A black-and-white photo of a person mid-air in a Superman-style body suspension pose, supported by multiple hooks in their back and legs, smiling joyfully toward the camera. They are suspended horizontally in a large indoor space with high ceilings and visible rigging. A group of onlookers—some seated, some standing—watch with expressions of admiration, amusement, and support. The atmosphere is lively and communal, capturing a moment of shared experience and transformation.
  • Ear Pointing Evolution

    To generalize, ear pointing works by cutting a piece out of the top of the ear, and then stitching the open portions together, folding the helix rim up into a point. It is a wonderful optical illusion that this makes it seem as if the ear has a point coming out the top, when in fact the ear has actually been lengthened very little, if at all, since we can only remove tissue — nothing is added. While additive procedures are theoretically possible, they appear currently beyond the reach of the body modification practitioner, if not beyond the reach of most reconstructive surgeons. In the majority of ear pointings done since Steve Haworth first invented them in the mid-1990s, the wedge-removal procedure has changed little — only the location, size, and shape differs (and varying the shape of the piece removed the result can cover a wide range of appearances).

    However, Samppa Von Cyborg expanded the procedure by removing more than just what’s needed for the point, allowing one to reshape the entire contour of the ear. This related example is by Matias Tafel of Rata Body Art in Argentina. You can see from both the stitches and the animation that a long strip running much of the height of the ear has been excised, giving an end result where the ear is narrower as well as pointy. This narrowness brings with it the optical illusion of additional length/height, because it changes the length to height ratio and tricks the mind of the observer.

    matias-ear-animation


  • Ia! Ia! Cthulhu fhtagn!

    Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn!!

    This rendition of the Great Old One Cthulhu is by Sean Ambrose, Arrows and Embers Tattooing in Concord, NH.


  • Bright Color by Dominick McIntosh

    Long-time BME readers and IAM members will remember tattoo artist Dominick Allen McIntosh of Dead Gods Tattoo (deadgodstattoo.com) in Oregon from the MASH-themed tattoos back in 2006. An amazing Alex Grey inspired tattoo (the one you see below) of his creation was recently featured on Juxtapoz and wowing the online world.

    Because in the tattoo world we see so many bright tattoos that look amazing the day they were done, and then look like faded “meh” when healed, I wanted to ask Dominick for healed pictures before posting. I was both pleased and surprised that this is a healed tattoo, taken two and a half months after the tattoo was first done. To get a better picture, he shaved the client and moisturized the skin — something I’d recommend to anyone who wants to show off their tattoos. You’d be amazed how much even a light covering of hair can obscure a tattoo, and moisturizer makes the upper layers of skin slightly more translucent, allowing the colors glow at their brightest. Anyway, what an amazing tattoo this piece is, and I’ve also included a small collection of other tattoos from a photoshoot at Dominick’s shop earlier this year. Unlike what you see in many magazines and portfolios, all of them are healed, and truly representative of the wonderful tattoos these clients will carry for life.

    dominick1


  • A Piercer’s Tattoo

    Eric Mezzanotte, owner of Living Canvas in Columbia, MO, has been piercing since 2006, and is also a huge fan of the Steven King opus The Dark Tower. He wanted to get a Dark Tower tattoo, and when Adya Crawford was working on it, she suggested combining his love for piercing with the story of the gunslinger, and thus the tip of the castle became the tip of a needle, creating an iconic tattoo for both piercing fans and Steven King fans — “and those are the reasons why I love artists”, he says!

    the-dark-needle


  • Suspension Battle

    Rachel Laventure vs. Havve Fjell at the 8th Italian SusCon, 2012.

    suspension-battle

    Click to see the original photo.


  • He didn’t tap

    From watching UFC’s The Ultimate Fighter I have learned this is called a “submission.”

    rear-naked-poke


  • Tattooed Ear Rim Stripes

    I saw a great ear rim tattoo today by Delphine Noiztoy of Divine Canvas (divine-canvas.com) that seemed very reminiscent of the sweet triangular ear rim tattoo by Su at Buena Vista Tattoo Club. Besides the basic design, the other difference is that Delphine’s piece is done using dotwork technique rather than a normal flat tattoo fill. I have no idea which of these two pieces I prefer, but if I was the client on this piece, I think I might consider pulling the patter further along the top of the rim.

    striped-ear-rim-tattoo

    Speaking of the blackmasters at Divine Canvas I also wanted to quickly include this “NEKRO” text palm tattoo by Matt “One Hit” Black. Remarkably, this is a fully healed tattoo that has never been touched up. Not a simple achievement.

    nekro-palm-tattoo


  • Making Black Eyeballs Look “Right”

    I don’t quite know how — I don’t think it’s as simple as “extreme makeup” acclimatizing us — it’s more cohesive than that — but somehow Roni Lachowicz (iam:xronix) really pulls off those black eyes… I wouldn’t have thought it possible, but on Roni, they actually look “natural”… Maybe natural isn’t the right word, but they at least look like they’re “supposed” to be like that. I wouldn’t have thought that would ever be true for black eyeballs. I wonder how much of this is just me integrating alternate eye colors into my mental model of “what a human face looks like”, and how much of that is me having a special mental model of “what Roni looks like” that’s distinct from human?

    xronix

    PS. Photo copyright 2012 Robert Millward. I photoshopped the colors in this picture. Click here for the original.


