cold
    You pretend it doesn’t bother you
    But you just want to explode
    Most times you can’t hear ’em talk
    Other times you canOh, the same old clichés
    “Is that a woman or a man?”
    And you always seem outnumbered
    You don’t dare make a stand

    Bob Segar, Turn The Page

     


    Being a modified person in an unmodified world can really suck, and genuinely brings truth to the expression “life’s not fair.” Most people think we’re a bunch of losers, and few of us work to change that perception.But still, I hear a lot of tattooed people (for the sake of simplicity, when I say “tattooed” in this article, take it to include people with any public mods that visually set them apart from the mundanes) say that they’re “proud to be tattooed”, or they’re proud to be a part of the tattooed community. Common slogans seen on t-shirts sold at tattoo conventions such as “the only difference between people with tattoos and people without is that tattooed people don’t care if you’re tattooed or not” imply not only an us-and-them stance, but the idea that we the modified are somehow “better”. The pages of my editorials here clearly have the same bias.


     

    But what does it mean to have “modified pride” or to be “proud of your tattoos”? I often hear this coming from people with badly done tattoos that show minimal creativity or skill, and from people who do little to excel in life, thereby strengthening these stereotypes the mundanes already have about us. Pride (like respect) can be earned through achievement and dignity, or it can be seized with conceit as empty pride. When you hear someone say that they’re proud to be tattooed, what are they saying, and what exactly are they proud of? Do they have beautiful tattoos? Have they been successful as a tattooed person? Are tattooed people generally an over-achieving lot? Are we “the winning team”? Or are we no better than ignorant unemployed racists proud of our meaningless skin color?

    The stereotype of a tattooed person is that of criminals, drug addicts, and chronic underachievers, and there is a statistical truth to that slander. Sadly, when it comes to people who choose to show those tattoos on public skin, the stereotype is often all too true. Not much to be proud of. That’s no surprise though — tattooed people are treated poorly by the majority; those who are not tattooed. The job market is much more difficult, we have to work harder for the same wages, we get poor customer service, we are shunned in mixed social groups, and are effectively a self-made minority and are treated as such. This stereotype remains because too many people with public tattoos and other mods continue to foster it — although we do plenty of whining about it, as if that could somehow change it. To make matters worse, too few who can shatter the stereotype stand behind their tattoos in the real world, choosing instead to hide them more with every promotion, thus reinforcing and giving a stamp of approval (or at least silent concession) to every prejudice they’ve faced themselves.


    “If we were to wake up some morning and find that everyone was the same race, creed and color, we would find some other cause for prejudice by noon.”

    George Aiken

     

    Let’s be honest for a moment about what happens to most people when they get their hands or faces tattooed or pierced, or otherwise set themselves up visually as an outsider. If you do this, you will be harassed in public. People will make fun of you, and it will be the same insults and rude questions every day for the rest of your life. People will try and hurt you just for having chosen to look different than them. You will get poor service at restaurants, banks, and just about everywhere else. You will be turned down for jobs that you are more than qualified for. You will be turned down for loans that you have the credit rating for. If you work in the modification industry, governments will pass laws against your livelihood. If you have children, it will be harder to get them into a good school, and their teachers and other parents will abuse them because they don’t like the way you look. You and your family will have to work twice as hard and be twice as skilled to get the same amount of pay as people who fit the ignorant, ugly, mundane mold of the mainstream.

    But these chosen hardships can be a foundation for strength — as Nietzsche put it (and he was far from the first or the last to say so), “that which does not kill me makes me stronger”. In the beginning of the 1960s, to many people, the Soviet Union had a broad lead in the space race. Even though US engineers had far less experience than the Soviets, and were working with the aid of computers no more powerful than a desk calculator, John F. Kennedy proposed that by the end of the decade — only eight years later — Americans would be walking on the surface of the moon, an almost laughably impossible ambitious goal. On September 12th, 1962 at Rice University he explained,


    “But why, some say, the moon? Why choose this as our goal? And they may well ask why climb the highest mountain? Why, 35 years ago, fly the Atlantic? Why does Rice play Texas?

    We choose to go to the moon. We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard, because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept, one we are unwilling to postpone, and one which we intend to win, and the others, too.”

     

    America did achieve this incredible goal*, Americans are still the only people to have achieved it, and their peaceful domination of space went a long way to defining America as a nation that inspired people around the world to shoot for the moon in their own way.


     *
    and they did it with the aid of an eccentric and very heavily tattooed engineer – Erl van Aken – but that’s another story!

    It was the facing of difficult tasks (Herculean challenges might be a better term) and overcoming them that let this greatness bloom, and as well, in our own lives we need to choose the difficult path if we want to be great individuals. Heroes are nothing without challenge. We’re already starting down such a path by choosing to be publicly different than everyone else. The problem is that too few of us are also working to succeed. We’ve ridden off to war, but forgotten our swords at home, dull and rusty (luckily our opponents did as well). Hardship in and of itself does not bring greatness, but besting it can. These hardships of being publicly modified can be turned into successes. By facing challenges, we both avoid stagnation and allow ourselves to reach our potential.

    The biggest problem in this world is the unholy trinity of stupidity, laziness, and lack of critical thinking. It’s why the biggest, richest governments in the world, made up of multi-millionaire politicians, can continue to trick their impoverished masses into electing them over and over. The masses have spent the last hundred years being conditioned toward ignorance in order to allow them to be controlled (see my previous column on this subject) — which is why modern elections are popularity contests in which fact-free advertising determines the winner and actual debates on the core issues are rare, let alone voters going out and educating themselves independently. Movies and television sell as fact pop science devoid in reality, and movies like the upcoming King Arthur are called “true stories” and “historical dramas”, fallacies that even the most basic of understanding should shatter… but rarely does.

    Seeing this, I’m hardly proud to be a human, if I’m to define myself by the actions of these masses. Luckily, I don’t, and if you’re reading this you probably don’t either. I’ve decided instead that the masses haven’t earned the right to call themselves humans. In their failure I see a playing field optimized for success for those who don’t fall prey to the pitfalls of the easy life of the modern wageslave. The modified have already broken one bond of the mainstream — but only one of many — by crossing that social line. While “safe” tattoos grow in popularity every day, we still have a long way to go before the average person can tattoo their face — and I am not at all convinced that the average drone will ever even want to do something like that…

    So how can you succeed when you wear public marks that set you up to fail?


    “Just as iron rusts from disuse, even so does inaction spoil the intellect.”

    Leonardo Da Vinci

     

    The answer is simple and found in old-fashioned common sense: work hard and educate yourself. If modified people need to be better than the mundanes just to get the same recognition, we should take it a step farther. Be the best. Win everything. No compromises. That’s really all there is to it. If you’re in school, work hard and get good grades. Excellent grades. If you need help, ask for a tutor, and instead of watching four hours of TV, study and read. Have fun doing it; learn to enjoy it. Go out and exercise. Get fit and build up every skill you possibly can. Learn to weld. Plant a garden. Take Judo. Anything. And do it as a proud tattooed person, and stand up for yourself when you’re challenged.

    Take it a step farther and support other modified people who are willing to work hard as well. Seek them out if you’re in a position to hire people, and if you’re in a position to be hired, be so damn good at your job that no one can complain about the fact that you have customized yourself into a more ideal human, and are who you want to be. Be proud, but make sure you can back it up with something worth being proud of. Go out and actively change the world for the better.

    If we all work hard to be successful and to break the preconceived notions people have about us, we can change the stereotypes. Maybe we can go even farther, and create a new stereotype. We need to wear our tattoos as war paint for victory, not as the brands of criminals and losers. But don’t forget Kennedy’s words — choose this path willingly because it is hard, not because it is easy. And it will be hard, and it will take a long time before you can reap the rewards of this adventure, but you have already won the first battle by choosing to break the bonds of conformity and becoming publicly modified. You can win the war as well.


    Shannon Larratt
    BME.com

     

    Free Online Resources

     

    Since one of the ways the mainstream seeks to quash uprisings by those outside both the mundane and outside their elite control castes is financial pressure, you may be saying to yourself “but I can’t afford to even buy books to read.” You may already read the science blogs online and have discovered that they, like television, leave you with nothing but a shallow comprehension of a broad array of subjects, but without any real depth — sure it’ll help you win at Trivial Pursuit, but what good is shallow knowledge if you’re trying to genuinely understand a subject?

    One of my favorite online “self improvement” sites that many people may have overlooked is Project Gutenberg (gutenberg.net). When the copyright on a book expires, Project Gutenberg works to make that book available to the public. Think of it as a free online library where you can read the classics — the books that over time we’ve decided were significant cultural contributions. It’s not going to be the same chuckle-factory as getting stoned and watching people making fun of oddballs on the WB Superstar, but are you looking for temporary amusement in life, or are you looking for knowledge, strength, and success?

    And what’s stopping you from visiting your local library?


    “Frederick Douglass taught that literacy is the path from slavery to freedom. There are many kinds of slavery and many kinds of freedom. But reading is still the path.”

    Carl Sagan

     

     


  • JewelEye (Sung to the tune of Goldfinger) [The Publisher’s Ring]


    JewelEye
    (Sung to the tune of Goldfinger)
     

    “If you are not in fashion, you are nobody.”

    Lord Chesterfield

     

    The JewelEye, a patent-pending form of extraocular implant, was developed by Dr. Gerrit R.J. Melles (MD PhD) at the Netherlands Institute for Innovative Ocular Surgery. It involves the implantation of a small piece of platinum jewelry in the superficial interpalpebral conjunctiva of the eye. There is no damage to either visual performance or mobility of the eye. Healing is uneventful and involves nothing more than a course of antibiotic drops such as tobramycine.As of this writing, this procedure is currently only offered in the Netherlands at two clinics, the Cornea Clinic in Rotterdam and Retina Total Eye Care in Driebergen. It is an outpatient procedure currently priced at 750 Euros. More information can be found on their website at niioc.nl.

    They call Amsterdam the “Ultimate City of Freedom”, or so the t-shirt I brought back for Shannon claims. The border crossing into the country didn’t involve being searched or questioned, and nothing more than pausing to get a Schippol Airport stamp in my passport held me from those freedoms — prostitutes, gambling, drugs, and euthanasia I suppose… but Jen Savage (my traveling companion and soon-to-be nurse) and I had come looking for another kind of freedom: medical freedom.

