A black-and-white photo of a person mid-air in a Superman-style body suspension pose, supported by multiple hooks in their back and legs, smiling joyfully toward the camera. They are suspended horizontally in a large indoor space with high ceilings and visible rigging. A group of onlookers—some seated, some standing—watch with expressions of admiration, amusement, and support. The atmosphere is lively and communal, capturing a moment of shared experience and transformation.
  • Stars and stripes

    Alright so this isn’t a patriotic tattoo, but it is an unbelievable rendering of a starburst/flower with some stripes underneath it.  If you haven’t guessed by now, the artist is Vincent Hocquet, who is consistently sending in mind-blowing designs.  This one in particular was done at the Sydney tattoo convention a few months back.  As anyone who has been to a convention knows, the floor of the convention is a pretty hectic place, and for Vincent to put out such a precise and detailed piece is just a testament to his skill.

    Vincent works at Beautiful Freak Tattoo in St. Idesbald, Belgium.


  • Bleeding Wings

    It’s time again to check in with the master of the scalpel, Brian Decker, to see what he’s been up to in his Brooklyn studio, Pure Body Arts.  From the looks of it, he’s been adding a second wing to a client.  Now I don’t know if Brian did the healed one, but it looks like they’re going for an asymmetrical aesthetic.  I don’t think I’ve seen a back scar piece of this scale go for asymmetry before, but Brian’s the type of guy who is always looking to do something new, so this is right up his alley.

    Check out more of Brian’s scars in his BME portfolio gallery.


  • Shining Star

    We’ve seen microdermal projects similar to this one before, however this time it isn’t from the gang out in The Netherlands.  Chris Saint is from Santa Clarita, CA and he’s been experimenting with these projects for a while now.  With all piercings there is the possibility for rejection, which is increased in situations like there where he did 28 individual piercings.  What I like about this particular one is that he didn’t use the same size jewelry to give the star a bit of variety.  According to Chris this piece is still in place and he’ll be sending in some healed photos sometime soon.

    You can see more of Chris’ work in his BME piercing portfolio.


  • ModBlog News of the Week: August 12th, 2011

    It’s time again for the weekly newsfeed roundup, and this week is a pretty good one.  We’ve got stories on medical advancements, religion and tattoos, and how one state is bringing members of the APP on board to help draft up piercing regulations.

    To start off today, researchers have created a “tattoo-like” electronic film that can be used to monitor a person’s vital signs.

    In a paper published in Friday’s edition of the journal Science, researchers explain that they embedded electronic sensors in a film thinner than the diameter of a human hair – and then placed it on a polyester backing like that used for kids’ temporary tattoos. The result? A sensor flexible that is enough to bend with human skin.

    Instead of using an adhesive, the bandage-like device relies on a weak force called the van der Waals force, which causes molecules and surfaces to stick together without interfering with motion. Sound familiar? This is the force that allows geckos to climb smooth vertical surfaces. In tests, the device remained in place for up to 24 hours. Although normal shedding of skin cells would eventually cause the monitors to come off, Rogers said he thought they could remain in place as long as two weeks.

    In addition to monitoring heart rate and temperature, the device could monitor brain waves, aid muscle movement, sense the larynx for speech, emit heat to help heal wounds and perhaps even be made touch sensitive and placed on artificial limbs, Rogers said. He declined to state how soon the electronic skin would be ready for market or what it would cost.

    The device could help fill the need for equipment that has more reliable monitoring – and is more convenient and less stressful for patients, said Zhenqiang Ma, a University of Wisconsin engineering professor who was not part of the research team. The device can simply be stuck on or peeled off like an adhesive bandage, he said.

    There’s a lot more news to come so grab a drink, put your feet up, and keep on reading.

    I’ve posted a couple of amputation related stories in the past week or so, with a lot of discussion going on behind the motivations for self amputation.  However, this story isn’t about those who choose amputation, but about someone who didn’t have the choice, and is doing something for all amputees.

    Hugh Herr’s legs were amputated below his knees in 1982 after a climbing accident. From his knees down to the floor, he’s completely artificial.  “I’m titanium, carbon, silicon, a bunch of nuts and bolts,” he tells Fresh Air‘s Terry Gross. “My limbs that I wear have 12 computers, five sensors and muscle-like actuator systems that able me to move throughout my day.”  But Herr doesn’t just wear artificial legs. He designs them, too. As the director of the Biomechatronics Group at the MIT Media Lab, Herr and his team are responsible for creating prosthetic devices that feel and act like biological limbs.

    “My biological body will degrade in time due to normal, age-related degeneration. But the artificial part of my body improves in time because I can upgrade. … So I predict that when I’m 80 years old, I’ll be able to walk with less energy than is required of a person who has biological legs, I’ll be more stable, and I’ll probably be able to run faster. … The artificial part of my body is, in some sense, immortal.”

