BME: Body Modification Ezine

A tattooed person suspends from hooks, laying flat, one leg higher than the other. Their head is back, and they seem to be smiling, dark hair dangling like an anime character.

Celebrating body modification culture since 1994.

Author: Shannon Larratt

  • Sophie’s ear notching (and unalome scar)

    Written by

    Shannon Larratt

    Speaking of unusual ears, Sophie Lacroix just had this beautiful unalome cut on her cheek by Efix Roy (efixroy.com), but while the skin removal scar is very nice, what really caught my eye was the wonderful notch she has cut into the rim of her helix. This was also done by Efix, first four years ago and then again last winter to fine-tune the shape, using a scalpel cut-and-suture technique, with the sutures being removed a week later and the healing going quickly after that. Only the one ear was done, with the main reason being a love for unique aesthetics and unusual procedures. Most people she knows aren’t that into it, or assume it’s an injury or the result of an infection from a piercing gone wrong, but it’s for her not for them. She says, “all my modifications make me feel better, and I’m not a crazy girl who doesn’t like herself — I just love the way modifications make you different and beautiful. People don’t like what they can’t understand and I deal with that. My ear was pretty normal, then I cut it, and I love it — it’s that simple.”

    Click to zoom in for a closer look.

  • Daith on Atypical Anatomy

    Written by

    Shannon Larratt

    Ash Bagwell, piercer at The Machine Shop Tattoo Studio in Conroe, TX just got the rare opportunity to do what is I think best described as a daith piercing, but it took really taking a hard look at the anatomy to be certain of that. It’s not 100% clear from the photo so I’ll clarify that this is an actual piercing through an unusual fold of cartilage, not a ring wrapped around a free-floating bridge of tissue. Ash did the piercing using a 16ga needle which she slightly curved, into a receiving tube. It’s always a treat when people don’t try and hide their unique anatomy, but instead glorify it with a piercing or other modification!

  • A new use for line weight

    Written by

    Shannon Larratt

    I’m sure everyone knows what halftoning is, if not by name — it’s creating a photographic image by using a pattern of dots, with the dots being different sizes to represent different levels of darkness. Like how newspapers print photos. What you may not know is that you don’t have to use dots — lines are commonly used (and in fact are a built in feature in most photo editing software), but this is the first time I’ve ever seen a tattoo take a common geometric swastika pattern and mix it up with halftoning techniques to represent a photographic image through variance in the line weight of a geometric tattoo. I suspect though it’s no surprise that this Buddha comes from London’s Divine Canvas (divine-canvas.com), tattooed by Delphine Noiztoy as a design collaboration with Myoshka. If you’re thinking the skin of the tattoo looks a little annoyed, that may be because it was done over a single brutally long eleven hour sit. I’m thrilled though to see people finding new ways to express geometric tattooing, because after a while it starts to all look the same — no one is going to say that about this one though!!! Click the cropped photo to see an uncropped version.

  • The Sleeper Has Awakened

    Written by

    Shannon Larratt

    Over five years since tattooing a small part of my eye blue in the very first set of eye tattoo procedures — the day that opened Pandora’s Box and launched perhaps the riskiest but most exciting body mod procedure to date — Howie (LunaCobra.net) has done the next and perhaps final stage of my eye tattoos. As you may know, my blue eyes are at least in part inspired by the Eyes of Ibad that the Fremen of Arrakis (ie. Dune) get due to their constant exposure to the powerful drug melange. Normally when Howie does an eye tattoo, the wearer is looking for a solid color — although there are obvious exceptions like Pauly Unstoppable’s unbelievable “cosmic eyes” which involve complex gradients. In my eyes we went with the “less is more” theory, using the fact that ink injected in the eye spreads dramatically to create a hazy, cloudy effect that looks different from every angle, mostly quite subtle, but almost blue-black in a few deeply saturated spots. The eye is both subtle and extreme, in an effect that’s completely alien, yet maintains its humanity and is almost even normal — I’ve noticed in public that people seem unsure what they’re seeing, whether it’s natural, or a trick of the light, or something induced.

    The effect will probably continue to change somewhat over the next several months. These pictures in this entry were taken on day three, about 48 hours after the procedure, and at that point all swelling and irritation was already long gone — in fact it was gone 12 hours later, or when I woke up the next morning. I believe this is in part Howie’s experience, and in part how light we went with the procedure. I truly believe that with eye tattoos, it’s important to err on the side of going light — you can always add more in a few months (or in five years) if you went light, but if you go heavy, well, you’re going to have to live with it.

    Remember, if you are interested in eye tattoos, these are a high-risk procedure that should only be attempted by those with significant experience and training. Please begin by reading BME’s Eye Tattoo FAQ.

  • More tattoo mastery by Gerhard Wiesbeck

    Written by

    Shannon Larratt

    At the start of September I shared some work by the German blackwork master Gerhard Wiesbeck of Time Travelling Tattoo (timetravellingtattoo.com) in Landshut (near Munich). Today I want to share a few more of his incredible pieces. I enjoy Gerhard’s ability to tastefully integrate dotwork with bold solid black, fields of geometry with organic flowing designs, and the sacred with the psychedelic. I’ll tell you though, the thing I often am reminded of when I see these incredible large scale pieces is the advice I always give people about their first tattoo — wait until you’re 110% sure, and then go at it full-throttle, and err on the side of “huge”. Too many people get a small tattoo — and often a very nice and meaningful one — that ends up marring future large scale creations. I know so many heavily tattooed people that I am quite certain wish that they were completely un-tattooed so that they could allow a master like Gerhard Wiesbeck to fully transform them without having to worry about the scars of previous work throwing off the aesthetic.

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