    Most, if not all, of you have heard of the “JewelEye” implant that’s been upsetting conservative doctors lately — it is after all quite literally an implant under the surface of the eye. I decided to come see what it was all about… and to have it done on myself. As of Wednesday May 26, 2004, I am now the first person outside of The Netherlands to have it done.

    After a short 30-minute train ride from Amsterdam to Utrecht, we stopped briefly at our hotel and then took a cab into the suburb of Driebergen where we arrived at the notorious Retina Total Eye Care. Far in fact from “notorious”, the clinic is located on a quiet shopping street open only to pedestrians and bike traffic, and looks every bit the designer clinic — walls covered with with Dolce & Gabbana, BVLGARI, Calvin Klein, and GUESS. The clinic’s center is a beautiful koi pond with bamboo growing up to the second story, and as we waited we were served apple juice and espresso.




    The Retina Total Eye Care clinic, Driebergen
     

    When they were ready for me I went upstairs where they had the pre-op rooms and their full surgical suite. First I was given a complete eye exam to make sure there were no defects on my eye, and during this exam they determined the optimal positioning of the implant jewelry. The entire white of the eye is suitable for placement (so there was no “mapping of blood vessels” like in procedures such as dermal punching an ear), so the position is a combination of what I wanted and what they recommend — the goal was to have it subtle most of the time, but appear during conversation. Although one might assume it’s a hardcore mod, it’s not supposed to be “in your face”, even though it obviously is. Because we tend to look up when we’re talking, we decided to place the implant — a small platinum star — in the lower left quadrant of my left eye.

    I was given a drop of anesthetic in both eyes — the eye not undergoing the procedure needed to be relaxed as well since our eyes move in unison. Two more anesthetic drops were put into my left eye, and an additional antibiotic drop was also given with the anesthetics. The drops stung a bit until they finally took effect. After that I couldn’t feel anything and my eyesight in my left eye became blurry. My hair was put into a hairnet and I changed into a surgical gown, complete with little plastic foot covers.

    A sliding door opened and I was brought into an operating room. It was at this point that I really started to feel in good hands and at ease. Everything was top-of-the-line and matched the TV image of the perfect clinic. Everything was clean, white, and new. I got onto the operating table and my head was locked into place. I got another anesthetic drop, and my face around my eye was swabbed down with iodine — getting lots into the eye itself as well.

    The table then rotated underneath some very bright lights and what I assume was some kind of microscope. A sterile drape was placed over my face except for a hole for my left eye. My eyelids and lashes were taped back and a claw was put under my eyelids to keep me from blinking (or “winkeling” as the doctors and nurses put it). If you’ve seen A Clockwork Orange you know what I’m talking about!

    For most of the surgery I had my eye looking all the way to the right. I was convinced I wasn’t doing what they asked and was having a hard time keeping my eye in place, but they said I never moved once. I guess because my eye was moving due to the pressure that they were exerting on it, I felt that it was me moving it — but there was never any pain and hardly any pressure.

    The procedure itself involved injecting a liquid to elevate and separate the layers of the eyeball, which helps the surgeon with the placement of the implant under the conjunctiva (in old age, many people build up calcium deposits in this area, so our eye is actually designed to handle material stuck there). A small flap is cut, and the implant is inserted. After it was in place, they began suctioning out the liquid that was used to elevate the layers. After a few weeks, the liquid will dissipate and the implant will become even more visible.

    After removing as much of the elevation liquid (and the iodine) as possible, they removed the tape and sterile cover from my face. The tape being pulled off was actually the only pain that I felt for the entire procedure (I was worried about it pulling out my lashes, but it didn’t)! I can’t stand pulling tape off of myself after a tattoo either. It took about three minutes before I was able to sit up. I felt disorientated — staring into blinding lights while holding your eyes in an awkward position can take more of a toll on your entire body than you’d think. But still, the entire procedure from the start of the examination to getting off the table probably took less than half an hour.

    I was taken back to the pre-op room where my face was cleansed of residual iodine and the surgeon gave me another exam to make sure that the implant was positioned properly. I felt very off balance because my left eye was so blurry — the fluid in my eye caused the distortion. In hindsight I’d have liked an eye patch and my eye felt much better when I kept it closed.




    These pictures were taken the evening of the day of the procedure.

    The surgeons were adamant that I call them if I was unhappy with the placement or if anything seemed wrong. I went back to my hotel to sleep, but woke up after two hours thanks to jet lag. I slept only off and on, even though I desperately needed a good night of sleep. By morning my eye had started to get quite red. It basically looked like I had pink eye, but with a lot less crusties and drainage. After the eyelid piercing article I was expecting pus, and to have to keep cleaning my eye but there was nothing more to do than my antibiotic drops three times a day. To be honest, I attribute the redness as much to lack of sleep as the implant — as soon as I got a night of sleep the redness was gone.




    Left: the morning after, Right two pictures: the evening of the day after.
    The redness above the implant is bruising from the incision and will go away.

    So the morning after having the implant, my eye felt sore, but not uncomfortably so. Looking to the right for too long (posing for pictures!) made the soreness more intense but that would be expected — it felt similar to having an eyelash stuck in my eye. At my initial follow up exam Thursday morning the doctors said everything looked fine, although I did feel my eyes were dry. I asked if I could put saline drops in, and the doctor gave me an ointment for dryness instead and we made one final appointment at their second clinic in Rotterdam for the morning of our flight home.

    The remainder of the week was to be spent doing some whirlwind traveling (“ah, an American vacation” a few people remarked; “next time you need to stay a little longer”). First to Liege, Belgium where we met with Marisa (who you know from her legal articles here) and Dan DiMattia of Calypso Tattoo (also no stranger to BME readers). My only problem with Belgium is the sidewalks — they are only about two feet wide! It’s hard to walk in a group, let alone side by side. Conversations have to wait.

    I haven’t written much about the aftercare of the JewelEye because it really was a non-issue. Other than the very slight inconvenience of having to complete my course of antibiotic eye drops over the first week, there was barely any discomfort. A scratched eye hurts worse than this did.




    Left two pictures: two days after, Right: four days after.
     

    After Liege, we traveled on to Antwerp, and then up to Venlo on the high-speed train (a big let-down on which we were served some sort of vomit-based dish) where we met with Kor and his Truth Seekers Syndicate for their ritual event which had drawn people from as far as Norway (Håvve Fjell, who you know from Ten Years of Pain) and Brazil. But it was all over so quickly — next time I will try and take the advice to stay longer.

    You can also download the video:


    Video (WMV):
    Hi-Res |
    Low-Res

    (High resolution clip is 2 MB, low resolution clip is 0.5 MB. Both are Windows WMV video files).

     

    But, the trip was over and all that was left was my final appointment with Dr. Melles. He seemed very concerned that the star was a little lower down on my eye than he’d wanted, and asked me to let him know if I ever became unsatisfied and wanted it shifted slightly. He even gave me a note to take to an ophthalmologist locally. But, other than his concern about the aesthetics of the placement, there were no problems and everything seemed normal and healthy.

    I want to say that Dr. Gerrit Melles (who developed this procedure as well as being the one who performed it on me) has a really wonderful bedside manner. He treated me kindly and with respect throughout our entire interaction — sadly, not the response a young, heavily tattooed woman is used to getting in this world. He took the time to explain everything in detail before, and as it was happening, which helped keep me calm. I felt like he was talking to me and not “at me”. He went out of his way to make sure I knew to contact him personally if I had any concerns.

    As of today I’ve had a platinum star under the surface of my left eye for six days. Healing has been uneventful, and at 750 Euros (about $900 US), even with the price of the airfare and accommodations it cost no more than a large tattoo would. I don’t really know why I wanted it — something about it just struck me. Why do I like a certain hair style, or why do I like a certain song? I thought it was pretty. Whether it comes to mean more or less to me in the future, time will tell, but, I think Dr. Melles put it well when he explained that in all of human history, people have decorated themselves with jewelry. Of all our organs, one can argue that the eye is the most important in social interaction — now that we can do it safely, is eyeball jewelry really that strange?


         Rachel Larratt
    BMEzine.com

     


    Rachel Larratt is the copublisher of BMEzine.com, the largest and oldest full-spectrum body modification publication on the planet. Her background is as diverse as one would expect of BME’s coowner,
    and includes everything from body piercing to developing technology for high-bandwidth
    media distribution..

    Copyright © 2004 BMEzine.com Requests to republish complete, edited or shortened versions must be confirmed in writing. For bibliographical purposes this article was first published June 1st, 2004 by BMEZINE.COM in Toronto, Ontario, Canada.


     


  • Eyelid Piercing [The Publisher’s Ring]

    Eyelid Piercing
    The trend to end all trends.


    “Lo, this only have I found, that God hath made man upright; but they have sought out many inventions.”

    – Ecclesiastes 7:29

    A long time ago I made the mistake of answering the question “is there anything that can’t be pierced” with “eyelids.” A few days later, Kelly from Yonge Street Tattoos in Toronto showed me a photo she’d taken while at a convention in Florida. She told me that he said the piercings didn’t bother him, but that she thought his eyes did look pretty irritated.


    I pretty much wrote it off as a “stupid human trick” and so did most of the piercers I knew. Even though I later tracked down that person’s story — their red eyes were due to allergies, and that’s why they took the piercing out — I don’t think I ever took it seriously. They said they’d get it redone when allergy season was over. I never heard from them again so I assumed it didn’t happen, probably wasn’t viable, and it had become one of the many “tried it once, but never again” stories we seem to enjoy here.

    However, more eyelid piercings have come out of the woodwork, and I’ve had a chance to talk to some of the clients and piercers doing this unusual procedure. First, meet Joe Amato of Tatts Taylors Tattoos in Fort Lauderdale, Florida (1929 S Federal Hwy, 954-525-7910). On St. Patrick’s day this year he performed an eyelid piercing on his friend Kevin Magee.


    BME: What was the procedure you used for this piercing? What steps did you take to minimize the risks?