    “We want the bionic limb to have a humanlike shape but we don’t want the bionic leg to look human. We want it to look like a beautiful machine, to express machine beauty as opposed to human beauty — and the reason is, we want the user to pull a black sock over their bionic limb and have their limb appear to be fully biological and then the very next evening, go to a fancy party where they pull that sock off and they expose the fact that part of their body is bionic.”

    It’s an interesting read about someone who has embraced his amputation, and sees his artificial limbs as an extension of his body.  By modifying his limbs, he sees it as modifying himself, as these limbs are now part of who he is.

    This next story is one that is still years from becoming a reality, but it is one step closer to developing artificial organs that can be implanted into a person.

    Researchers have created an artificial lung that uses air as a ventilating gas instead of pure oxygen – as is the case with current man-made lungs, which require heavy tanks of oxygen that limit their portability. The prototype device was built following the natural lung’s design and tiny dimensions and the researchers say it has reached efficiencies akin to the genuine organ. With a volume roughly the same as a human lung, the device could be implanted into a person and even be driven by the heart.

    The artificial lung is filled with breathable silicone rubber versions of the blood vessels that branch down to a diameter less than one-fourth of human hair. It was created by first building a mould with miniature features and then layering on a liquid silicone rubber that solidified into artificial capillaries and alveoli. They air and blood channels were then separated with a gas diffusion membrane.

    Potkay says the device is a major step towards an easily portable and implantable artificial lung and the team envisions patients using the technology while allowing their own diseased lungs to heal, or implanting one while awaiting a lung transplant.

    Science.  It works, bitches.

    In other news, the CDC is investigating a rare bacterium that has been linked to tattoos from a studio in Washington.

    In the Emerging Infectious Diseases journal published by the CDC (Centers for Disease Control and Prevention), it has been reported that rare and difficult-to-treat bacterial infection even in healthy individuals can be linked to tattoos. The conclusion was based on researchers findings which identified skin infections caused by Mycobacterium haemophilum in two healthy adults who were tattooed at the same parlor.

    Mycobacterium haemophilum belongs to the same family of bacteria which causes tuberculosis and leprosy, is unresponsive to treatment with antimicrobial drugs and usually affects adults with impaired immunity. The infection produces subcutaneous nodules, papules, pustules commonly painless at first but eventually progressing into deep ulcers that are potentially very painful.

    Since no deviations from Washington State safety and sanitation standards were recognized at the tattoo parlor, water used in a rinse solution applied during and after tattooing and to dilute ink for shading is suspected to be the source of the bacteria.

    The industry standards do not specifically require tattoo artists to use steam-distilled or sterile water when rinsing needles or diluting ink, and tap water is often used in the parlors. With water being a suspected reservoir for the bacterium Mycobacterium haemophilum, the CDC has advised against using tap water for tattoo procedures, although infections attributable to water appear very rare.

    That’s some pretty scary stuff, and hopefully it prompts more artists to consider using some form of sterile water for rinsing.  Of course, this is VERY RARE, and isolated to one studio, so it could just be an overreaction on the part of the CDC.

    Speaking of communicable diseases, a studio in Coleman, AB has been closed due to Alberta Heath Services discovering that piercings were taking place without proper sterilization techniques.  This closure applies to the Victor Proctor piercing operation that was running independently out of Tommy Gun Tattoo Shop.  Anyone who has had piercings done at this location is urged to get blood work done immediately.

    While on the subject of transmittable diseases, CNN has done an interview with an HIV positive man, discussing what the biohazard symbol means to him.

    Howard might not have come across as such a calm person in late 2005, when he found out he was HIV-positive. After his diagnosis, he felt “dirty” in his own skin, and feared infecting others if he so much as cut his hand. Getting the wrist tattoos helped him in his journey toward self-acceptance.  “It’s a branding of who I am, and it’s a branding of being comfortable with that, being comfortable with who I am,” said Howard, 37, who lives in Portland, Oregon.

    Howard is one of many people living with HIV who have chosen to get tattoos to represent living with the disease. They say these tattoos help start conversations, reduce stigma and serve as reminders of how living with HIV has changed their lives.

    The origins of HIV-related tattoos are murky, but the biohazard symbol is recognized in connection with HIV among many gay men, said David Dempsey, clinical director at the Alexian Brothers Bonaventure House in Chicago and The Harbor in Waukegan, Illinois, both transitional living facilities for HIV-positive individuals recovering from alcohol and substance dependence.  “It’s to let other men know that they’re HIV-positive so that they don’t have to come out and say it,” he said. In situations of anonymous sex, it can signal status to potential partners and, in that sense, may help with prevention, because unprotected sex with an HIV-infected individual can spread the disease, he said.  For those with HIV, seeing someone else with a biohazard symbol is a sign this is another person living with the disease who might provide support, Conley said, like a “secret identification code.”

