Celebrating body modification culture since 1994.
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I was reading the Ichi the Killer manga this afternoon and I was pleased to see what I’m quite certain is BME’s influence on it. Great comic and movie for anyone who enjoys the S&M side of body play, but I have to admit that I got a chuckle out of the Japanese interpretation of the word “meatotomy” — Meet Tommy. It’s like a codeword or something… “Pssst… have you met tommy?” I love it.
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I’m always very happy when I get to show the body modification world a new procedure that opens up new aesthetic options. So I am completely thrilled to show you an experimental first attempt at a nipple graft procedure coming out of South Africa’s small but inspired body modification community, done on Estè Kira by Lliezel Ellick and Faranaaz Kannemeyer (with most of the photos being by Lohan Koegelenberg). They learned a lot doing this, and I really want to be fair by mentioning that they’d originally wanted me to wait until they’d done a few more and refined the procedure before I showed it. But I think even this first attempt at creating a new nipple from regular skin is incredible and felt it was worth showing off — and I can’t wait to see their next attempt. Let me begin with a photo of the healed result, and then go on to the procedure in more detail.
Estè tells me that about a year ago, while joking around with a friend, she started thinking about having multiple nipples grafted. She says, “I have always envied people with third nipples, and soon realized that it should be possible to create a nipple from skin. I researched nipple reconstruction procedures, usually used in mastectomy cases, and found a website with some pictures and illustrations of the procedure.”
“My close friend, piercer, fellow performer and body mod artist, Lliezel Ellick, was immediately keen to try this experimental procedure. Together with Faranaz Kamaldien, another Cape Town piercer and scarification artist, we got together one saturday morning. After a bit of brain storming, and me explaining to them how I understood the procedure to be done, we went ahead. A friend of mine filmed the procedure as well. It was by far the most intense experience I have had thus far. The over-the-counter anesthetic was not strong enough, so I felt most of it. Every now and again I had a look and we would discuss the next step. It was very deep with the yellow fatty tissue exposed. I kept the open wound closed for about one and a half months with daily cleaning. I think it was the very intense and long healing and a very hard and physical job that has kept me thus far from continuing with the other three that I have planned, but have some time off in December, and want to do them then.”
In December when they do the next three, giving Estè two rows of three nipples a piece, they will be doing some refinements to the procedure from what they learned doing the first one. To the best of Estè’s knowledge — and I agree with her — this is the first such procedure done in the body modification community. It’s extremely exciting to me, and I think they deserve a lot of credit for opening this door, to say nothing of having done it so successfully.
Below you can see the procedure. In the first picture you can see the skin being peeled up around the centre, and in the second photo the cutting/peeling has been completed. In the third photo the stitching is being done, and in the fourth (first photo of the second row), you can see what it looked like fresh and stitched up. Photo five — satisfaction! And in the last picture (which is just a phone photo), you can see it healing at two weeks into the procedure. The photo we began with above is the healed result. My hat is definitely off to Estè, Lliezel, Faranaaz for doing a wonderful procedure and expanding the body modification palette. Great work!
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Mary Jo just had Brazil’s Rafael Leão Dias finish her other eye, injecting both of them with red… It’s an interesting color, because unlike tattooing your eyes black or green or just about any other color, no one is ever going to look at you and think you tattooed your eyes — in some ways it reminds me of the guy that got hyper-realistic road-rash tattooed on his face (one of the craziest things I’ve ever seen by the way) because she will forever be freaking out people on a whole different level than everyone else with tattooed eyeballs! I’m sure it’s both very fun and very tiresome dealing with the questions.
Red is perhaps the most volatile color of tattoo ink, so I’ll be keeping watch on how her eyes progress. One important thing to understand as well is that the majority of tattoo pigments — red especially — are not completely long-term stable in the body, so even when they appear safe in the short term, as they break down over time significant problems can occur since there’s no way to remove either the ink or any chemical compounds it breaks down into. If you get your eyes tattooed in your teens, that ink has to stay there for a long, long time still. I do think it looks stunning, but it’s not a gamble I’m comfortable with personally. Of course, it’s not as if my blue ink is considered safe for use in eyes according to the MSDS data either so my worry is a little hypocritical!
When tattooing with red ink, especially in the eye, it’s extremely important to be aware of what’s in the ink, because there are a variety of compounds that can create a red ink — iron oxide (rust basically), naphthol (arguably the safest option), pyrazolone (an organic compound), cadmium red (a toxic compound common to paint), and cinnabar (which is mercury based, and also toxic). Unfortunately sometimes because the more toxic compounds give a stronger color and sometimes because they’re cheaper, it’s not uncommon to find them in tattoo inks, although it’s becoming more rare. If you want to do some research for yourself, most higher quality red inks are a mix of Pigment Red 210 C.I.# 12477 (naphthol), Pigment Yellow 65 C.I. #11740 (2-[(4-methoxy-2-nitrophenyl)azo]-N-(2-methoxyphenyl)-3-oxo-Butanamide), Pigment Orange 13 C.I. #21110 (pyrazolone), and Titanium Oxide C.I. #77891, depending on the specific tone — as well as glycerine, witch hazel, various alcohols or even just listerine, various acrylic resins, and water. None of these compounds (with the exception of water) are considered safe in the eye — although they are generally stable compounds. The only ink which has been validated as truly “safe” in the eye is — and this may come as a surprise — classic India Ink.
And see also the Eyeball Tattoo FAQ of course.
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An alternative to the various ear pointing procedures that can give a person an entirely different sort of anatomical self-expression is using an implant to augment the outer helix ridge/fold of the ear. In this example, Pablo Perelmuter (pabloperelmuter.com) of Buenos Aires, has placed a what looks like a set of four beads but is actually a single 6mm silicone bead string manufactured by Steve Haworth — using a single piece like this ensures there will be no shifting and the placement will stay perfectly spaced (and they’re quite soft and don’t tend to bother the wearer even in such sensitive placements). Pablo says that the procedure went well, although it became quite swollen initially. These healed pictures were taken at eight months.
Edit/Update: I should add that this implant ended up being removed two years later, because the person it’s on was in nursing school and had some concerns it could affect their career options negatively. The removal procedure was fast and simple. I really hope that people considering body modification procedure always have an “exit strategy”, because it’s quite common for life to change and for one to find oneself needing to “normalize” ones appearance — this is one of the reasons I worry so much when I see teenagers getting irreversible and socially daring procedures like eye tattoos.
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Thirteen years ago Lee got his hand tattooed by machine in white ink by Steve Clark (currently working at Phoenix Tattoo Studio in Raleigh, NC). Palm tattoos are troublesome at the best of times, let alone when in white ink (it’s not so much that white ink is hard to heal — it’s just that it’s more difficult for the artist to work with in general), but as you can see, almost a decade and a half later this tattoo is still remarkably solid. There’s a little variance in line weight, perhaps from Steve hitting the hand harder than he’d normally hit a tattoo to make sure it stayed in place, but the important thing is that it’s there. The yellowing simply reflects Lee’s skin tone — even if the ink is pure white, skin isn’t clear glass (otherwise humans would be freaky walking anatomical-model nightmare fuel) so tinting of this type is normal.