    JOE: When we did Kevin’s eyelid, we put serious thought into not just doing the piercing but into how he was going to take care of it afterwards to make sure that first, it did not damage his eye, and second, that it would heal quickly and comfortably. To approach actually piercing the eyelid I used a small set of sponge forceps that I polished the grips off of so I wouldn’t scratch or damage the inside of the lid. I handmade “shorty” needles about 3/8 of an inch long so I could pierce from the inside out and not have to cause any extra trauma to the eyelid itself by pulling out enough to get a 2” needle through it.

    BME: What was the piercing like?

    KEVIN: It was scary as hell, but there was very little pain. It was noticeably uncomfortable immediately afterwards and throughout the night. The next morning it was pretty swollen, uncomfortable, and slightly annoying. I had redness on my eye, and a little crusting and dry blood… but it was only slightly painful when my eye dried out.

    BME: Did you take anything?

    KEVIN: An Aleve, 50mg of zinc, and H2Ocean throughout the day.

    JOE: The primary aftercare agent we used was H2Ocean, which really was the biggest reason this healed so well.

    The salinity in this product is measured off of tears to be as close to the body’s natural level as possible; so spraying it in his eye every day never burned or caused any damage. In addition, we had him using a saline rinse three times a day to remove any debris inside the eyelid itself, and Renu eye drops to keep the eye as moist as possible so it wouldn’t hurt his eye, or the contacts he wears. Lastly, we had him take zinc daily throughout the healing to help it along and Aleve for the first couple days to help minimize any swelling, so there would be no extra pressure from the ring on his eye.

    BME: What was the healing like?

    KEVIN: The second night I had no trouble sleeping, but when I woke up in the morning there was a large amount of pus under my eyelid. It was easily cleaned out with H2Ocean and a Q-Tip, and didn’t happen again. My eye was swollen and felt bruised, and it was mildly painful to close my eye tightly or open it widely. The redness was starting to fade though, and it mostly just felt like an eyelash caught in my eye.

    BME: Did you take any other steps to monitor the healing?

    JOE: I checked his eye every day with a 10x jeweler’s loupe to make sure there was no damage to the white of his eye. And, to this day, it has never scratched one of his contacts — which anyone who wears contacts knows is unbearable and impossible not to notice! I had Kevin make a journal of his experience with healing it, and made sure he paid great detail to writing down everything he used.

    KEVIN: By the third day of healing, the redness was gone and there wasn’t any crust. It still felt bruised and it was still a little swollen… I was beginning to get used to the eyelash feeling, but it was still irritating. The day after that the swelling went down some more, and it didn’t hurt any more except when I closed my eye really tight.

    Over the next few days I got more and more used to the feeling of having something this close to my eye. By the end of the first week of healing I was used to it, and at two weeks in it was totally comfortable.

    BME: Do you still have to do anything to take care of it?

    KEVIN: I still use H2Ocean several times a day to stave off infection, and Renu eye drops when necessary. I have had no problems with my vision, and all in all it has been a good experience. It’s been two months since I got it pierced and I’ve still got it and I don’t even feel it.

    …The only problem I’ve had is people shrinking away from me in horror in the elevator!

    BME: No doubt! Thanks for talking to us.

    We also had the opportunity to chat with our old friend Nick Anzalole at Under the Needle in Seattle, Washington (2511 6th Ave, 206-448-6613). Like nearly every piercer I know, he wasn’t able to shake the idea after seeing that first blurry picture from the tattoo convention. His friend Ty, also fascinated by the piercing, volunteered.


    BME: So, what made you think this was a good idea?

    NICK: Ty already had extensive mod work, including a split tongue, so I told him we would try it, but that it would probably be very uncomfortable, and might have to be removed very soon after being pierced. He said that was fine and we went ahead with it. This was back in June of 2002. He was lucky enough to have sort of a little free space in the corner of his eye.

    BME: What do you mean by that?

    NICK: As in his eyelid didn’t touch his actual eyeball in the corner — I thought this would be the best place to pierce it.

    BME: What was your procedure?

    NICK: I placed a small Pyrex glass receiving tube under his eyelid so as not to nick the actual eyeball — I warned him that if he jumped the needle might just go straight into his eyeball! Then, using a 14 gauge needle, I simply pierced into it, following through with a 14 gauge 5/16” captive bead ring. I held tight onto the eyelid to make sure the skin didn’t “roll” with the needle. It was over quickly, and only a single tear had left his eye. The ring itself appeared to not even touch the actual eyeball, and just kind of float in mid air.

    BME: How did the healing go?

    NICK: I kept in good contact with Ty for several days afterwards to monitor him. He said it didn’t really bother him all that much — only when he woke in the morning did it irritate him. He took care of it like you would any other piercing, and soaked it in warm saline solution several times a day.

    He still had it in about twenty days later, when, after a night of drinking, he stumbled and fell, and kind of caught it on a nail in a doorway! It was still in, but bleeding and had torn a little. I was there and told him it should probably come out. He wanted to try to leave it in, but after about three more days he took it out… I believe there was a very good chance it may have healed, but his was too damaged from the fall. I may do it again some day. I do still enjoy the fact though that as far as I know, I was the second piercer ever to pierce an eyelid.

    BME: Do you think people should be doing this piercing?

    NICK: Well, this is the kind of thing you really should never try, nor should you ever ask your piercer to do it for you. The man who I did this on, Ty, was a good friend of mine, and I did it only after he bugged me for a very long time, and I was sure he understood all the risks involved. If someone without the needed skills tried this they could easily blind their friend.

    BME: Thanks for talking to us about this!

    Now, I need to be very clear and upfront and say that this is not yet something I’d consider a viable piercing. It shows a lot of promise and it may well be possible to safely do these, but the jury is far from in. That said, until about 1980 people thought that tongue piercing was absolutely insane and that it would cripple a person… but as it’s turned out, it’s one of the safest and most common piercings out there.

    Risks from eyelid piercing are largely centered around infection from the damage to the eyelid (risk to the scelra or white of the eye is minimal assuming proper jewelry is used). The main risk is bacterial conjunctivitis, better known as “pink eye”, a bacterial infection. If the eye becomes increasingly swollen and red, or the infection spreads to nasal or ear congestion accompanied by fever or cold and flu symptoms, this could be escalating into a serious problem. If yellow or green discharge is present you may need antibiotic treatment, and if it gets worse, surgical intervention is not unheard of. It is important to note that while this risk is most prominent in the first few days, it will never entirely go away.

    I should also note that if you have any jewelry allergies, you’ll show the symptoms above for as long as you have the piercing. In my opinion anyone who suffers from allergies should not attempt this. Finally, styes, infections in the glands at the edge of the eyelid are also possible. If this happens you’ll note swelling, pain, and itching right in that area — warm compresses can help.

    Modification of the eyelid and eye itself is on the verge of erupting. Eyelid tattooing is a common cosmetic procedure these days. Even eyeball tattooing (where the white of the eye is tattooed) is considered a “safe” procedure, as is the implantation of metal designs under the white of the eye. It makes sense though — the eyes are the focal point for all of our social interactions. We can sense where someone is looking from across the room, and we can express some of the most subtle emotions through our eyes alone. “You have beautiful eyes,” is a compliment that crosses all cultures and is one of the few universal truths in aesthetics.

    So for those of us who think piercing is beautiful, maybe a pierced eyelid makes sense?


    Shannon Larratt
    BMEzine.com


  • Gauntlet’s Jewelry Design Legacy [Running The Gauntlet – By Jim Ward]

    Gauntlet’s Jewelry Design Legacy


    1970s Gauntlet Sunburst Nipple Shield

    When Janet Jackson flashed her breast at the 2004 SuperBowl creating a firestorm of controversy, she was wearing a Gauntlet nipple shield. The sunburst design was one I created in the mid 70s.

    When you pay a visit to your local piercer and look at the tremendous variety of jewelry in their display case, it’s easy to assume it’s always been that way. What’s difficult to believe is that before Gauntlet, piercing enthusiasts were making do with earrings and all kinds of improvised contrivances. Although I’m always reluctant to blow my own horn, the truth is that I was personally responsible for many of the jewelry designs and piercing innovations most people take for granted.

    Gauntlet Jewelry Brochure Gauntlet Jewelry Brochure Gauntlet Jewelry Brochure Gauntlet Jewelry Brochure Gauntlet Jewelry Brochure Gauntlet Jewelry Brochure Gauntlet Jewelry Brochure Gauntlet Jewelry Brochure
    Gauntlet’s first jewelry brochure.

    Although Gauntlet officially became a business in November of 1975, it took nearly nine months before things began to come together enough for me to issue Gauntlet’s first jewelry “Folio.” To call it a catalog would be stretching things. It was simply a legal sized piece of heavy paper printed on both sides and folded into quarters. But to the best of my knowledge it was the first time any collection of body jewelry designs had ever been offered for sale to the public.

    Despite Doug’s financial help, my budget was still very lean. I had little knowledge of photography, especially taking pictures of jewelry, which is an art unto itself. Since I couldn’t afford to hire a professional photographer and printing photographs would have been more costly, I chose to illustrate the first brochure myself with line drawings.

    In these days of desktop publishing, younger people have no concept of what was involved to produce printed materials before the advent of the home computer. The process was in constant evolution, but in the mid 70s a common way was to take the copy to a local printer. There someone would type it into a special IBM Selectric typewriter — anyone remember typewriters? — equipped with memory. At the push of a button the text would then be printed onto special paper that would later be cut up and pasted by hand into the final layout. All very primitive by today’s standards. Headlines were often produced separately using fonts that were on a strip of film. Each letter was exposed onto light sensitive paper and when finished, processed in photo chemicals. As an alternative you could do as I did and use rubdown lettering for headlines.

    I was still groping my way. It took time to design and “test drive” the nearly dozen items that appeared in the first brochure. As mentioned in an earlier column, my first design was the nipple retainer. The bead ring, a scaled up version of a fairly common earring design, followed this.

    In the months and years to come, jewelry designs were always being developed and refined. Some became classics that are still being reproduced today; some were consigned almost immediately to history. Others lasted for a while, eventually fading into obscurity for lack of interest by customers. Still others ended up on the scrap heap because experience proved a particular design was no longer appropriate. Regardless of their longevity, many of them have an interesting story.

    For a great many years the standard bead ring with the attached ball was Gauntlet’s bread and butter. But some members of the T&P group, and others, wanted a design that appeared to be continuous. Had it been practical they would have been quite happy to have the rings permanently soldered shut.