    It goes on to delve into the history behind the biohazard symbol, as well as how it has come to help many HIV positive people cope with the stigma of having the disease.

    Speaking of stigmas, one particular stigma has followed people with tattoos for centuries.  According to some religions, getting tattooed goes against their teachings and can even go so far as to prevent them from having a funeral service in accordance with their faith.  This can pose a problem for young people who wish to honor their faith with a tattoo, as doing so could put them in a position later in life that they may not wish to be in.

    From an historic perspective, the prohibition against tattooing and, by extension, branding and scarification, was intended to prevent ancient Israelites from following the religious practices of non-Jews in general, and Baal worshipers specifically. In biblical times the Tribe lived in close proximity to non-Jews who practiced ceremonial tattooing to honor their gods and their dead, a form of idol worship and something which absolutely must be forbidden for Jews as a way of insuring a strong, enduring, Jewish identity.

    While it is true that tattoos have been considered completely forbidden, regardless of intent, for nearly 1,000 years, there were at least 2,000 years of Jewish life and culture that did not completely ban tattoos, as well as a fairly significant period of time between the two opposing viewpoints where the meaning and effect of Leviticus 19:28 was rigorously debated, an argument that continues to this day. It has even been suggested by a number of archaeologists that ancient Jews practiced tattooing themselves, within a Jewish framework and completely free of the taint of idolatry.

    In our zealous eagerness to prohibit all tattoos, an attempt to insure the greatest level piety and conformation with the laws of the Torah, we may have lost sight of our original mitzvah, to simply not tattoo as idol worship in order to foster a strong, lasting Jewish identity. In the process of increasing our piety and stretching the possible meanings of the mitzvah, we may have prevented others from expressing their Jewish identities in a way that was acceptable for the majority of Jewish history, tattooing.

    In today’s final story, piercers in Oregon have been asked to volunteer to be a part of the states new Board of Body Art Practitioners.

    Jon Guac burned a design into his skin with a candle and fork to prove a point during a dinner debate about whether branding was an art form. As a teenager, he carved “Iron Maiden” into his arm “for experimentation.”  Stories like his, along with graphic photos of extreme body modifications, encouraged the 2011 Oregon Legislature to establish a new Board of Body Art Practitioners. But body piercers worry that Internet photos of untrained hacks slicing bloody skin with scalpels will distract the board from writing rules for what they say is a bigger problem: licenses for common piercings like ears and belly buttons. The board will oversee a hodge-podge of ‘body arts,’ from tattoos and ear piercings to laser hair removal and designs burned into the skin. The governor’s office is looking for seven members: two body piercers, two tattooists, one electrologist, one health care provider and one member of the general public.

    Some legislators endorse the creation of specialty licenses for some body arts that verge on being a medical procedure and require advanced knowledge of anatomy. Others think high-risk procedures simply should be banned.   “If you regulate, that implies you will have clinical training,” Sen. Frank Morse, R-Albany, said in a hearing. “Where are you going to find clinical training to put double rings in the glans on a penis?”   Piercers say it’s a waste of resources to regulate the things that most frightened the Legislature. Very few people are interested in extreme body modifications and even fewer offer those services, often traveling the country to find enough clients. Regulations or bans would not slow the practices, just move them farther underground, they argue.

    Most piercers want to focus energy on reforms for the more commonplace piercing industry. They suggest changes to improve customer safety, thin the crowd of under-qualified competitors and level the economic playing field for jewelry made from better materials.   Nearly 500 people are licensed body piercers in the state, a 30 percent increase from 2008. No specialized training is required to receive an Oregon piercing license. A person just has to be 18 years old with a high school diploma or equivalent and submit proof of training on blood born pathogens.

    Blake Perlingieri, owner of Nomad Precision Body Adornment and Tribal Museum, thinks it’s about time Oregon caught up on body piercing regulation.   Perlingieri began his apprenticeship at the opening of the world’s second piercing studio in 1988, co-founded the Association of Professional Piercers in 1994 and helped petition the California Legislature for sanitation standards that have been adopted widely in the U.S.  As the piercing world ballooned from a pocket of urban subcultures into mainstream popularity, training didn’t keep up. Piercers of all experience levels opened shops to meet the growing demand, sharing their often-limited experience with new staff and endangering their customers with poor work more likely to become infected.   Perlingieri petitioned the Oregon Legislature in the 1990s to adopt training standards similar to a cosmetology license. He proposed issuing temporary licenses to apprentices until they have done thousands of piercings.

    That’s it for this week’s news.  Have a fun and safe weekend and I’ll see you back here Monday.