  • The so-called latest trend: Bagelheads

    The mainstream media just loves saline injection in the forehead, and because it’s so weird and rare — and most of all, photogenic — they just love printing it. It gives them permission to print human oddity freakshow photos without feeling exploitative. They don’t get to see it often, and thus every time they see it, they ignorantly and hilariously insist on calling it “the latest trend” — often “the latest Japanese trend” to be specific — and thanks to last night’s episode of National Geographic’s fun but clueless “Taboo” series, it’s all over the media, with sites like Jezebel running headlines about “Bagel Heads“. Here’s a screen cap from the show.

    saline1

    This story is so silly, and really, is ancient news. The short version of the history of “bagel heads” is that Montreal photographer Jerome Abramovitch (chapter9photography.com) created the concept for performance art and photographic purposes (and a little amusement), presumably after seeing fetish-scene saline inflation and artistically extrapolating the technique in new directions. He brought this to ModCon — many people first saw this on the cover of the ModCon book in fact (download a free copy here since it’s out of print) — and we later shot some fun footage of his doing it again for the still hibernating BME movie. Another good friend, journalist and charming body mod superenthusiast Ryoichi Keroppy Maeda, was here for all of that from Japan and brought the idea back home with him, where he walked many other people through it. For whatever reason — and Ryoichi deserves the credit for this I’m sure — it was much more popular in Japan, seeming to find a niche inside both the fetish and suspension worlds. Much of the footage floating around the net of forehead saline is from Ryoichi’s events in Japan, and you can actually see Ryoichi being interviewed about it in the clip above.

    These pictures are from the ModBlog cover and Jerome’s video shoots with me.

    saline2

    In the photos on the right we’ve inflated his cheeks as well as just his forehead by the way. In the fetish community breast inflations (of both men and women), are also quite popular — as are the penis and scrotum, the clitoris, the anus, and the lips (both genital and facial). BME has massive galleries on this subject — literally hundreds of thousands of images, stories, and interviews, and my new book also covers it extensively. If you don’t have a BME membership yet, you can find some free saline content with the appropriate ModBlog search (although you’ll get some false positives talking about saline in other contexts), and this NSFW interview (a preview from the new book I just mentioned) also covers fetish-saline in depth: Impgrin Inflated

    I probably should have started with this instead of mentioning it as a footnote, but for those that are unaware of what you’re seeing in these stories, it’s basically voluntarily induced pitting edema. Saline is dripped via a needle into the forehead (virtually any body part can be inflated), engorging the tissue dramatically until the body gradually reabsorbs it over about 24 hours. Like the medical condition pitting edema, while the tissue is full (of interstitial fluid in the case of an edema, saline in the case of an inflation), it is maleable and can be “sculpted” by pressing into it. Unlike a scrotum inflation, which is more of a “water balloon” when full, normal skin is more like a “sponge” than a “balloon”. Since the saline is held in place by the tissue and can’t flow freely, when you force it into a new shape, it holds that shape for a time. Assuming that proper sterile precautions are followed this is not particularly dangerous.

    As to how it feels, well, few people would say it feels good. Most would say it’s mildly unpleasant, but not unpleasant in the way that suspension hurts and can lead to an altered state. More like unpleasant as in a headache. To be honest, it’s more of an “art trick” than a ritual experience. The sort of thing you do for great photos or curiosity, not the sort of thing that teaches you about yourself or gives you a high or all the wonderful things that people get out of suspension. Of course I’m generalizing and some people will get all of that, but overall this is just a cool looking trick that people have been doing for about fifteen years. It’s not new, and it’s certainly not a trend.

    But all of this truth that I’ve just typed out is completely irrelevant to the media. Nothing I’ve said here is hard to find out with a minimum of research. But if I’ve learned anything in almost twenty years of first-hand dealings with the media, it’s that the truth is the very last thing they care about. The truth isn’t a virus. The truth is an irrelevancy. All that matters to anyone — be it trash media or be it fallen media aristocracy like National Geographic — is a dumbed down moment of meaningless amusement to sell advertising for garbage we’d be better off without.


  • They’re called classics for a reason

    Now I know Nosferatu isn’t one of the classic Universal monsters, but his image is so iconic it’s safe to say he’s a classic.  Of course when you put these images in the hands of Nail, you get the familiar images with a bit of Nail’s signature modern flair.