    One of Gauntlet’s early competitors was a short-lived business called Whatever Rings. It was run by a couple of gay guys who were heavy S/M players. They operated out of their West Hollywood apartment and solicited business through ads in the local gay press. The business was primarily a means for them to entice men into an S/M scene.

    The “jewelry” sold by Whatever Rings consisted of gold wire formed into simple gold rings. There was no closure. While they might look nice, I personally considered them impractical if not dangerous. From experiments I had done I knew it was difficult to get the ends to line up perfectly, particularly after the ring had been inserted into a piercing. This could mean discomfort if the gap rotated inside the piercing. The gap, no matter how small, could also trap debris and quickly become a breeding ground for germs that could lead to infection in a fresh piercing.


    seamless ring
    The “Seamless” Ring.

    Still, some people liked the look and insisted they wanted it. So I tried to make something at least a little more practical. I called it a “Seamless” Ring. It still had the small gap, but I perfected a way of crafting a pin coupling which, if nothing else would keep the ends in alignment. To minimize the risk of infection, I insisted that customers wait until their piercings had healed before wearing this type of jewelry.

    Unfortunately one of my customers discovered the shortcomings of the design not long after I’d inserted them into his nipple piercings. His name was Alden, and he was part of the T&P group. He also enjoyed rough sex play. Early one Monday morning he showed up on my doorstep. It was obvious something was wrong. Apparently he’d gotten into some pretty heavy action on Saturday night. Someone he was playing with got a little too rough with his nipple rings and one of them had sprung open inside the piercing. He couldn’t rotate the ring or remove it and was in great discomfort. I had to open the ring with a pair of ring expanding pliers in order to remove it. After that he understood the benefits of wearing a ring with a closure especially if he planned on a rough night.


    Body piercing locks
    Handcrafted jewelry locks

    The S/M B/D community were a significant component of my early clientele. A very common request was for a piece of jewelry that could be permanently installed. For most people this was nothing more than a fantasy. They still wanted something that could be removed whenever they wished it. So I set out to see what I could do with locks.

    Back when I’d lived in Denver I’d wanted to put a lock in my ear piercing. In the early 70s it was uncommon for a man to have an ear piercing at all, and stretched piercings were something you only saw in National Geographic. There was no way I could see to get a lock through my ear.

    I had some basic jewelry making tools and was easily able to get some silver sheet and wire. Using these I constructed a crude working lock. This design with its broken shackle and another with a solid one, made their way into my first jewelry brochure.

    Unfortunately these handcrafted locks were never practical. If worn on any semi-permanent basis, they would soon become bound up with disgusting gunk and nearly impossible to open. I attempted unsuccessfully to remedy the situation by replacing the tiny spring with a pad of silicone rubber. Making the locks became a job I dreaded. They involved a lot of work that seemed wasted because of the inherent problems. By the time I issued my second brochure I’d dropped the design with the broken shackle replacing it with a simulated lock that needed no key and had no mechanism to get fowled up. Eventually I discontinued locks altogether.


    guiche jewelry
    A jewelry prototype that never made it into production.

    Other attempts at permanently installable jewelry were made, such as a triangular ring that had two eyes, one threaded, that could be closed with a small lock. Since they weren’t waterproof, even commercially manufactured locks weren’t practical for long term wear.

    There were a few hardcore souls who seriously did want something permanent. Soldering, of course, was out of the question. I did find one successful solution. The balls on our standard bead ring were hollow. I would cut a groove around the end of the ring that went inside the ball and fill it with epoxy. When the ring was closed the cement would be forced into the groove where it would set and make the ring impossible to open.


    arrow of eros jewelry
    Arrow of Eros

    I’ve written previously about the early development of barbells. Once I’d mastered the manufacturing problems it seemed natural to design some variations. The first was what I called the Arrow of Eros. To maximize comfort I didn’t want the head to be sharp, so I modified the shape to something like a Native American arrowhead. The two ends were forged out of metal. These were then taken to an engraver who cut the details. From there rubber molds were made so that the pieces could be cast. Though never a best selling design it nonetheless remained in the Gauntlet line for over twenty years.

    body piercing barbells
    Some of the many barbell variations offered by Gauntlet.

    Other barbell variations followed. The second brochure included what I called Jeweled Studs. These had semiprecious stone beads set in pronged pearl settings. They were never very popular and in time disappeared from the line.

    Over the years many other variations were introduced. None of them were ever as popular as the initial one with round balls which made it much more versatile.


    nipple shield design
    An early nipple shield design.

    To the best of my knowledge the concept of the nipple shield was original with Gauntlet. The idea was to offer a design that was more decorative and would appeal especially (though not exclusively) to women. As a gay man I still had a lot to learn about female anatomy because many of the first designs had an inside diameter that wouldn’t fit many female nipples!

    At one point I contemplated using spring-loaded watchband pins to hold the shields on, but this proved impractical and unnecessary. The tension of the stretched nipple was sufficient to hold the shield in place.

    S/M also had an influence especially on one particular design. Even in the early days there were people into play piercing. For them I came up with something like a spoked wheel which had a little more depth. This drew the nipple out so that hypodermic needles could be inserted through the spokes.


    septum retainers
    The septum retainer was a major breakthrough.
    (Left: the original septum retainer, right: niobium retainers)

    It might not exactly qualify as jewelry, but another early Gauntlet innovation was the septum retainer. You might be able to go to work with a septum piercing today, but in the 1970s it would have been unthinkable. Still, there were people who passionately wanted the piercing. That was my inspiration. The first septum retainers were made of oxidized copper wire covered with Teflon tubing. They were virtually invisible. Eventually they when replaced by an anodized niobium version which is offered by a number of manufacturers today.


    nipple piercing sword
    Custom nipple jewelry.

    Especially in the early years when I made almost all the jewelry myself, I had a number of clients who asked me to create something custom just for them. One of the first was Jim A. He wanted a simple gold nipple shield that would be held in place by a gold sword. The blade was made from quarter inch tubing that was pounded flat on one end, soldered shut, and shaped. A brass plug was soldered into the other end. This was drilled and tapped. The handle was wrapped with wire and a bit of flattened chain and ornamented with gold balls. Jim stretched his piercings up to a quarter inch just so he could wear his new jewelry.


    feather custom nipple shield

    Another man wanted a custom nipple shield. He told me he had a thing for feathers and wanted this reflected in the design. It was something of a challenge. Not wanting it to be big or heavy, the feathers have large cutouts and are counterbalanced by complementary shapes that are weighted with extra metal. He seemed pleased.


    ear arrow

    Multiple ear piercings weren’t exactly common in the early Gauntlet days. This man came in with two ear piercings and wanted an arrow made that would go through both of them. Here’s the result. The post was not straight but shaped to accommodate the piercings. The arrowhead was drilled and tapped to screw onto the post. It was so tiny that the only way I was able to screw it on was to use a pencil eraser with a slit cut in it to hold onto the arrowhead.

    One of my more colorful clients was a Hungarian doctor who showed up on my doorstep one day. I was still working out of the house at the time, and he’d been referred to me by the Pleasure Chest, a sex shop that had recently opened in West Hollywood.

    Dr. C was impeccably dressed in a suit and tie and had the bearing of a European gentleman. He explained that he wanted a frenum piercing. This was accomplished without a great deal of fuss.

    I must confess I was a bit more nervous that usual. Although clean, the house and furniture were shabby. He was, after all, a doctor, and I was concerned that he would be uncomfortable being pierced in such an environment. Still, I brought out a clean bath towel and spread it on the couch for him to lie on. I laid out the bagged and sterilized equipment on a stainless tray. When I was finished he complemented me my technique as well as the cleanliness that I observed. It was a particular validation coming from him.


    frenum ring

    With casual European sophistication the good doctor told me that he and his wife were no longer sexually active. He had a young girlfriend who he particularly wanted to keep satisfied. To that end he commissioned me to make a cast gold frenum ring that would incorporate two penises and a ball on top that would stimulate her clitoris during intercourse. He quipped that he wanted to penetrate her with three penises.

    Dr. C was quite happy with the finished piece of jewelry. Unfortunately he didn’t feel comfortable wearing it all the time, especially at the health club. Consequently he took it on and off frequently. Eventually the post would break off, and he would bring it to me for repair. The last time this happened he brought it in and chatted amiably about what a wonderful device it was. I told him how long it would take for the repair, and everything seemed satisfactory. I never saw him again. Whatever happened to him I never found out. After holding onto the piece of jewelry for several years, I eventually sold it.


    safety pin nipple piercing

    For the first several years all my jewelry was either gold or a mixture of gold and silver. Although many clients wanted stainless steel I didn’t know how to make jewelry from that particular metal. Early on I attempted a design I called a triangular safety pin made out of stainless steel wire. It was abandoned fairly quickly because the hook closure tended to snag on clothes and bedding.

    Gauntlet’s transition to stainless production was not an easy one. I resisted as long as possible and finally gave in because the price of gold had begun to rise alarmingly.

    The challenges were many. First and foremost it was necessary to determine which of the hundreds of stainless steel alloys was appropriate for inserting into the body. The best information I was able to gather was that it needed to be low-carbon and nickel-free. At various times we made jewelry of 304 and 316 stainless. The industry standard today is 316L.

    Then there was the matter of gauge. The standard gauge system used for steel wire is different from that used for gold and silver, so for the sake of consistency it was necessary to have all the stainless steel wire custom produced.

    The coils of wire arrived from the mill and I discovered that it was too stiff to be easily shaped. Gold and silver can be softened, a process called annealing, quite easily by heating them red hot and quenching them immediately in cold water. If you do this to steel you only make it harder. The only way to get the wire soft was to send it out and have it professionally heat-treated.

    At first I tried unsuccessfully to apply gold fabrication techniques to stainless steel. The results were disappointing to say the least. Eventually I found a company that was able to silver solder drilled stainless balls onto stainless steel rings and then electropolish them. For some reason the quality of the electropolishing was not reliable. Sometimes the surface was not mirror bright and on occasion the process was overdone and the rings came back measurably thinner than they should have been.

    Many of these problems could have been eliminated had I not been convinced that the captive bead ring design was unsatisfactory. As someone who continually thought of piercing as an adjunct to sex play, I felt the ball could too easily come loose and get lost. I couldn’t imagine many people wanting to search for a ball lost inside a body cavity.