    Remember if you ever come across a story you think should be included in the news roundup, simply click here, or send me an e-mail: [email protected]


  • Outside the box

    It’s been a while since we’ve seen a piece like this, and the last time we did it was from an artist in Europe.  A lot of people were asking if there was anyone in the states that could do something similar, and by the looks of it, there is.  Megan (IAM: Guilt of Eve) works out of both Hardnox in Franklin, NJ and Asylum in NYC.  She’s got her own BME portfolio gallery, and it’s worth checking out.  This piece was done on none other than Jersey herself.


  • Branching out

    I’ve seen a lot of baby foot print tattoos, but none of them looked even remotely like this.

    Tattoo by Jackie Rabbit from Star City Tattoo in Roanoke, VA.


  • Care for some watermelon?

    After seeing today’s BMEGirl, I suddenly have a craving for watermelon.

    Piercings by Chris Saint from Artifact Tattoo in Santa Clarita, CA


  • The Friday Follow-up

    Today’s follow-up is going to be a little different as IAM: Nilrem has not only sent in photos of his scars as they healed, but also wrote about them.  So today, you get to hear about the scar healing process from the owner of the scars.  But first, here’s how the scar looked right after Brian initially cut it.

    The follow up ‘Healed’ pictures are of scars that are 2.5 years old. The were initially cut by Brian Decker of Pure Body Arts in Brooklyn NY, then after healing 5 months later, they were branded over with a hyfrecator for a 2nd round of scarification.

    I knew that when getting scarification that the results would vary based on individual healing characteristics, so to not have any expectations. I hoped for a strong visible scar, but was willing to try knowing I may not get exactly what I want. I have very stretchy skin, and I speculate that for this reason I havent scarred as well as I would hope. For this reason, I got the same scar done twice. Initially I thought I wasnt fully satisfied with my experience with scarification, but I have since changed my mind. It might be more subtle then I had initially envisioned but the current pictures I have are taken after I got a recent tan, and when that happens the scars pop, and really highlight my tattoo and I just love it.Even if the elevation of my scar is inconsistent I still think that simple scarification accents work really well with my style of getting simple tattoo designs and words.

    You can read the rest of his story after the break.

    I wanted to submit this followup, as I think using scars as an outline of lettering tattoo, is semi unique. I have seen other scar and tattoo combinations and scars to create words, but not scars to outline an existing written tattoo.  I think its good to see results on someone who is into scarification, but knows that the elevation of the scars will not be consistently as raised or uniform as desired.

    One thing to point out is that the aftercare can be exhausting. I always heard that its best to cover fresh scarification for 4-5 weeks, to make it heal extremely slow. Keeping it covered means wrapping it with clear wrap like probably 2-3 times a day. I went through a ton of plastic ziplock bags that I cut in half and medical tape. Occasionally the area under the wrap would get irritated, so I would hold off for a day or 2 and use diaper rash cream. Afterwards as the scar starts to show noticeable closure, the next step is to irritate the skin with sugar&vaseline or light brushing with a toothbrush. In total your looking at a good 2 months before you just leave it alone and dont touch it. It just drains on you after awhile, to always carry bags and tape around, and to have to go to the bathroom when the wrap gets to moist with sweat etc. Depending on the location, wearing the wraps wasnt noticeable, but I started to hate hearing the crinkle of the plastic, and just wanted to be free. After it was time to leave the scar alone to heal, I let it do its thing for a good 1.5 months. This was a nice break, but after 2 months I would like longer. However in my situation knowing how I dont heal as well, and that my scar is now over 4 months old, I figure its best to give it a 2nd attempt at professional scarring, before it starts to really heal at 1yr+. So I jump right back into the 2nd scarring of the same piece, and the process starts over again. In the end its like 6 months before I leave it alone, and its the biggest relief ever, that you almost dont care if it doesnt come out great, you know you tried hard as hell.

    Thank you Nilrym for sharing your experience with us.  You can see more photos of his scars in the scarification galleries and his IAM page.



  • Guess where?

    Alright, so the headline may be a little misleading, but it’s relevant to the photo, so that counts right?  In case you haven’t heard, the BMEShop is having a massive sale right now.  In celebration of the new IAM the BMEShop is giving everyone 10% off for every year that the new IAM has been in development.  Which means, you get 30% off everything (excluding dvds).  Simply use the code: 3years to get your discount.  There was a problem with the code in that is was falsely coming back as expired, but that has now been fixed.  This sale is going on until August 19th, so if there’s been something you’ve been eying in the BMEShop, now’s the time to buy!

    Oh, and just had an update from the boss lady, the new IAM is on schedule to be launched tomorrow afternoon at the lastest!!!

    Everything is on sale at the BMEShop until August 19th!!  Discount code: 3years


  • ‘Til death do us part

    Dia de los Meurtos is a celebration in memory of those loved ones who have passed on.  To me this tattoo says that even death won’t keep these two souls apart, as their love transcends even death.

    Tattoo by Nick Whybrow from Self Sacrifice in London, England.