I hope I am not miscrediting this photo that Steve Joyner took, but I believe this masterpiece of rigging is from the recent Suspension MECCA 2012. The level of technical perfection that suspension artists hold themselves to these days is awe inspiring. If you’d asked even the best to perform this static suspension fifteen years ago I’m certain their heads would have exploded — it used to be that in popular suspension you mostly saw Fakir Musafar’s influence, but now I see much more of Stelarc’s influence, with attention not just to personal ritual, but equally to artistry and technical detail.
Author: Shannon Larratt
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Star Horns
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I like these star-shaped horns that have been perfectly placed underneath the wearer’s tattoos, I think adding some “intentionality” to a tattoo mix that otherwise looks a bit haphazard. This photo is from Ministry Tattoo Studio of Buenos Aires, Argentina at the El Tucuman Tattoo Festival, and the implants were done by Matias at Rata Body Art in Buenos Aires, Argentina
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The Dirtiest Tattoo You Will See Today
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Ask yourself before clicking, “can anyone else see my monitor?”
Giving credit where it’s due, this is by the aforementioned Marcel Daatz (and as you can see if you clicked, he even signed the tattoo, which is unusual and worth mention in and of itself) from Munich. I came across this piece while researching the previous entry, and even though I wouldn’t normally instantly promote someone from a problematic entry, this piece is so hilarious and perfect that I just had to. I’ve seen a lot of hilarious navel tattoos, but this one has to be near the top of the list.
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Changing industry ethics?
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When you first look at these tattoos, maybe the first thing you say to yourself is, “wow, I didn’t know tattoos could shift that much with age!”
But then you realize that the chestpiece is on well known tattoo artist Toni Moore (of Broad Street Studio in Bath) by Tim Kern, and the neck piece is a knock off by Marcel Daatz at Extremetattoo in Munich. I know, not a line-for-line copy, but close enough that if you didn’t look at the pieces side-by-side you could easily assume they’re the same tattoo.s I often have more permissive feelings about copying than many of my friends in the industry, because it’s my opinion that tattooing has always been an artform that is built on appropriation, but this example of tattoo plaigiarism really upset me.
The reason this piece upset me so much is that Marcel Daatz appears to be a talented and capable tattoo artist. There is no need or excuse for him to be knocking off his peers’ work and claiming it as his own. It makes me very sad, and it’s an unfortunate comment on how many of the traditional tattoo culture ethics have been lost as this industry ages. I’m used to crap artists aping the pros. But for talented artists to rip each other off? To have so little respect for each other, for themselves, for the industry? It’s really heartbreaking.
What do you think? Where is the line? Is this an example of a professional backstabbing a peer? Or am I overreacting, and it’s been changed enough, and is instead an example of someone simply drawing inspiration from a well-known tattoo and getting “their own version”?
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Cave Painting Tattoo
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Given how many mummies and ice-men and “primitive” people we’ve unearthed covered head to toe with wonderful tattoos that would win awards at even today’s tattoo conventions, let alone whatever body art celebrations they had ten thousand years ago, it’s surprising to me that we don’t see more neolithic-inspired tattoos. On that note, I’m in love with this cave painting-inspired tattoo by André Cruz in Sao Paulo, Brazil. The motif works so nicely, and not just because I suspect that culturally there is a strong crossover between early cave painting and early body markings when it comes to the history of the human experience.