    Stainless steel barbells presented their own difficulties. There was no way to produce them in house, so I went looking for a machinist to do the job for us. Part of the problem was that I had no idea how to locate the right person. The results were less than satisfactory. The first order of barbells I had made should never have seen the light of day much less been offered for sale. The machinist was unequipped to produce a stud with an internally threaded post. I ended up settling for externally threaded studs, and to say that I was frustrated is putting it mildly. In order to insert them without causing discomfort or damage to the individual, the externally threaded post first had to be dipped in melted wax. It was a compromise I hated.

    When the stock began running low I started looking for another machinist and finally found one who was able to produce an internally threaded barbell stud. Unfortunately that was only half the challenge. The other was to produce a ball with male thread attached. The machinist produced short threaded pins that had to be secured into drilled and threaded balls. We tried various kinds of cement without success and ended up having to silver solder them. It was a solution, although again less than 100% satisfactory.

    On occasion clients would ask why Gauntlet’s stainless steel jewelry was so expensive. I always told them that they could buy a nut and bolt at the hardware store for pennies because they were manufactured by the millions. At that time there simply weren’t enough people who needed stainless steel body jewelry to mass produce it like hardware. All that has certainly changed.


    niobium rings

    Niobium body jewelry, another Gauntlet innovation, is wildly popular today and available almost everywhere. In the early 80s craftspeople were beginning to make regular jewelry from anodized niobium. It was incredibly beautiful, and when I learned just how inert the metal was, I realized its great potential. The material was fairly inexpensive and could be anodized in an array of bright colors. It took some effort to perfect the technique.

    The anodizing process required that the metal piece be attached to an electrode and submerged in a solution mostly of water. The more oxygen the solution could make available to the process, the better the results. Different craftspeople had their own secret formulas. I heard of someone who used Coca-Cola. What seemed to work best for me was a solution containing non-chlorine bleach.

    Since there is no practical way to solder niobium, I finally was forced to embrace the captive bead ring. From then on it became part of Gauntlet’s jewelry line.

    It’s been almost thirty years since I started Gauntlet, but the ideas and innovations that it pioneered are very much with us today. I often wish I were receiving royalties. I’d be a very rich man.

    Next: The First Piercing Store Opens its Doors


    Jim Ward is is one of the cofounders of body piercing as a public phenomena in his role both as owner of the original piercing studio Gauntlet and the original body modification magazine PFIQ, both long before BME staff had even entered highschool. He currently works as a designer in Calfornia where he lives with his partner.

    Copyright © 2004 BMEzine.com LLC. Requests to publish full, edited, or shortened versions must be confirmed in writing. For bibliographical purposes this article was first published May 18th, 2004 by BMEzine.com LLC in Toronto, Ontario, Canada


  • Suspensions & Tensions: Today, Part II – Fakir Rants & Raves

    Suspensions & Tensions:
    Today, Part II


    CONGRATULATIONS O-KEE-PA GRADUATES!

    In the past few months I’ve become aware that many others (photos, stories) beside me have tried and succeeded in being suspended vertically by two piercings in the chest — in essence, doing O-Kee-Pa the hard way.

    I’ve seen your photos on the BME site. But I am not quite sure you had the depth of experience the Mandans (or I) had. Please tell me. I’ve sent feelers out to several suspension groups, but so far gotten no feedback. As the guy who kind of started all this in the first place (by example and photos) I truly feel responsible for what happens to you. I am very eager to hear from you if you have ever done an O-Kee-Pa style suspension. How long did you hang? Under what circumstances? Where did you go? What were the after effects? Please send Fakir an email about your experience.

    Most of the suspensions I have facilitated and witnessed during the past thirty years resulted in unusual and often fantastic out-of-the-body adventures. One of the most interesting was that of a Catholic woman, Sharon C., who pleaded with me for several years to facilitate her suspension and be her shaman Ka-See-Ka guide/protector. Ten years ago, we made it happen. About seventy of us were gathered in Northern California at a place called Kenton Mine. We were there for two weeks so there was plenty of time to prepare for a special ritual. Since I had hung horizontally for long periods of time in years prior, we decided that a horizontal suspension by multiple piercings was the best way for Sharon to have the prolonged experience she desired. We wanted at least several hours up. Back then, none of us had ever heard of or tried doing this with modified fish hooks. That came several years later. So we settled on piercing the front side of her body with 22 long sterile piano wire loops as I had done several times.

    On a sunny afternoon in a deep canyon filled with redwood trees, I pierced her body with the wires, bent them into loops and attached them to the frame I had devised for my own suspensions. The tribe assembled. We beat drums, burned sage, and chanted for beneficial spirits to guide Sharon on her journey. Slowly we inched her pierced body up off the mats on which it laid. Up under the branches of the thousand year old sacred Redwood Tree which seemed to murmur, “let me take this body to its source.” We were hushed and within several minutes, Sharon left her body. It was inanimate “meat” hanging high in the air beneath the branches of the tree.

    While suspended in a thousand year old redwood tree for several hours, Sharon C. went on a guided trip to her own private heaven and hell.
    While suspended in a thousand year old redwood tree for several hours,

    Sharon C. went on a guided trip to her own private heaven and hell.

    As the Ka-See-Ka who assumed responsibility for her journey, I was able to see what she saw in her disconnected state. First, she traveled to her private hell (a barren place with no signs of life) and them to her private heaven. I was able to communicate with her lifeless body, and, most unusual, she was able to speak through it! When lost in despair in her “hell” space, I suggested she turn around, look over her shoulder, and see what was behind her. There it was, her private heaven: a verdant forest filled with trees, birds, flowers, and fuzzy buffalos who smiled and wanted to play with her. I told Sharon she could fly and should go down and circle the forest below. She did and soon rested in a comfortable nest in the top of a tree. I told her she could go play with the animals below if she wanted.

    “But they are smelly and dirty,” she said.

    “That’s ok,” I told her. “You don’t have to step in their shit. You can fly now so just go down and fly above their heads.”

    Sharon giggled and I saw her do this and tease the animals as she flew over them. There were many other odd adventures during her journey but finally, as she despaired for company, a luminous being who appeared as an animated blue infinity symbol, spoke to her and then buried itself deep in her heart center. It said to her, “Peace… Be Still”.

    But this is not the end of the chapter and book for Sharon. The memory and lesson it held stayed with her to the end. Two years ago, Sharon developed ever worsening kidney failure. On dialysis, she felt the time had come to leave her body permanently. She called me. She was glowing, happy, radiant, as she announced her decision to disconnect from machines. She was not frightened of passing over into the unseen world. She had been there before. Sharon thanked me for my love and guidance. And she parted this world joyously.

    JOURNEYS OF OTHER SEEKERS

    Another dear friend of mine, Puma (see Body Play #9), had undergone a severe personal crisis in which he had been taken over by an extremely self-destructive (read suicidal) dark side, the “shadow side” which we all have. He went on barely functioning and seemingly headed for a bitter end. A year later, still troubled, he asked me to hang him up by two deep chest piercings. He pleaded to do the O-Kee-Pa seriously and privately so he could resolve this on-going power struggle with the negative energy that was controlling his life. This was to be an attempt to chase the “shadow” away once and for all.

    In the absolute quiet of an indoor chamber, Puma was compelled to engage in a long and painful combat (his private hell) before he could let go and surrender; submit his mind and body to what was actually a “shamanic death”. He groaned and fought to stay in conscious control as I slowly inched his body upward against the chest piercings. When he finally let go, suspended, he appeared to be physically dead. His lover pleaded with me to let him down. But I saw Puma’s other electric body shape floating weightless and smiling at me from a remote corner of the room. He was ok. So I let his physical body hang motionless for another ten minutes.

    When I finally let Puma’s lifeless form down, just as light flickered back into his eyes, I saw the “shadow” inside them screaming in agony. A voice behind these fiery eyes seemed to say, “If this is what you are going to do to me, I’ll leave!

    Woosh!

    And within ten minutes the Puma we know and loved was back in those eyes — exhausted, happy and free. Characteristic of a truly transformative experience, the effect lingers on years later. Puma told me just a few days ago, “I’ll never forget what happened. This was a truly spiritual experience for me and I continue to draw strength from it every day.”


    But not every suspension ends with such beneficial results as Sharon’s and Puma’s. Sometimes things go sour when our expectations or approach to the suspension is off-key. I have attended a bunch of these and that is why I am so fussy about having clear intent, inner guidance, and not being swayed by ego when I am advising or helping someone do a suspension. Several suspensions that went wrong come to mind as I write this column. The first was done several years ago by Idexa, the San Francisco tattoo artist. I asked her to write about her vertical suspension that went wrong for Body Play magazine. In her own words, here is what she wrote for Body Play #14:


    My last trip on a spiritual path, in early 1995, consisted of borrowed and modified rituals of other cultures. I did a vertical suspension by flesh hooks. Raelyn Gallina did the piercing and suspended me by elastic cords.

    The original plan was to have a small private gathering. But it eventually became a huge event with about a hundred people, mainly women. It took place at night in a big building and in that setting I just couldn’t visualize enough to break through the ceiling and roof — where in past body rites trees and birds have helped me to travel. I liked the sensation of hooks going under my skin (except for the ones below my breasts). I loved stepping off the ladder to hang by my flesh. It was a wonderful challenge and a body high.

    But with so many people around, and the scattered energy in such a limited space, I really didn’t get to have the visions I was hoping for. What I see today in many of these borrowed rituals is a lot of “white people” doing it as entertainment, even money, for a bunch of spectators. It (suspensions) being so popular, so obviously a “white thing” (non-traditional), has opened my eyes. I feel the movement is taking part in a continuing genocide of indigenous cultures that started here with Columbus.

    Idexa

    Idexa is pierced and rigged for her vertical suspension by Raelyn Gallina.

    Above: Idexa is pierced and rigged for her vertical suspension by Raelyn Gallina.

    Right: Idexa steps off short ladder and hangs freely, but her ability to journey is hindered by physical and psychic distractions.

      Idexa steps off short ladder and hangs freely, but her ability to journey is hindered by physical and psychic distractions.

