This cutting on Michele (which I thought kind of resembled my forehead tattoo, which is probably why I liked it) is based one that one of the characters in the the Karl Persson painting “Ascending” (about the middle of the bottom row in his gallery as I write this) has, and was cut by Ighlif at Happy Family in Torino, Italy. While people have been doing beautiful work with high detail scarification, personally I prefer these very simple geometric designs, and think they also have the best chance of looking good for life.
Comments
20 responses to “Cyborg Cutting”
Well done Igh!! 😀
I love the semplicity of is work too 😉
Well done Igh!! 😀
I love the semplicity of is work too 😉
Italian styla!
Italian styla!
Sado-Ighlif = total cult!!
Sado-Ighlif = total cult!!
very nicely done!
very nicely done!
I totally agree about how striking the simplest scars can be, and this one is awesome. I like how the line width changes a little from the top to the bottom of the circle, and maybe from the outside to the center of his chest.
I totally agree about how striking the simplest scars can be, and this one is awesome. I like how the line width changes a little from the top to the bottom of the circle, and maybe from the outside to the center of his chest.
Striking piece, very effective.
Striking piece, very effective.
Ighlif! gogogogo!
Ighlif! gogogogo!
sick!!! 🙂
sick!!! 🙂
i didnt know they did amazing work like this in Torino!
i was there last year, whyyyy didnt i get a cut >.<
this simple design works so nicely.
i didnt know they did amazing work like this in Torino!
i was there last year, whyyyy didnt i get a cut >.<
this simple design works so nicely.
“I prefer these very simple geometric designs, and think they also have the best chance of looking good for life.”
Agreed.
“I prefer these very simple geometric designs, and think they also have the best chance of looking good for life.”
Agreed.