    Another “sour” suspension I witnessed in the last few years was Paul Stolz’s first attempt to do an O-Kee-Pa. On previous occasions I had seen him do several horizontal suspensions facilitated by Vaughn of Body Manipulations. These were sweet — no problems (read the description that follows). But, apparently overcome with self-confidence by them, he decided it would be “no sweat” to hang by two piercings in the chest like I had done. He talked to me several weeks prior.

    I warned that this would be different, many magnitudes harder and could not be done without surrendering ego. I told him that after about one minute he would have to go through all the symptoms of drowning or suffocating. Was he ready for that? I asked if he wanted me to “Ka-See-Ka” him. “No, just come and witness,” he said.

    So that’s what I did. No rescue offered.

    The suspension got off to a good start. Joey Wyman did an expert, shamanic job of piercing two hooks in Paul’s chest, deep and just above the nipples. He took the piercings with a stoic smile. With the same bravado, he stood on a platform dressed in tight black pants and silver boots. This was his moment of glory. He motioned for Vaughn to lift him up with the vertical crane to which he was fastened. Up he went clear to the ceiling. But, as I had warned, the stoic smile and bravado only lasted about two minutes. Then Paul was in obvious distress. His breathing became difficult, rapid. He panicked. His arms flailed about wildly as he gave Vaughn the prearranged signal to bring him down immediately. Paul lay limp on the floor in shock, eyes glazed and pupils dilated. He didn’t quite know where he was or what had happed in those few brief minutes. They helped him upstairs and laid him on a bed like a rag doll. I sat by his side for half an hour moving energy and bringing him back to center. He was ill for about a week. I understand Paul has said the O-Kee-Pa was harder than he ever imagined and he will never try it again.

    PAUL FLIES LIKE A BIRD

    Unlike his negative experience above, Paul has also had his magical suspensions too. Not everyone has a “White Light” experience like Fakir. There seems to be a different “trip” each time and for each person. Sometimes it is only a heightened sense of body awareness made possible by dissociation (the observer state). And sometimes the strongest effects of a suspension are only felt hours, days, or weeks after the experience. And sometimes nothing much happens except an unusual or adverse set of body sensations because of unfavorable physical or psychic conditions (like with Idexa or Paul above).

    Paul Stolz belongs to a group of Modern Primitive explorers. I first met Paul in 1996. Paul invited me to his first “flying suspension” in which he would be moved about freely in three axis by a 3-ton crane inside a huge warehouse building. He knew very little about traditional body suspensions like the O-Kee-Pa of the Mandans or Chidi Mari suspensions of the Hindus. I asked about his intentions, his expectations. He was unclear about them. Seemed like he was satisfied just to do something new, novel, experimental. He wanted to “fly”. Ok, that was a good enough reason. So on evening of March 22, I went to the San Francisco warehouse which had been converted into a performance and play space called The Sand Box (the floor was ankle deep in beach sand).

    Paul Stolz is pierced and rigged by Vaughn and Joey Wyman for a “flying” horizontal suspension.   Paul is zoomed up and down, back and forth, and rotated by Vaughn inside a huge warehouse space.  I felt “electric” rain falling from his suspended body.

    Left: Paul Stolz is pierced and rigged by Vaughn and Joey Wyman for a “flying” horizontal suspension.  Right: Paul is zoomed up and down, back and forth, and rotated by Vaughn inside a huge warehouse space. I felt “electric” rain falling from his suspended body.

    I entered just as Paul was being lifted up in a horizontal, face-up suspension by multiple hooks. As he floated twenty feet above our heads, then gently moved about the cavernous space by Vaughn, it felt like “electric rain” was showering down on me from his suspended body. There were only a few friends present. The general feeling in the space was peaceful, tingling. Paul was on a trip and in an altered state. The suspension lasted for about an hour. In his own words, here is Paul’s account of his Sandbox suspension (from Body Play #14):


    For as long as I can remember, I have wanted to fly. I have dreamt of finding myself between planes of reality. I thought that in that “space” I could get a clearer view, a better perspective of myself and its reality. Once that view has taught me something, I can continue on my quest for my dreams.

    Now I have found ways to slip into that alternate plane where possibilities are limitless. I call that place “Dreamland”. I got there mainly by using my physical self, my body. It usually requires some sort of pain or challenge.

    I have wanted to do a full body suspension for four years. I thought the sensation against my body must be amazingly different than anything I could ever feel. Still, a full body suspension could be even more for me if I could fly — move around once I am off the ground. In fact, a non-mobile suspension seemed a little lacking to me. On March 22, 1996, I held a live performance in which I hung horizontally from a mobile 3-ton crane. The crane was driven by Vaughn (Body Manipulations body piercing studio) who also worked with Joey Wyman to put the hooks in and hang me. Vaughn drove me out above and throughout audience (about 25). I went way up to the ceiling, low to the ground. I was spun around, rocked back and forth and bounced up and down.

    The combination of flying and the sensation of my skin pulling evenly through me was overwhelming. I had gotten to the most amazing version of “Dreamland”. The tension altered in intensity levels with the different movements we would try. I had found that, in fact, the sensations were completely adjustable based on far off the ground I was, what direction I was moving, or even the speed of the movement.

    To me this was a very spiritual event but not a very religious one. I gained more contact with myself and my reality. I used my physical body as a tool to enter my psychological and spiritual self. Once I opened doors to this “Dreamland”. Other dreams found in day-to-day life have fallen into place. I find that as I continue exploring my reality in relations to “Dreamland”, my real life becomes more and more charmed.

    Paul Stolz

    So here are just a few examples and accounts of what has happened to contemporary seekers who have experienced suspensions. How about yours? There are so many experiences I wish to share with you that there will have to be a Part 3 and maybe even a Part 4 to this edition of Fakir Rants & Raves. See you next time for “Swimming With Dolphins” and more.

    Yours for safe and enlightened body rites,


    Fakir Musafar
    fakir at bodyplay dot com



    Fakir Musafar is the undisputed father of the Modern Primitives movement and through his work over the past 50 years with PFIQ, Gauntlet, Body Play, and more, he has been one of the key figures in bringing body modification out of the closet in an enlightened and aware fashion.

    For much more information on Fakir and the subjects discussed in this column, be sure to check out his website at www.bodyplay.com. While you’re there you should consider whipping out your PayPal account and getting yourself a signed copy of his amazing book, SPIRIT AND FLESH (now).

    Copyright © 2004 BMEzine.com LLC Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published May 8th, 2004 by BMEzine.com LLC in Tweed, Ontario, Canada.


  • Go to prison, get a free tattoo. [The Publisher’s Ring]


    Go to prison, get a free tattoo.
    Ohhhh… Canada?


    “Prisons are archaic, brutal, unregenerative, overcrowded hell holes where the inmates are treated like animals with absolutely not one humane thought given to what they are going to do once they are released.”

    Jimmy Hoffa


  • The Great Nippulini Interview – Through the Modified Looking Glass

    The Great Nippulini

    “It’s not the load that breaks you down, it’s the way you carry it.”

    Lena Horne


    Two of the main focuses of my life and work are body modification and sideshow. I spend time every day researching online for new information, going over the books in my personal library, and generally contemplating and updating my information base on both these subjects. Thus, it surprises when I find out I have somehow missed or overlooked a major player in either of these communities. Nippulini stands out in both, but still I somehow managed to miss him for a number of years.

    A little less than two years ago was the first time I ever heard of Nippulini — via online references and then his postings in an online sideshow discussion group. Since then I have gotten to meet and even share a stage with him at the 2ND annual Sideshow Gathering. He has made a serious dedication of himself to body modification and taken it to the stage with a rare passion.

    Now, in his own words; The Great Nippulini!


    THE LIZARDMAN:
    Name, rank, and serial number — you know the drill. Give us the usual biographical data.

    NIPPULINI:
    I am the Great Nippulini, World’s Strongest Nipples. I am Philadelphia Licensed Body Artist #8,586, and have been piercing for over twelve years — over fifteen thousand piercings in my career. I live in the Philadelphia area, own a two hundred year old historical house, am currently in the middle of a divorce, have two dogs, three cats, seven reptiles, a blue faced Amazon parrot, and a Madagascar hissing cockroach who just had about twenty or thirty babies… yay!.

    THE LIZARDMAN:
    Describe your body modifications.

    NIPPULINI:
    I have fourteen piercings around my body (five in my ears, two in my nipples, a Madison, and five hafadas), a few tattoos here and there, some scarification, and nipple hair electrolysis. I used to have a frenum, but removed it a while ago. I took it out to an 8 gauge. It’s been years since I’ve had it, but I can still fit a 14 gauge through it.

    THE LIZARDMAN:
    What first got you started in body modification?

    NIPPULINI:
    Actually I got started in all this through my family’s business. In 1989 they started adding body piercing to supplement their retail clothing store. At first things were new, we had to learn a lot, but we grew and became the area’s largest high volume body piercing only shop. For promotions, I would go to local tattoo shops (at the time, no tattoo shop did piercing), and I got interested in getting inked. I also have had done some self scarification with a Dremel cut-off disc with excellent results. Electrolysis, by definition, is also a body mod I’ve gone through.

    THE LIZARDMAN:
    When did you first decide to start working at lifting and pulling with your piercings? Why the nipples?

    NIPPULINI:
    I first started to lift heavy stuff in the shops to freak out customers. I started off with a 7 pound towing spring, then gallon bottles of distilled water (for the autoclave) and so on. I chose the nipples as my piercings of choice for this because at the time I was at 6 gauge. This must have been around ’96-97. I was most impressed with Fakir Musafar’s nipples, and at first wanted to get them so I could put a finger through them — he was my main influence for increasing my nipple size. Now I am at 00 gauge and am quite happy.

    THE LIZARDMAN:
    How did you first train your nipples for weight and what regimen (if any) do you use to keep them ‘in shape’?

    NIPPULINI:
    Like I said, I started with 6 gauge, (when lifting… I actually started at 14 gauge in 1990) and comparatively small, light weights. As my nipple size increased, I would try out slightly heavier objects. Over the years I became able to do heavier and heavier items. As far as keeping them in shape, I can only say that I keep them moisturized and am very cautious when it comes to anything going near them.

    THE LIZARDMAN:
    You use some interesting custom jewelry — tell us the story behind that.

    NIPPULINI:

    I have a few different types of jewelry depending on my mood. For major shows and competition, I use 00 gauge 5/8” circular rings. They are basically circular barbells with only one bead, they lend the appearance of CBR’s. I use them because installing 00 gauge CBR’s onstage would be close to impossible.

    For show and other things (heh heh) I use my custom shackles. These are pieces that I designed myself and had fabricated for me. They are comprised of 00 gauge solid bars that have 4 gauge ‘U’ shaped barbells that run through the main bar. For everyday wear, I use flat disc ended barbells or standard 00 gauge barbells. I also have custom hollow acrylic pieces I wear in case of things like surgery or when I get my occasional nipple hair electrolysis (that shit really hurts!).

    THE LIZARDMAN:
    When you say ‘competition’ do you mean impromptu contests with people you meet or is there an underground nipple fight club?

    NIPPULINI:
    Heh heh, I wish! When I say ‘competition’ I mean for the hardcore weight. The shackles are nice, but when large amounts (over thirty pounds) are applied, they tend to pull from one side or the other being that the main bar is straight. For thirty pounds and up, I prefer to use the circular barbells because they are safer and hold the weight better.

    THE LIZARDMAN:
    You are well versed in the historical aspects of your act. Besides simply continuing the tradition, what do you see as your contribution or development to the act?

    NIPPULINI:

    The various stunts that I do with my nipples I have seen before, and whatever I create are basically hybrid acts or just way out there type of stuff (the cup crusher, iron grinder, and so on).

    I started using anvils as a tribute to Rasmus Nielsen, one of the forefathers of pierced weightlifting. I have also come up with these creative nipple acts so that maybe someday in the future will be replicated by someone when I’m not around to do this anymore.

    THE LIZARDMAN:
    How important is it to you that acts like yours are remembered in the future and that people continue to do them? Why?

    NIPPULINI:
    Being remembered for strongest nipples is the most important thing for future generations to reference. It’s more important than fame or money. Everyone dies eventually — we are born dying. This in some small way is my immortality. As I have been inspired by Rasmus and the like, I would hope to do the same for someone hundreds of years from now. My current goal at the moment is to break a buck (100 pounds) in a lift. I can’t really explain why, it’s just something inside of me that I want to do.

    THE LIZARDMAN:
    Are your nipples your primary focus for your show or do you plan on expanding to other piercings or even other acts?

    NIPPULINI:

    I do use my ear piercings for my “Bowling” stunt, and have played with the idea of using my hafadas in the act. I just don’t know how comfortable I’d feel displaying my genitals onstage… yet. I am waiting for my Madison (frontal neck piercing) to heal so I can have some fun with that. I got that from Rasmus too. I believe he pulled wooden carts with people or sledgehammers in them with his Madison (I’m sure they didn’t call it a Madison back in then). Other than that, I prefer to have my nipples to be the main focus of what I do. It helps me stick out in people’s minds.

    I get asked a lot why I don’t perform other sideshow stunts. Mainly it’s because this is what I am best at, and if I started doing other things it would detract from the seriousness of the nipples. Plus, I am not too good at other types of stunts… I know how to do them, just not well enough for me to feel comfortable doing them onstage.

    THE LIZARDMAN:
    What does the word ‘freak’ mean to you?

    NIPPULINI:
    Freak? Michael Jackson? Seriously though, in the sideshow definition of the word, it means born freaks or oddities. In modern slang, freak is used to describe someone “offbeat”, “alternative”, what have you. I believe everyone is a freak, and that freakdom is a part of human nature. Those of us who embrace this part of ourselves are the ones who have the courage to admit it. The guys in their three-piece suits and the housewives who all think they are ‘normal’ are too afraid to be in touch with that part of themselves and it’s their loss.

    THE LIZARDMAN:
    Shout out time — say anything you want:

    NIPPULINI:
    Pierced weightlifting is something not to be taken for granted. I’ve seen many people toy around with it and hurt themselves. I have spent the past eight years taking myself to the point where I can lift 55 pounds, or tow 2,000 pound cars with them… this isn’t just something you can “jump into” like blockhead or bed of nails. Don’t try this — if you do you’ll see what “it’s a great stunt, but I can only do it once” means.




    Be sure to check out Nippulini’s website at: http://www.greatnippulini.com/





    Erik Sprague

    because the world NEEDS freaks…

    Former doctoral candidate and philosophy degree holder Erik Sprague, the Lizardman (iam), is known around the world for his amazing transformation from man to lizard as well as his modern sideshow performance art. Need I say more?

    Copyright © 2004 BMEzine.com LLC. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published April 26th, 2004 by BMEzine.com LLC in Toronto, Ontario, Canada.




  • Employment Discrimination: Be Careful What You Sue For [Guest Column]


    Employment Discrimination:
    Be Careful What You Sue For

    By Marisa Kakoulas

    On my first day of work at a stereotypical Wall Street law firm, four other lawyers took me for a fancy lunch to welcome me into the fold. All of us in dark suits and pasty white faces politely conversed about acceptable topics, all the while making sure we were using the right fork, until the moment when a man with neon hair, neck tattoos, and multiple facial piercings flashed before the window next to where we sat. The forks dropped. The man outside walked on. But his presence still lingered at our table.

    “I don’t understand these freaks with all the tattoos and piercings,” started one at our table, and the discussion spiraled onwards towards burning the modified at the stake. Fortunately for me, my piercings and tattoos at the time were easily covered, otherwise I would’ve gotten singed.

    …Or fired.

    “A person can be fired because the company doesn’t like your shoes,” explains Robert D. Lipman, who manages the New York employment firm Lipman & Plesur, LLP, and is President of Interactive Employment Training, Inc.. I called Lipman to ask whether a person fired solely for having visible tattoos or piercings has any recourse under United States law. “We get a lot of calls like this,” he said. “People say ‘This is America. We should be able to do what we want.’ But I tell them that once you walk into a private employers workplace, your rights are limited.”

    Limited, but not null.

    Title VII of the US Civil Rights Act of 1964 says that a private company with more than fifteen employees cannot discriminate on the basis of religion, sex, race, color, or national origin. So company decisions to hire, fire, promote, shell out benefits or the key to the Executive Washroom must not be based on these “protected classifications.” To do so is illegal. Title VII is not the only law that protects Americans from job discrimination. Many state laws have extended protection against discrimination on the basis of sexual orientation, transgenderism, and even obesity. There’s also the federal Americans with Disabilities Act, Equal Pay Act, Age Discrimination in Employment Act, Immigration Reform and Control Act, Pregnancy Discrimination Act, and the National Labor Relations Act.

    Despite all these Acts, the curtain falls for those judged on their body modifications, no matter how good the performance. That is, unless you can make a claim under one of these classifications.

    RELIGIOUS DISCRIMINATION

    Are your tattos spiritually dictated?

    While employees generally have more success claiming that dress codes infringe upon religious beliefs, for the tattooed and pierced, success is unlikely.

    But isn’t body modification a choice like religion?

    “Absolutely, yes. But the Constitution specifically guarantees religious protection,” says California and New York licensed attorney John Thomure, who has represented pro-bono petitioners before the US Supreme Court on constitutional protection claims, as well as having contributed to amicus briefs challenging South Carolina’s ban on tattooing. Heavily tattooed himself, Thomure says:


    “Although we might grant great spiritual significance to our own body mods, my sense is a court would cast a very skeptical eye on it as a religious practice. And since outside of perhaps indigenous cultures [...] there is no history or antecedents for the “religion,” it would certainly look as though the creation of the body-mod religion was for the purpose in part of creating legal claims under a freedom of religion argument.”

    Case in point: The Church of Body Modification [uscobm.com]. The Church states on its web site that its purpose is “for our modified society to harmoniously return to its spiritual roots that have been forgotten.” It adds that “we are not here to offer spirituality to you so much as we are here because of the spirituality that is already in all of us; often expressed through what we do to our bodies.”

    This may not cut it as “a bonafide church.” Lipman mentions a California 9th Circuit Court of Appeals case where a vegan filed a discrimination suit under religious classification. The Court rejected the veganism as a religion claim, holding that vegan ethics do not constitute a religious creed because (among others) it is not a comprehensive belief system that addresses “fundamental and ultimate questions having to do with deep and imponderable matters.” Moreover, it noted that some people were vegan for health and not spiritual reasons.

    It is very clear that the Church of Body Modification does not offer an answer to that ultimate question: “Why are we here?” And it does state on its site that many people choose to modify their bodies for non-spiritual reasons. Nevertheless, that did not stop one 27-year old woman from filing suit against Costco claiming that, as a member of the Church of Body Modification, her eyebrow piercing was an essential part of her faith. The case is still pending [questions forwarded to her went unanswered], and while unlikely, if it succeeds it could set major precedent in employment law.

    Don’t get your hopes up. As Thomure points out, “Think of Mormons […] their practice of polyamory has not been given protection because of a conflict with a larger public policy.”

    Public policy is key here because even if the Church of Body Modification could be deemed a bonafide religion, is it reasonable to ask a company like Costco to potentially lose customers who are put off by visible mods, especially more extreme ones? Jewish yarmulkes, beards, and religious garbs are acceptable. Can we claim full-body lizard scales in the same category? And while performer and PhD candidate Erik “The Lizardman” Sprague is probably smarter than all of us, should Costco be forced to have him ring up bulk items for Brooklyn grandmothers (assuming that’s a dream of Erik’s)?

    I say no, unless lizard scale tattoos are allowed on female employees but not male, which brings us to…

    SEX DISCRIMINATION

    Dude looks like a lady

    If an employer’s dress code significantly differentiates between men and women, without being based on social norms, or poses a greater burden on women, then it can be deemed discriminatory. So, for example, a dress code that allows earrings for women but not men could be considered discriminatory.

    Imagine a case where a company allows its male employees to sport visible tattoos, but, after reading in the Philadelphia Daily News that tattooed women are sluts, the employer decides that it’s best for public relations that female workers remain pure and unblemished: To that, one can hear a resounding “Sue their ass!”

    Keep in mind that the US courts have often held that anti-discrimination laws are not intended to hinder employers who set reasonable appearance standards fitting for their business. In 1998, the 11th Circuit Court of Appeals in Harper v. Blockbuster Entertainment upheld Blockbuster’s dress code that mandated male employees to cut their long hair, but not female employees.

    Thus, even if there are different appearance standards for men and women relating to body mods, it’s still not an easy case to make out.

    NATIONAL ORIGIN DISCRIMINATION

    Is it your tattoo, or the tattoo of your people?

    Employers cannot enact a dress code that treats certain employees unfairly because of their national origin unless it would result in undue hardship for the company. This national origin classification covers ancestry, language, accent, and culture, among others. So, for example, a Maori with a moko tattoo could have a claim under this provision as these facial tattoos are based on genealogy and tribal affiliations. Or an East Asian woman could fight to keep in her nose stud at work, claiming the cultural significance of facial adornment, such as in marriage ceremonies.

    As a Greek-American, where my ancestors shunned tattooing except to mark the foreheads of criminals, it is improbable that I would fall under the national origin exception. In fact, it is my conservative Greek father who first voiced the claim that I must be crazy for having all my tattoos, which brings me to…

    DISABILITY DISCRIMINATION

    LOCO!!!

    Tattoos as a disability? Is my ink a manifestation of some mental illness? Is it body dysmorphia? Narcissism? Was I not properly toilet trained?

    It’s an unsettling argument with possible disturbing consequences.

    Thomure agrees. He says that while the idea of body modification as a disability leaves a sour taste in his mouth, he adds that the claim “is not so far fetched.” He tells me to step back and ask “What do people tell you when you ask them ‘Why did you get heavily tattooed?’ Try drawing the real reasons out of people. Most will only answer superficially — ‘they’re pretty,’ ‘I like how I look’ — and hide the real reason.” In speaking with other heavily tattooed people he says that the motivations that are frequently mentioned are:

    1. It’s empowering and liberating — reclaiming of the body.
    2. Manifesting externally or physically strong sexual fetish in tattoos or piercing.
    3. A general sense that one was compelled to get so tattooed to make oneself complete.

    It’s that compulsion that could very well be defined as an illness. However, according to Lipman, it’s probably not enough to get you covered under disability protection. Lipman says, “A disability has to impair a major life activity. Does having a tattoo stop you from eating or sleeping?”

    No. But other body mods do — self-amputation, for one more extreme example. I’m not suggesting that those who practice body nullification are mentally ill. Hell, “my best friends are [self-amputees],” but it’s not my opinion that counts, but the State’s.

    Yet another modified lawyer (yes, there are many of us) and tattooist, Devon, weighed in on the disability issue saying be careful what you sue for when discussing disability protection:


    “If I choose to lop off a body part in the name of modification, should I then be entitled to ADA protection? Should I now be able to collect Social Security based on my ‘disability’? To me, the answer to that is a resounding “NO”!

    You start to hit governments or corporations in the wallet based on your modifications, and just see how free you are to get modified in the future.”

    It’s a strong point. The backlash for filing all these body modification discrimination claims may be the banning of the modifications themselves, as in South Carolina and Oklahoma. Or, even more extreme, involuntary hospitalization.

    BRINGING AN ACTION

    Still, if you feel strongly that you’ve been wrongly discriminated against for your body mods, you may file a charge with your local Equal Employment Opportunity Commission [EEOC.GOV] office, which may be found online or by calling 1-800-669-4000. An EEOC charge must be filed within 180 days of the date of the disputed conduct.

    Outside of the EEOC, a claim for breach of contract can be filed for those who have employment contracts, such as union workers or some executives. According to Lipman, there must be “just cause” to fire someone under an employment contract, unlike “at will” employment — Lipman says that most Americans fall under “at will” employment. He does not believe that a tattoo or piercing constitutes “just cause.”

    Lipman also points out that government employees have greater protection than private employees because they not only fall under all those anti-discrimination acts, but they have constitutional protections as well. So, hypothetically, a government employee fired for having tattoos may have a free speech claim. Although I do have a hard time envisioning Condoleeza Rice with a moko testifying on behalf of her boss — the irony of it makes me snicker.

    However, employment discrimination is no laughing matter, and legal action should be considered very carefully.

    Also ask yourself, is discrimination so bad?

    If I was fired from that law firm on my first day, it would have saved me over two years of suffering in an atmosphere that was not right for me. But something good did come out of it: After covering my body mods for a while and proving myself as a competent legal thinker, I eventually revealed that I indeed was “a tattooed and pierced freak.” I was not fired. In fact, just before I came to my own decision to leave the firm, two out of the four lawyers at that first lunch asked if I would let them accompany me when I got my next tattoo. I did and it changed their minds completely.

    While it did not change my mind to stop practicing law, I still like to fantasize about opening my own firm to serve the body modification community and discriminate with abandon: The Non-Modified Need Not Apply.


    In addition to the people mentioned in this article, I would like to especially thank Rebekah [iam:rebekah] for her invaluable help in case law research, ServMe [iam:ServMe] for his editing prowess, as well as the many other wonderful people of BME who raised important issues in the forums that helped shape this piece. I’d also like to thank Dan [calypsotattoo.com] for making me beautifully less employable.   – Marisa Kakoulas

    This article is not intended as legal advice. It is intended for only general information purposes. This article does not create any attorney-client relationship.



    Marisa Kakoulas
    Marisa Kakoulas is a New York lawyer, writer, and muse of Daniel DiMattia of Calypso Tattoo, living in Liege, Belgium. She works undercover — or just covered up — as a corporate consultant: proof that tattoos and suits are not mutually exclusive. Her book “Tattoo Law”, an overview of US laws affecting the body modification community, is under way. IAM members can visit Marisa at iam:FREE.

    Copyright © 2004 Marisa Kakoulas. Online presentation copyright © 2004 BMEzine.com LLC. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published online April 5th, 2004 by BMEzine.com LLC in Toronto, Ontario, Canada.



  • The Raelians: Building Better Humans? [The Publisher’s Ring]


    The Raelians: Building Better Humans?

    “Cloning may be good and it may be bad. Probably it’s a bit of both. The question must not be greeted with reflex hysteria but decided quietly, soberly and on it’s own merits. We need less emotion and more thought.”

    – Richard Dawkins

    I expected feedback on my last column, “What the modified can do for the mutants of the future”, which outlined how body modification could help prepare humanity for major morphological changes in generations to follow. However, I’d written it sort of tongue-in-cheek, so I was very surprised when I got a personal email from Rael — yes, that Rael. The email told me that it was important that we talk and urged me to call him at Clonaid in Geneva.

       
    Sidebar: More info


    The Raelian Message – Homepage
    Clonaid – Corporate site
    RAR/The Raelians – For skeptics


    Rendering of the Raelian embassy, with Rael.

    BME members are welcome to contact Rael c/o BME at
    [email protected]. Any mail sent here for the next week will be forwarded directly to Rael’s private address. Please do not use this address after April 7th (2004) as it will cease forwarding at that point.

    For those of you who don’t know, the Raelians are an organization — some would say “alien sex cult” — that believes in scientific creationism — that “aliens” came to this planet and manipulated primitive DNA in order to create humans. In 1973, French journalist Claude Vorilhon (who now goes by “Rael”) was contacted by a small alien being who told him that their race, the Elohim (“those who came from the sky”, as described in Genesis), had been the ones who had created human life on Earth, and that mankind had mistaken them for gods and built religions around them. Because of the moon landing, they felt we were mature enough to hear the truth, and dictated the Raelian message.


  • What can pierced people do for the mutants of the future? [The Publisher’s Ring]


    What can pierced people do
    for the mutants of the future?

    “Humans are ends in themselves, but that does not rule out the use of oneself as a tool to achieve oneself. In fact, one of the best ways of preventing humans of being used as means rather than ends is to give them the freedom to change and grow.”

    – Anders Sandberg

    From a talk at TransVision 2001, Berlin

    Tori Swanson, 12, wanted a nostril piercing. Her parents both supported her in this wish, and, wanting to ensure that it was a safe and positive experience,

    Want to give your feedback on the abuse of power going on? Here’s some contact addresses for you. Sadly this is far from a unique incident, but we have to tackle them one at a time. Please let them know what you think.

    Dr. Judy F. Pippen, Principal at Bailey Middle School

    [email protected] or 850-479-6479

    Jim Paul and Norm Ross, Superintendent’s Office
    850-469-6131 voice, 850-469-6479 fax
    Norm Ross told me that feedback could be faxed to this number and it would be passed on to the appropriate committee.

    Dr. Allen Scott,
    Director of Secondary Education

    [email protected]
    Scott is currently chairing the committee that is setting the dress codes for secondary students.

    Her father took her to a professional studio where he signed the release forms and she was pierced. However, when she returned to Jim C. Bailey Middle School in Pensacola, Florida, the principal, Dr. Judy F. Pippen, suspended her and told her she would stay suspended as long as the jewelry was in her face. The school argued that Tori’s nostril piercing was so destructive to the other students’ ability to learn that they had no choice but to expel her.

    It took a bit of bouncing around — no one wanted to take responsibility for the act or even explain it at first — but eventually I managed to talk to Norm Ross at the superintendent’s office who confirmed the story’s veracity (I’ve put various contact addresses in the above/right sidebar if you’d like to comment after you’ve read this).

    BME:
    I don’t entirely understand why she was suspended. What exactly was the issue?

    ROSS:
    The principal must have thought it was a distraction.

    BME:
    So that really was the only reason? Not health or safety?

    ROSS:
    No, it was a distraction.

    BME:
    Does the school have other problems with other students that are a distraction because of the way they look?

    ROSS:
    Of course.

    BME:
    What about minority students? Will you be getting rid of them as well?

    ROSS:
    You’re reaching with that.

    BME:
    Am I? How many minority students do you know that have been in fights because of their skin color? Do you know of students with piercings being such nexuses for problems? Am I really reaching, or am I just being too objective?

    I may have been comparing apples and oranges, but I wasn’t “reaching”. Suggesting that one student becoming so mentally unfocused that they are unable to learn around a student with a nose piercing is the pierced student’s fault is ludicrous. Of course, when the victim is a minority, even a self-imposed minority, they are often changed from victim to culprit when the mainstream is the one telling the story. Norm Ross then switched the subject, asking me, “You know, if you really want the real story, you should talk to Tori. She doesn’t even want this piercing.

    BME:
    What? Are you saying that the parents forced her to get a nostril piercing?